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Back catalogue: All genres
Juno's full catalogue of All genres
Singles
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in stock $15.58
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Review: Wild breaks from the wild west; Welsh beat sculptor Abstract Drumz gets busy on the mighty Over/Shadow. Four cuts heavy, each one designed to slap your rave silly. 'Just A Ride' opens the EP with atmospheric aplomb. Brisk pads and live jazzy breaks set the scene, hitting hard in all the right places. Elsewhere 'I Like The Rain' galvanizes AD's Celtic status with unhurried charm before 'Ethereal Remix' gets a lot more frenetic. Finally 'Culture '24' closes the EP with some of the heaviest chops of the set. Wallop!
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Review: UK ensemble Abstract Orchestra is led by producer Rob Mitchell and has built its name through jazz-infused hip-hop tributes to legends like J Dilla and MADVILLAIN. Their latest cut, 'Big Bad Wolf,' features Detroit MC Guilty Simpson, whose booming baritone drives the track's cinematic narrative. Originally shelved and not put out, Mitchell revived the collaboration by rewriting the entire instrumental. The result is a two-part journey: from eerie, dreamlike strings to hard-hitting live drums, textured synths and reverb-heavy vocals. With lines like 'when a good guy becomes a villain' Simpson's in raw vengeance mode and jay lyrical grit meets with tight musicianship for modern hip-hop orchestration at its boldest.
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Review: Dublin's techno master steps out with a release that feels both emotionally charged and technically razor sharp for his own label Xistence. Balancing precision with heart, these tracks echo the roots of Detroit techno while reaching boldly into the future. 'The Fear Of Failing' leads with a crystalline melody that feels like it's been beamed in from another dimension. The production is slick and spacious, but there's warmth in the detail, and the main motif is hard to forget. 'Homecoming' drifts in with a deep rolling groove that's part celestial drift, part afterhours love letter. Everything about it feels smooth and elevated, like watching the sunrise from orbit. Claude Young steps in on remix duties and delivers something raw and gritty. His take on 'The Fear Of Failing' strips things down to a lean acid framework. It's a trip back to techno's skeleton while still sounding sharp in the now. 'Mirror Reaction' rounds things off with pure Detroit class. Built with intent and clarity, it's the kind of track that moves both head and body. A graceful, thoughtfully crafted EP from a producer clearly in control of his sound.
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Review: Just how solid of a balance between highs and lows can you get? Fastidious research study into EQ optimisation seems to have gone into this shunter from Bladerunner, Chimpo and Sl8r, three new-gen juggernauts of the UK drum & bass circuit. Helping Philly Blunt achieve their lit-up ends, the pair kick off the label's latest subseries with a limited transparent red 12", nodding visually to its mid-90s heyday. Bladerunner vets suspected replicants with two empathic response tests, 'Chronic' and 'Straight Up', both cut from the same tough, emphatic cloth. On the flip, Chimpo & Sl8r make their label debut, swerving between grime and jungle with a distinct Manc slant, a sound refined across releases for Metalheadz, The North Quarter and Hospital. A sharp extension of the Philly Blunt legacy, which began in 1994 with rave-wrecking cuts like Leviticus' 'Burial' and Dillinja's 'Sky'.
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Review: Birmingham's Jossy Mitsu and Bluetoof join headsy forces on their new collaboration for Tempa, colliding the former artist's rinsed, globetrotting UK-troit DJ sets the world over and the latter's "drum specialisms" formerly lent to labels the likes of Shall Not Fade. Transcending the one-forties for a deeper-shades descension, 'Metamorphic' and 'Acid' establish a mood of nightclub meets human biostasis facility, as sci-fi zaps meet brooding, high-sustain bass cues. 'H20' is the sole tune to heighten the mood, its stop-start rollerblade bass and necksnap 808s proffering a jammier digestif.
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Review: Break 3000 returns with his first new material in over two decades, delivering four high-torque tracks of electroclash, rave and cold wave nostalgia. Born in Germany and known for his role in Dirt Crew and the Electron Feel imprint, Break 3000 rekindles the raw DIY spirit of his early 2000s output. 'Electronique' is the centrepieceiEBM drum hits, rasping vocoder vocals and a revved-up rave bassline that harks back to his 'Fix' era. 'Continua' channels distorted filtered techno into peak-time territory, while 'Tape Recorder' leans into retro electro a la Rotterdam and Detroit, full of hissy drum machine charm and chopped vocal samples. Italian producer Marcello Giordani rounds out the EP with a slick proto-house remix of the title track, nodding to Bobby Orlando with shimmering Vermona drums and dark disco swagger. From Cologne to Parma via Berlin and Buenos Aires (the release is on Calypso's Dream), this is a cross-generational, cross-border flex that proves Break 3000 still has teeth.
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Review: British producer BufoBufo makes profound electro tunes that are as much defined by their storytelling synths and their fresh rhythms. He draws on acid, breakbeat and classic house on this new EP, which though cosmic and journeying also retains a real human soul. 'Celandine' glistens with rueful pads and taught basslines that rise and fall next to lush synth outbreaks. 'Bittern' is more dark and prickly with a menacing undercurrent and 'Quantum Tunnel' shuts down with a slower, more reflective sound, beautiful arps and languid drums. Our favourite is the open though, 'Petroglyph', with its nimble basslines and widescreen psychedelic synth explosions.
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Review: Germany's Caldera makes his debut on Space Lab and it's an exploration into a mythical realm where deep, organic textures intertwine with intricate rhythms. The EP also continues the label's commitment to psychedelic sounds and seamlessly blends fluid percussion with atmospheric sound design and hypnotic grooves that prove Caldera has a knack for supple deep techno and bass-driven electronics. Rich in detail and thrilling in execution, these are four cuts packed with evocative mental imagery and the sort of refined rhythms that get headier crowds going wild.
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Review: Now six EPs deep into his catalogue, this artist continues to refine a signature Balearic sound that evokes sun-drenched beaches and late summer evenings. The standout track here is 'Le Reve', a lush and hypnotic piece that channels the spirit of Cafe del Mar's golden era. It opens with warm pads and a dreamy melodic flow that gently washes over the listener. The highlight, though, is the vocal performance from Liza Carrey. Her voice is breathy, sultry and haunting, weaving through the track with a gentle intensity that perfectly complements the mood. For the remix, Swiss producer Lexx steps in and subtly transforms the original into something even more relaxed. A laid-back Latin rhythm with soft percussive flourishes and beachside warmth, turning the track into a slow-burning coastal cruiser. It is a perfect blend of downtempo charm and balearic soul, maintaining the emotional tone of the original while adding a fresh rhythmic touch. A serene and seductive journey.
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Review: A powerful roots anthem from the unmistakable voice of Daweh Congo here. 'Prophecy Reveal' is an invitation to get lost in his haunting tone and spiritual intensity, both of which were hallmarks of his role in the roots revival movement. Originally released in 2000, the 25-year-old classic blends conscious lyrics with a weighty digital rhythm to create a hypnotic, militant vibe. Daweh's mystical delivery brings urgency and depth to the message, while the B-side dives into rich 90s electronic dub territory by layering effects and echo for a deep sound rooted in spiritual and musical resistance.
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Review: Ukraine's Yan Cook has been at the forefront of techno in Ukraine for some time. He works in the dubbier end of the spectrum and brings more great weight to this one on his label, Cooked. 'Equinox' is an early evening mood builder that twists and turns through smeared synths and grainy lo-fi grooves. 'Syzygy' is more loopy and hard-hitting with mind-melting percussion over the cavernous low end. 'Monsoon' is as urgent as a call to action from a battalion leader on the front line and 'Headspin' is just that - a more frenzied and wonky cerebral workout for the dizzy 5 am sessions.
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Review: Like his Windy City compatriots Mark Grusane and Rahan, Cratebug specialises in high-grade, razor-and-tape style re-edits subtly re-framed for 21st century dancefloors. The Chicagoan has released many fine collections of reworks over the last decade and this two-tracker is another high-grade treat. Up first is 'Fiyah', a heavyweight tease-and-release loop jam built around low-slung disco grooves, layered vocal samples and subtle effects trickery. While he appears not to have add any beats, its' Soundstream-esque construction makes it perfectly suited to house dancefloors. Over on the flip, he gives his take on one of the most beloved disco classics of all time: Diana Ross's incredible 'Love Hangover'. He extends the upbeat sections, paying more attention to hear vocalisations, the infectious instrumentation and killer groove.
… Read more in stock $18.12
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Review: Belfast-born producer Cromby lands on Life and Death with a slick three-tracker that balances punchy house pressure with wide-eyed euphoria. The lead cut, 'I'm Coming Back', is a collaborative jam with vocalist NiKi K, all soaring pads and ecstatic vocal phrasing-pure serotonin with a subtle edge. Known Artist then flips it into a tense, club-focused version, peeling back the gloss in favour of moody propulsion and tight, broken drums. On the B-side, 'One More Time' hits with a grinning sense of peak-time mischief, full of springy basslines and bright melodic licks. It's a confident and cleanly produced record that toes the line between emotional release and practical dancefloor function-perfect for high-pressure sets and outdoor moments alike.
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Figure Of Speech (reissue) (hand-stamped 12" in die-cut sleeve limited to 300 copies)
Cat: FR 202R. Rel: 11 Jun 25
Deep House
Review: A decade after it was first released (credited, back then, to Detroit Swindle), Dam Swindle's 'Figure of Speech' EP returns on vinyl in freshly remastered form. It remains one of the Amsterdam duo's most respected and much-loved EPs, and for good reason. Opener 'Figure of Speech' is an infectious, rolling and impressively groovy workout which combines African vocal samples, layered percussion and tidy house breaks with warming deep house chords and tech-tinged electronics. 'Victoria's Secret' is a woozier and more analogue-sounding deep house groover with deliciously positive synth melodies and fizzing riffs, while 'Live at the Cosmic Carnival' is a more percussion-rich slab of jazz-flecked, Batacuda-inspired Latin house heaviness that could well be the EP's most potent moment.
… Read moreGespielt von: Charlie bucket/ dancing in space
! low stock $18.70
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in stock $17.57
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Review: Danubian Dub hails from Vienna and step up to their own self-titled label with a deep, steppers-style cut that delivers conscious energy and militant grooves on one impactful 7". 'Move Dem' is driven by a thunderous bassline and echo-laden snares and has a nice ass-wobbling weight to it as it rolls up and down while I Nando's commanding voice delivers his own message. Though rooted in classic dub traditions, it has a fresh edge and sleek production aesthetic that very much places it nicely the here and now. The Smalltowndubz brings some more winky dubstep style bass weight to the flipside and both versions are sound system-ready anthems built for serious rotation.
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Review: DCTL is a collaborative project between Masafumi Onishi (known as Telly) and DJ Duct, two influential figures in Japan's underground scene. Onishi is also the founder of Troop Music Works and has been instrumental in shaping the electronic landscape in Kobe. DJ Duct, much loved for his innovative turntablism, brings a unique blend of hip-hop and electronic influences to the duo. Together, they produce raw, analogue-driven tracks characterised by gritty drum machine sequences, soulful samples, and a DIY ethos that resonates with fans of Detroit-style beatdown house and downtempo music, as evidenced here on five fresh and funky cuts stacked with loose rhythms, smart samples and melodic hooks.
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Review: Decoder brings his deliciously dark take on drum & bass to this new one from Over/Shadow. It drills deep into the heart of a smoky, strobe-lit dance floor while also offering plenty of mental soundscapes to explore with your eyes closed. 'DT103' has crisp breaks and warped bass under shards of broken, glassy melody and 'DD1' then floats on a more skeletal rhythm with grazing background pads and apocalyptic bass. The Technical Itch remix brings even more in-your-face textured percussion and 'MB29' shuts down with a cosmic exploration and skittish drum patterns.
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Review: Kiria Records drops a sleek EP here from Romanian DJ and producer Direkt, who keeps it refined with minimal grooves and deep vibes. The title track, 'Vintage A,' opens with classy synth work and crisp percussion, setting a hypnotic tone and Cally's remix follows with a stripped-down, razor-sharp rework ideal for subtle transitions and after-hours sets. Flip to the B, and 'Best Kick Forward' lives up to its name and is driven by bold basslines and forward-moving momentum. Closing track 'Fragments' floats on airy textures and intricate rhythms, so it leaves a thoughtful and lasting impact. A polished, versatile EP built for selectors who like it deep.
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Review: London's DJ Ojo makes a strong debut on Pain Management with a shape-shifting 12" of heady, system-ready dub music. Known for his murky and slow-burning take on the form, Ojo takes things deeper here. 'Tongue Tied' rides out on pitch-black sub pressure and a ghosted vocal loop, evoking that half-asleep state between the dance and the walk home. 'Oil Dub' warps percussive elements into a cavern of melted delays and filtered hiss - almost ASMR in its abstraction. On the flip, 'Cloud Suck' stretches out into a near ten-minute reverie: digidub's emotional potential pushed to its outermost edge, sun-bleached, swirling and strangely hopeful. It's that rare kind of low-end music that plays just as well from a stack as it does through headphones, carrying a woozy emotional undertow that feels both bruised and comforting. A masterclass in restraint from one of London's most low-key original voices.
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Review: Dom Angas has come a long way from his Moving Shadow singularity 'Can't Punish Me', which soon saw(tooth) an enviable career in techstep well underway. The nominally double-taker artist now issues 'Reimagination', throwing back to another shadowgraph from the MS era, 'Imagination'. This tune appealed best to the dystopian rollage crowd: there's no drop, but rather a straight barrage of hyper-crunchy cybergoth Reesework and parched beats. His new 'Reimagination', from now, continues to channel the mood but this time with added hope and angelics, shortly before a forget-me-not VIP of the original track reveals a wicked Star Trek sampling darkside version: "There are times when I find myself transfixed by a shadow on the wall, or the splashing of water against a stone. The hours pass, the world around me drops away, replaced by worlds being created and destroyed by my imagination."
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Review: In 1969, Duo Ouro Negro travelled to the US and came back changed. By 1972, they channelled said many cross-country encounters with Black Power politics, spiritual jazz and liberation struggles into Blackground: a bold, pan-African statement recorded not in Luanda but Lisbon. The Angolan duo, already global stars in Portuguese-speaking circuits, were heard fusing jazz-funk with messages of decolonisation and Black identity, summed up in Raul Indipwo's cry: "Don't forget your blackground." A decade later, in 1981, the record was reworked with fresh arrangements and additions like the instrumental 'Iemenja' and the percussion-heavy 'Aruandai'. This new edition from Digei De Bairro brings that fiercely rhythmic and politically charged LP back into circulation, a vital slice of Lusophone jazz-funk with global intent.
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Review: Three Es would be some trip, and EEE also symbolises guaranteed good times in the club. The mysterious label and eponymous artists keep on rolling out essential tech and minimal cuts that are smartly designed and authentic, but also with anthem potential. Maybe that's why each one is a one-sided 12", to really allow the tune room to shine. In this case, dusty drums with a hint of garage swing and shuffle are paired with melodic baseline motifs and colourful synth patterns. It's a good time groove with plenty of heart.
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Review: German techno DJ and producer Tim Engelhardt takes a bold steps toward ascendant progressive techno with 'My Joy', his latest for Habitat. Nodding to the many sun-drenched euphorias personally experienced in Ibiza, this is a true live-it-up house record. Panned organs and subtle vocals take centre stage on the A1, while the B 'Love Triangle' complicates things with a beachside love involution. Midway moment 'Take Control', meanwhile, marks the record's pivotal shift from organ-led emotion to a percussive lock-in.
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Review: South London's Tom Esselle returns with a standout EP on Rhythm Section that cements his place at the core of the UK underground. Building on past successes like 'Praise Bes' on Wolf Music and 'Lou's Groove' on Rhythm Section, this release shows off his wide-ranging house influences which have all been refined through collaborations with Chaos In The CBD. The A-side delivers club heat with 'Baddies' featuring a killer mid-2000s r&b sample, and the techy 'Plaything'. The flip is breezier as 'One Of These Days' shines with Dave Koor's jazzy keys, while 'Harmonise' closes things with dreamy warmth. A mature, versatile offering from a producer hitting his stride.
… Read moreGespielt von: Bryan Hervieu
in stock $18.12
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Cat: RBDC 142. Rel: 13 Jun 25
Electro House
Review: Roman Flugel's 2004 banger 'Geht's Noch?' is a cheeky electro anthem that became a schoolyard ringtone staple, and now it is back for its 21st anniversary on Running Back. The original was part of a Cocoon compilation and this reissue features remixes that pay homage to its playful mood. Luca Lozano's ' 'Gehts Garage Remix' introduces UK funky elements, Peder Mannerfelt's version builds dramatic tension around the iconic riff, and Aasthma delivers a colourful, anime-inspired take. EDM bigwig Steve Angello brings some signature oversized electro maximalism to his version.
… Read more in stock $15.58
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Review: Two new Drumcode signees from Sweden team up for the first time ever on 'Deadly Valentine', a gothic x-marks-the-spot in big-cheese techno. The first joint single outside of compilation or album formats, Giordani's flair for melodic structure and genre blur rubs against sonic streamliner Skils' skills, repurposing a vocal line Giordani stumbled on during a Spotify deep dive, and which now comes anchored by gladiate grooves and ghostly dual-language lyrics, tossing over sincerity and satire. Skils handled the initial structure, though the pair refined it across versions and sessions before locking in the final cut.
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Review: Sub Basics's Temple Of Sound is back with new music from Henry Greenleaf who appears under his new moniker, Greenteeth. It is a project he is clearly using to cook up smart back room minimal sounds going off this evidence: 'Loxton' is a slow motion and prowling groove but one with deep, menacing bass and nice louche percussion. 'Jungle Love' is another subversive sound with a snaking rhythm and dubby low ends, dusty hi hats and late night mischief. Last of, 'On & On & On' plays out over all of the flipside with shuffling drums that are light and airy and topped with wispy drones. It's delightfully hypnotic.
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Review: Texan producer Ben Hixon has been particularly prolific of late, releasing a swathe of rather good - and undeniably analogue-powered - deep house EPs on Dolfin Music, a label he's been associated with for many years. Here he drops a seven-inch single - a rarity within house music - featuring two jams that make extensive use of his Casio LK keyboard. A-side 'Casio LK 1' is a breezy chunk of old school style deep house that comes blessed with a deep, heavy bassline, sparkling keyboard riffs, and soulful, eyes-closed vocal snippets. He opts for a sweatier, more stripped-back and occasionally distorted drum sound on 'Casio LK2', wrapping this tough-as-teak, no-nonsense beat in dreamy chords and spacey melodic flourishes.
… Read more in stock $19.55
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Review: Following a string of praised releases for labels the likes of Dreamlord Recordings, Library Of The Occult and Up In Her Room, Jonathan Parkes (Korb) and Dom Keen (Studio Kosmische) team up once more for Bongo Express, a one-off vinyl drop via Crouch End's Feral Child. This time, the pair lean hard into their mutual obsessions: dusty mid-70s textures, radiophonic wig-outs and low-slung kraut-funk. Built around rattling bongos and scuzzy analogue synths, the record rides a hypnotic groove that sits somewhere between library oddity, imagined road movie score and late-night Berlin jam session.
… Read more in stock $19.55
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in stock $19.25
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Review: Infamy, Infamy, they've all got it.... On rotation because this absolutely pops hard and is far too good to be trivialized with an old Carry On quote! 11 years have passed since the artist also known as A1 Bassline returned to his Infamy alias for these two brutalist jungle jams but they still sound shockingly good to this day. Abrasive, choppy, and loaded with tightly coiled energy. This is proper jungle, the way it's always been on Inperspective. Grab this now if you haven't already.
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Review: Hailed by RA as a "true connoisseur of music" - and so far with a spectacular trail of festival appearances behind them, apparent between Ireland, New York and Vienna - Island Times Deejay has kept up a staggering career so far. His new EP now drops as an inevitable testament to his ability not just to select but craft and cut grooves of his own; the lead track works through an untraceable disco source sample of fiendishly obscure proportions, despite its brilliant hookline: "set your mind free, you can't fight it, you'll be delighted, destiny". The A-sider is equally obscure, though it sounds to be quite a loyal and forgiving redo of an equally graded disco-soul crooner, awash in lyrical reminders of the operant genre: "disco!"
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Review: Melbourne's Tim Jackiw brings a retro future vision to this latest sweaty workout on the Physical Education label. 'Manifestation' is a full singlet on, socks up, headband in place, striding forward electro jam with nice cosmic energy and 'Multi Pass' then brings wistful Detroit synth work and sleek grooves designed for heady escape. 'House Wine' keeps the deep and driving dynamic flowing with more dusty drum programming and meaningful synth work and 'Unseen Forces' then gets more raw and percussive. Last but not least, 'Taking Measures' shuts down with some reflective moods and slower tempos.
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Review: The enduring electronic musical gene sequence that was Virginia-born pianist and keys player Lonnie Liston Smith's spiritual funk-jazz opus, 'Expansions' from 1974, now hears another re-disco-scription by keyboardist Gail Johnson and her unstoppable band, Jazz In Pink. Renowned for her keytar uplifts and relentless live schedule, this is a rare 12" for the modern genius LA live musician. Her rendition of Smith's 'Expansions' both mellows and sharpens the mood in equal measure, providing a renewed euphony come euphoria. 'Glow' backs up the B-side with a sheeny original, with dramatic phrase stops and trademark peak-out pianos from Gail.
… Read moreGespielt von: Osmose
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Review: We've an East Coast rap royal flush, as Talib Kweli and J. Rawls tap into deep lineage with 'Native Sons Part 2', a limited 7" pulling heavyweight verses from Black Thought, Busta Rhymes, De La Soul and Jungle Brothers' Mike G and Afrika. It's a sprawling nod to the Native Tongues era, retooled for now; lyrically dense, spiritually charged, and anchored by Rawls' crisp, jazz-touched production. The single lands ahead of a spring 2025 compilation with Dostoyevskian undertones, Notes From The Underground, via Fat Beats. The flip bears an instrumental, stripped down to let Rawls' craftsmanship breathe.
… Read moreGespielt von: Marc Hype
in stock $17.28
