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Review: Although artists often claim not to read their reviews, Doja Cat clearly does. Scarlet, her fourth album, is a direct reaction to criticism of her rapping and the pop-leaning nature of her later work. So while she does sing at times, it's her sassy, confident and dextrous verses - alongside beats and basslines rooted in r&b and hip-hop, with plenty of high-profile sample flipping thrown in (see recent single 'Paint The Town Red', which utilises elements of Dione Warwick classic 'Walk On By'). The results are undoubtedly remarkable and -in her words - "masculine", with highlights including the strutting and insanely weighty 'Demons' (whose lyrics are a direct attack on critics and misogynistic male rappers), the Rotary Connection-goes-r&b shuffle of 'Attention' and the deep, head-nodding wooziness of 'Balut'.
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Spiritual (feat Carl McIntosh, Junior Giscombe, Leee John, Noel McKoy, Omar, Paul Johnson & Rick Clarke)
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Review: Having previously shone a light on lovers rock via two volumes of his For The Love of You compilations, dusty-fingered selector Sam Don has turned his attention to 'underground UK soul'. In practice, that largely means - though not uniformly - street soul of the late 80s and 90s. It's a simple idea, executed brilliantly, with Don working tirelessly to get the blessing of all the artists involved. Sweet, synth-heavy and lusciously loved up, the 12 tracks on show are undeniably excellent, with the many highlights including the piano-sporting, breakbeat-driven dancefloor pleasure of Kofi's 'Step By Step', the sax-sporting shuffle of Jenny B's 'Sexy Eyes (Club Mix)', the bubbly 80s soul cheeriness of Cavalier's 'Don't Touch' and the bustling post-boogie brilliance of 'Passion' by Taffy.
… Read moreGespielt von: Juno Recommends Soul, Clémentine
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Review: Where does Dr Dre's 1992 masterpiece, The Chronic, rank in the list of hip-hop's greatest albums? It's certainly up there with the most significant sets of the '90s, delivering as it does a brilliant blend of re-imagined, 'gangsta rap' era G-funk beats (Dre giddily drew not only on his own West Coast synth-funk heritage, but also samples from classic cuts by, amongst others, Malclom McLaren, Parliament, George Clinton, James Brown and Bill Withers) and on-point raps from a veritable who's who of Death Row Records-affiliated rappers - most notably Warren G, Snoop Dogg, Nate Dogg, The Lady of Rage, Kurupt and Daz Dillinger. Now fully remastered and bundled with - fittingly - with some branded rolling papers, The Chronic is a genuine classic that deserves a place in everyone's music collection.
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Review: Alongside De La Soul's 3 Feet High and Rising, A Tribe Called Quest's The Low End Theory and Public Enemy's It Takes a Nation of Millions To Hold Us Back, Dr Dre's solo debut album, The Chronic, is one of the few hip-hop sets that genuinely changed the genre in the months and years after it was released. Three decades on from its original release, it has lost none of its allure - as this celebratory reissue proves. Built on distinctive 'G-funk' beats that heavily reference his hero, George Clinton, a wealth of killer samples, and raps from the cream of the then West Coast scene (his old pal Snoop Dogg is the most prominent voice throughout), it's a kaleidoscopic and sonically vibrant excursion that's every bit as essential now as it was back in 1993.
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Review: A decade after making his major label with Doris, all all-star affair featuring contributions from the RZA, Frank Ocean and Tyler The Creator, Los Angeles MC Earl Sweatshirt delivers album number six - a two-way hoedown with acclaimed beat-maker, Cypress Hill affiliate and fellow LA resident The Alchemist. It's a musical marriage with great potential, all told, as Earl Sweatshirt delivers distinctively enigmatic lyrical flows in his distinctive timbre over impeccable beats that draw on an impressively diverse range of samples. Compare and contrast, for example, the sparse, bluesy brilliance of 'Vin Skully' and the West Coast synth-funk influenced smoothness of 'Heat Check', or gospel-influenced Vince Staples hook-up 'Mancula' and the slow-motion drowsiness and aural beauty of 'Sirius Blac'.
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Cat: 586891 0. Rel: 08 Feb 24
Hip Hop/R&B
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Manifesto: Day One (D: Engene Version) (CD + 48-page photobook + 2 photo cards + poster + stickers)
Cat: 418720 5. Rel: 02 Sep 22
Pop
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Preface
Lights On
Two Weeks
Hours
Pendulum
Video Girl
Numbers
Closer
Give Up
Kicks
Review: Young Turks clearly believe that Tahlilah Barnett, formerly known as Twigs (hence the FKA Twigs pseudonym) is a star in the making. They plucked her from obscurity last year and have since released a number of highly regarded singles. This debut album expands on her EPs to date, showcasing her woozy, intricate take on post-R&B. Naturally, her vocals - fragile and evocative, sounding not unlike Kate Bush on occasions - take centre stage, riding a bed of layered-up head-nodding rhythms, post dubstep grooves, trip-hop soundscapes, fizzing electronics and bubbling synthesizers. It's an intoxicating brew, all told, and one that delivers further proof of Barnett's immense potential.
… Read moreGespielt von: Juno Recommends CD Albums
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Cat: BBR 022CD. Rel: 03 Nov 22
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Cat: CDKEYSYS 003. Rel: 11 Mar 22
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Good Luck (Japanese Edition) (CD with obi-strip)
Cat: SP 1533CDJ. Rel: 11 Apr 23
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Killing Me Softly With His Song
Everything I Wanted
Falling
Stop Right Now
Teardrops
Proud Mary
Bring It On Home To Me
Can't Hurry Love
Smile
Diamonds
I'll Be There
Fast Car
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Review: Ghetts is undoubtedly amongst the top tier of British MCs - a grime legend famed for being a genuinely dextrous lyricist. As On Purpose, With Purpose proves, he's also an artist whose output has evolved considerably since he emerged in the late 2000s. While his raps and rhymes are as sharp as ever, the beats he's working with are far more diverse, polished and - whisper it quietly - deeper than many may expect. For proof, check the r&b and hip-hop-soul influenced of 'Double Standards (featuring Sampha)', the sub-heavy punchiness of 'Laps (featuring Moonchild Sanelly), and the jazzy, head-nodding hip-hop warmth of 'Twin Sisters (featuring Skrapz)'. Throw in nods to Afrobeats and Amapiano, and you've got a set that will surely feature in many 'best of 2024' lists later in the year.
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Review: Everyone's favourite "virtual band" returns with its eighth studio album, the Damon Albarn and Jamie Hewlett-helmed project's first for three years. In keeping with the project's loose, collective concept, the ever-present Albarn - whose voice provides the focal point on the majority of tracks - there's an impressive cast-list of guest musicians present, with Thundercat wielding the bass on the purple funk-influenced title track, Stevie Nicks handling lead vocals on 'Oil', Beck providing a standout turn on 'Possession Island' and Bootie Brown and Tame Impala excelling on album highlight 'New Gold'. As usual, this is hooky, well-made pop that proudly dips its toe in all manner of styles and sub-genres, while sneakily avoiding the pitfalls of shamelessly radio-friendly music. Fans will love it.
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