Back catalogue: All genres

Notes: Ten-channel version of one of the most cost-effective mixers on the market. Great sound, good EQ and handy built-in effects. Check out the 12-channel version if you prefer faders for level control.

Supplier's notes:
The Allen & Heath ZED-10FX mixer is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in/out making it easy to capture stereo recordings.

Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. We've added a set of fabulous effects to give shimmering reverbs and enhance your sound.

USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS:
1) Main Mix Left + Right (Post master Level)

2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)

3) Record Bus Left + Right (Separate stereo bus to Main Mix)

RETURN OPTIONS:
1) To Playback input (through jack socket break contacts)

2) To Stereo 2 channel (through jack socket break contacts)

ZED-10FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

ZED-10FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.

ZED-10FX's pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain "Boost" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character.

The ZED-10FX is bundled with IK Multimedia's AmpliTube X-GEAR software, giving access to superbly modelled amps and effects.

Notes: The Allen & Heath ZED-14 is a fantastic entry-level mixer for small bands, solo performers or AV applications. Its comprehensive feature set, compact size and fine lines combine to make it one of the best small mixers around. Provided with 6 mic or line inputs, 4 stereo inputs with EQ, there are an incredible 157 controls on the front panel of the ZED-14.

This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It'll be equally happy running your gig on stage, recording live or mixing down in your studio at home.

USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4

RETURN OPTIONS
1) To Stereo 3 channel

ZED-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ- with optimised slope (or Q factor) for equalising individual instruments.

Based on the proven pre-amps from the hugely successful PA series, ZED-14 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

Notes: The Allen & Heath ZED-24 has an incredibly advanced feature. It has 23 independent sources to the mix, 10 independent outputs and 4 aux sends. Configurable USB audio input/output makes it easy to capture stereo recordings, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, the ZED-24 mixer is so packed full of great features that you'd think it would cost much, much more.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on the ZED-24 is super-flexible and super-easy. No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED-24, select the USB routing on the mixer and the device on your computer and that's it.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

Send options:
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4

Return options:
1) To Stereo 3 channel

ZED-24 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

Based on the proven pre-amps from the hugely successful PA series, ZED-24 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

Notes: The Pro Tools is back and this time Avid did something Ask Video never thought would happen. You can now use nearly any audio interface you like to work in Pro Tools. This opens up the program to many new users and we want to make sure you're up to speed.

In Level 1 of this 3 part series Ask Video are going to take you through everything you need to know to get started. Ask Video are going to start right at the beginning by getting your audio card setup and taking a tour of the Edit and Mix windows. After that Ask Video will move into recording and editing, and finish up with a few chapters on some of the instruments in Pro Tools.

If you're new to Pro Tools than this tutorial is perfect. It's also great for those of you coming back to the program now that you can use any interface you like. Watching Level 1 is a great way to refresh yourself.

QuickTime 7.x Mac/PC is required for video playback. DVD-Rom drive required for Mac/PC DVD-ROM.

Notes: The Pro Tools is back and this time Avid did something Ask Video never thought would happen. You can now use nearly any audio interface you like to work in Pro Tools. This opens up the program to many new users and we want to make sure you're up to speed.

In Level 2 of this 3 part series Ask Video are going to build on the principles and techniques learned in Level 1 and start looking at some of Pro Tools' advanced features. Ask Video are going to introduce you to the advanced recording techniques, delve deeper into audio editing and mixing, and finish up by taking a look at Structure and Vacuum.

This tutorial is great for Pro Tools users that feel like they've got the basics down and are ready to learn something new.

QuickTime 7.x Mac/PC is required for video playback. DVD-Rom drive is required for Mac/PC DVD-ROM.

Notes: MCV4 is a budget-priced MIDI-to-CV-Interface to control vintage monophonic synthesizers via MIDI. MCV4 is provided with 4 analogue control voltage outputs (CV1...4) and one Gate/Trigger output.

These are the most important MCV4 features:
4 analogue control voltages CV1...CV4
Voltage range for CV1...4: 0...+5V, 8 Bit resolution (equivalent to 1/4 semitone resolution)
CV1 for pitch control (normally VCO CV)
CV2...4 for voltage control of other functions (e.g. VCF frequency, loudness, modulation)

MIDI control of CV1..4:
CV1: note on/off with pitch-bend, 1V/octave characteristic
CV2 monophic after-touch
CV3 velocity and/or volumen (controller #7)
CV4 velocity and/or any controller (setting of the controller number via learn button)

Pitch-bend is used for CV1 generation with 1/4 semitone resolution
Gate output type can be selected via jumper inside the device between voltage trigger (+5V or power supply voltage) and S-trigger (switched trigger)
MIDI channel and reference note for CV1=0V adjustable via learn button
Different assign modes for CV1 (highest note, last note, reference note)
Retrigger on/off while playing legato
Gate/trigger polarity normal/inverted
Two 1/4" stereo jack sockets for CV1/2 and CV3/4
1/4" mono jack socket for gate/trigger
Learn button with LED for adjusting MIDI channel, reference note for CV1, controller for CV4
Optical display of gate/trigger via LED
MIDI-In, MIDI-Thru
Non-volatile memory for parameter settings
Stable metal case (about 95x75x35 mm, 1mm sheet steel)

External AC adapter for power supply
AC adapter for 230V AC and European type of mains connector is included within Europe
7...12V/100mA DC required, DC connector with 5.5 mm outer diameter and 2.1 or 2.5 mm inner diameter, polarity: plus = center, minus = ring

*** Adapters for other parts of the world have to be purchased separately. ***

Suitable accessories:

MCV4 special cable (1/4" stereo jack plug -> 2 x 1/4" mono jack plug, length about 90cm, also called "insert cable")

MIDI channel, reference note for CV1 (this is the MIDI note corresponding to 0V of CV1 and thus the lowest possible note of the analogue synthesizer connected to MCV4) and the controller no. for CV4 are adjusted via learn function. For this, the learn button must be pressed and the required MIDI messages sent from the MIDI controlling device (MIDI synthesizer, keyboard, sequencer ...). The other parameters (retrigger, trigger polarity, assign mode ...) are adjusted in learn mode via program-change messages.
The Hz/V mode available in the predecessor model MCV1 is not available with the MCV4 because of the many problems occurring with the non-linear Hz/V characteristic. But some synthesizers normally using Hz/V can be controlled with V/Oct (e.g. Korg MS10/MS20, details you may find in the MCV4 user's guide).

If you want to use all 4 analogue control voltages, you need 2 special cables with a stereo 1/4" jack plug on one end (MCV4 side) and two mono 1/4" jack plugs on the other (synthesizer side). Cables like this can be purchase elsewhere. If you need it, it is recommended to order it together with the MCV4.

Notes: The 3.5mm mini jack stereo headphone splitter cable allows two pairs of headphones to listen to one iPod/iPhone/iPad.

Notes: The Glorious 12" record box 110 is a plain and solid storage system for 12" records which holds 110 12" records. It is made of quality MDF wood with white shrink-wrap finish.

Notes: The Glorious 12" record box 230 is a plain and solid storage system which holds 230 12" records. It is made of quality MDF wood with black shrink-wrap finish.

Notes: The Glorious 12" record box 55 is a plain and solid storage system for 12" records which holds 55 12" records. It is made of quality MDF wood with black shrink-wrap finish.

Notes: The Glorious 12" record box 55 is a plain and solid storage system for 12" records which holds 55 12" records. It is made of quality MDF wood with white shrink-wrap finish.

Notes: State-of-the-art analog modelling and multi-band vocoding are finally available in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the microKORG synthesizer/vocoder is perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modelled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a virtual patch matrix that lets you create advanced modulation settings U routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. U and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R) and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock U a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Korg have used all of the microKORG's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favourites. Sixteen vocoder Programs are also included. The pitch bend wheel, modulation wheel and 5 other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The edit mode allows you to fully edit the existing sounds, or to create your own new ones.

6 types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

2 external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG's filter and effects, allowing you to process sounds in truly creative ways.

The microKORG's compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It's also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

There's no complex menu structure - all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that's both vintage and funky.

Notes: 3.5mm stereo mini jack plug to 6.3mm jack socket.

Notes: The socket with durable metal construction with polished nickel finish, is recommended for demanding professional, studio, recording and live performance applications.

The stereo channels on the stereo female mini jack are combined to a single mono signal on the full-sized male mono jack. It is ideal for plugging mini jack cables from a stereo source (iPod, MP3, portable CD, laptop/notebook/desktop PC, Apple Mac etc) into equipment expecting a mono input (amps, mixing desk, in-ear monitors/earphones etc).

The socket is used to connect cables and plug headphones, microphones, speakers fitted with cables terminated in 3.5mm mini jack plugs into equipment with full size 6.3mm (1/4") jack sockets.

Notes: Double adapter splitter plug, pair of female stereo 3.5mm mini-jack to male stereo 3.5mm mini-jack plug.

Notes: Samson SR850 studio reference headphones offer an excellent listening solution for musicians, sound engineers and general music enthusiasts. With outstanding bass response and clean, clear highs, the SR850 headphones ensure complete comfort and accurate monitoring performance.

The semi-open design of Samson SR850 provides an enhanced ambient listening environment, allowing appropriate bleed for better stereo imaging and a wider sound stage. The 50mm drivers also offer exceptional sound reproduction and wide dynamic range to instill confidence in your final mix or simply provide outstanding sound quality for your general listening pleasure.

With a self-adjusting headband for a secure and natural fit, the Samson SR850 headphones provide total comfort for extended listening and monitoring sessions. An 1/8" to 1/4" gold plated adapter is included for convenience and flexibility. When it comes to enjoying your music or mixing for a professional result, the SR850s combine comfort with professional performance.

Notes: Based on the standard jewel case, this jewel case is only 6mm thick. It is ideal for CD audio singles and with the absence of a rear inlay card savings can be made.

Naturally using CD 6mm jewel cases, the packaging bulk will be reduced and makes shipping and storage much easier.

Notes: The UDG SlingBag Trolley DeLuxe specially designed to protect your LP's and small DJ equipment + gear during travelling. With a capacity up to 60 records, this bag is perfect for mobile DJ's use or as an optimal complement to the UDG SlingBag. Constructed from high-quality fabrics, foam padded walls, electroplated zipper, comfort top-carry handle, detachable shoulder strap, and in-line wheels will provide secure and dynamic travel experience.

Specifications
Colour: Black , Black Orange
Weight: 4.5 kg / 9.92 lb
Outer Dimensions (W x H x D): 40.0 x 45.5 x 31.0 cm | 15.7 x 17.9 x 12.2 inch
Inner Dimensions (W x H x D): 33.0 x 33.0 x 20.0 cm | 12.4 x 12.6 x 7.9 inch
Material: Water Resistant Nylon 420D

Protection
Foam padded main compartment.
Integrated with a TSA combination lock.

Extras
Retractable handle with 3 stage internal trolley system.
Large front pocket + 2 side pocket for Accessories and smaller gears.
Smooth rolling in-line wheels.
Detachable ergonomic shoulder strap.
Padded handgrip for comfortable carrying

Fits

60 LP's or 1 CD Wallet 128 + 1 CD Wallet 280 or 1 CD Wallet + CD Player of MIDI controller. Trolley fits up to 13" laptop.

Notes: One of the hardest in the game. Dedicated kick drum synth from analogue experts Vermona. Shape your own sounds from scratch. Killer.

Supplier's notes:
The Kick Lancet generator is a handy analogue percussion synthesizer with priority to kick-drum sounds.

The heart of the Kick Lancet's sound structure is an analogue oscillator that produces sine and square waves, which can blend seamlessly from one to the other. 2 independent envelope generators with a decay/release phase can modulate the oscillator's frequency and the VCA. Additionally the VCO pitch can be modulated by the fast LFO (3Hz to 3 kHz, triangle). Noise and a pulse signal can be added in the mixer section. Vermona have a balls-controller for making it really big.

The Kick Lancet can be triggered by MIDI but beside that there are 3 different trigger inputs. A gate trigger, which impulse can trigger the Kick Lancet in normal way with additional accent or completely dynamical depending on the incoming voltage, a simply short current trigger (i.e. momentary foot switch) and an audio input, which offers the possibility to trigger the Kick Lancet by an audio signal statically or dynamically. Drum pads can also be connected here.

Notes: The Zomo VS-Box 200 is a practical way to store your vinyl in a stylish and efficient way.

The VS-Box 200 is made of solid wood and laminated with tough water-repellent decor. This model is easy to install, multi-stackable and can be combined with other VS-Boxes. The Box is also compatible to vinyls in protection covers. The capacity can be various by the thickness of your vinyl.

Notes: The Zomo VS-Box 50 is a practical way to store your vinyl in a stylish and efficient way.

The Zomo VS-Box 50 is made of solid wood and laminated with tough water-repellent dekor. This model is easy to install, multi-stackable and can be combined with other VS-Boxes. The Box is also compatible to vinyls in protection covers. The capacity can be various by the thickness of your vinyl.

Review: Since returning to action in 2016 after a seven-year break, 1990s techno survivor Lee Renacre AKA 100 Hz has released some of the best music of his career. This fine four-tracker marks the long-serving Londoner's first outing on Romanian imprint Amphia, who are best known for serving up sparse, minimalistic tech-house. As you'd expect, there's a slightly fuller sound here, though sonically it's as pleasingly druggy and mind-mangling as much of the imprint's output. Renacre brilliantly flits between trippy, arpeggio-driven, house-tempo techno (the otherworldly 'Machines of May'), dubstep-influenced UK bass/techno fusion ('Gadget', which echoes the ethos of his early 100 Hz releases with James Chapman), intergalactic tech-house ('Dark as Night'), and frankly filthy low-end wobblers ('Swiss').

Review: Budde & Osti of 100 Records presents an experimental "playground" that offers listeners a unique perspective on their work. The sizzling six-track EP blends jazz and house and features experimental highlights from the Trash Archives, which is a collection of 99 tracks available for free on Bandcamp. All pieces were recorded live in the studio utilising, on the whole, analogue gear that best shows off the duo's raw and unfiltered creativity. From the opening jazz dance of '40' to the closing jazz-funk-techno of '57' this is a beguiling collection.

Review: Four cuts of timeless hardcore jungle from respected and rising Aussie break butcher 12 Bit Jungle Out There. Hugging you like it's 92 but booting you like it's 2032, each track is littered with edits, twists, turns and superb stretches. From the ragga-fronted bubbler 'Dutty Gunman' to the rave-echoed 'Desire & Love', there's a hearty party spirit that's so good for those choppy, blast-em-up mixes. Trust us, he's has been squeezing his Octamed super hard for this one!

Review: Hot Piroski Records have been on something of a hiatus for the last year or so but now make a welcome return with a new EP series. This collaborative affair is the result of an epic journey in an old Mercedes from London to Gunjur and finds label head Robin 12Tree working with The Gambia and Bongo Koi as Gambian Disco Express. 'Enlightenment is Now' marks their first release on Hot Piroski Records and it comes with vocals from Gambian mystic Rev. Joseph N'Gole, recorded on the banks of the River Gambia. This one has already been hammered by Psychemagik, Pete Herbert, and Severino from Horse Meat Disco so it comes quality assured.

Review: Little is known about this early 1970s psychedelic soul group from Germantown, Philadelphia. However, their record was recorded in 1969 and released in 1970 as one of two releases on Michael Nise's Round Records (Nise Productions INC). Now, remastered from an original pristine vinyl copy in collaboration with Nise Productions, this marks the first official reissue of the album. The group's music captures the essence of the era's soul and psychedelic influences, making this a long-awaited release for collectors and fans of vintage soul.

Review: Netherlands mainstay Frustrated Funk comments with these tunes that, "My log saw something, something significant... Shut your eyes and you will burst into flames." You won't of course, but the dance floor might when you drop the textured, haunting late-night electro funker 'Easing Into The Night'. 'Movement In Stillness' is a quicker, slicker groove with icy synth lines and myriad alien details in the spaces between the beats. Last but not least, 'OS4SFI' layers up bubbling synth lines with more brilliant snares and a cruising groove.

Review: Digital Tape Recordings take it al the way back to 1994 here with the timeless early garage sounds of Dub Essentials Part 1 from 24Hour Experience. It captures the essence of UKG at the time and was first released on the definitive Nice N Ripe label. It has a range of sounds from the soothing depths and soulful samples of 'Feeling's Mutual' to the more clipped and bouncy 'Deeper (5am mix)'. 'Scatter' then layer sup jumbled perc and US house styles with rich organ chords and 'Mantra' again keeps it deep and rather sleazy with some filthy bass. Last of all is the slinky sound of 'Gone Loopy' to round out a classic.

Review: Floorspeed is a fresh Washington, DC label that brings funky techno and hardgroove from North America's heart for its debut release which taps up two standout US producers: Los Angeles' 1morning on the A-side and Detroit's 2Lanes on the B-side. 'Lifeform' opens the A1 slot with a hard-hitting Beltram-inspired beat and uplifting chords, perfect for peak-time energy. The A2 track, 'Thought Pattern' delves deeper with a hypnotic groove, highlighting 1morning's techno finesse. On 'Follow The Rabbit, the producer delivers an intense, hardgroove journey while 'The Bounce Route' closes with playful bass, lively samples and dub sirens for continuous dance floor thrills.

Review: 3 Men Gone Mad were an independent group formed in Blackburn and Darwen in the UK. They fused electronic sounds with rock and were prolific in the 1990s when they became cult favourites amongst those who know. You Try is a much sought-after collection that has been restored by Utopia Records many years after it made its way onto John Peel's 1991 Festive 50. He heard in it a mix of The Clash, Joy Division and Talking Heads and that still rings true. The main mix has a raw energy that captures the angst of Britain at the time - and still today, frankly. A spaced-out dub brings a fresh feeling of euphoria and an extended B-side mix draws out this record's undeniable pleasures.

Review: Remixes by 30Hz & DJ Quest. "Robots Ready From Mars" is tackled by Quest who gives the track a heavier, clubby breakbeat mix. Fits nicely next to tracks from the likes of The Stanton Warriors or Tayo.

Review: In celebration of their tenth birthday, Selador marks the occasion in style with a four-track collaborative EP, featuring tracks from 3D, Robert Owens, Olivier Giacomotto, Quivver, Dave Seaman, Hernan Cattaneo, Argia, and Jepe. The opening track, 'Known Love', is a deep, pulasting house tune that feels like an instant classic, perhaps thanks to the soulful, pop-tinged vocals - think LCD soundsystem meets Four Tet. 'Snailblazer', the second track on the EP, takes a much darker turn, with a chugging, EBM-esque feel. Full-bodied and complete with obscured vocals, this is the kind of track to pull out your bag when it's time to really get stuck in. On the B-side, 'Napkin Knowledge' draws on the glistening synths of eurodance, yet still securing the melodies to a grounded bassline and rhythm section. 'Salitre' is the perfect closing track, rising up in a gleaming, ecstatic melody, before delicately returning to ground level. A varied yet firmly cohesive collaborative release - the perfect way for Selador to kick off their 2023 catalogue.

Review: Slip into something comfortable and prepare to get sexed up by this new one from Newcastle's Six Nine Records. It features tracks by 3TOB, an outfit originally born in 2019 by band members of Tone and earlier in the year they dropped the sultry hip-hop, soul and r&b album Trading Places. Those tracks are "My Baby' and 'Love Will Find Its Way' and neither were on the album and have been streaming only up to now. They are a timeless fusion of heart-melting harmonies and silky beats for those loved up late night sessions.

Review: Peddling heavy, sweet subs that ooze out of the scoops like syrup, Portuguese low end maestro 3WA makes his debut on Infernal Sounds with four utterly stinking brouhahas. 'Scavenger' starts the commotion on a deep but stern note and things get more and more twisted throughout the EP... 'Minotaur' grunts and growls with a over-sized toxic bassline while 'Mutt's flips from cosmic and percussive to straight-up deranged. Last but not least 'Wandering' finishes the EP on a last lingering groan. Refreshingly woozy.

Review: Though 420 was originally recorded and released in April of 2020, Galcher Lustwerk's pandemic project is an exercise in counting and patience. Originally from a 16 track, 69 minute release only available for Bandcamp for $69 (or $4.20 per track), the 420 project brings us practically brand spanking new Galcher EP, just under a different name. Finally at an accessible price (and including signature Galcher vocals in a majority of the tracks to boot) this vinyl release hopes to bring more fans who missed the original release to the 420 club.

Review: A new artist emerges here on Valencia-based label HC Records as Andrey Orenstein, a multidisciplinary musician and member of the alternative rock band Tequilajazz, makes a bold mark. He has explored various solo projects, including the IDM and breaks of Amor Entrave and acid house of Do You Like Trains? but as 50DIX, he presents a blend of Chicago footwork, UK bass, funk, jazz, and acid elements, all at high-energy BPMs. 'If U Want 2' is a perfect mix of frenzied drums but soothing pads, 'Foolz' is all about the pinging bass and 'Ice Feels Keen' is more blissed out and sun kissed. It's a colourful collection of highly impactful sounds.

Review: 6SISS explores the power and mystery of quasars on this latest release for Micron Audio, a sonic journey through these cosmic giants. The four tracks represent different stages of interaction with a quasar, from the initial observation to a euphoric absorption into its core. 'QUASAR I' features fizzing synths evoking radio waves traveling across space, while 'QUASAR II' brings a bass-heavy intensity, simulating the gravitational pull of these celestial bodies. 'QUASAR III' deepens the mood, illustrating the slow attraction of stars and planets, and 'QUASAR IV' crescendos with euphoric absorption into the quasar's core. 6SISS crafts an abstract, scientific narrative, offering a deep, immersive experience with radiant energy.

Review: There's lots to get your teeth stuck into on this new and blistering collection of electro from Adepta Editions. And don't let the title fool you - it's not all accessible summer festival fare, in fact none of it is. It is all head down and serious tackle. 7053M4R14's '4 N3W HUM4N' is a driving, dark, visceral sound with raw breakbeats powering through the cosmos. Rec_Overflow offers a moment to catch your breath with some slower, dubby rhythms on 'Pocket Dial' and Pauk explores twitchy future synths capes and post-human transmissions on 'Shiawasena Fukushu'. Promising/Youngster shuts down with a sense of optimism and hope with the airy melodies and slithering electro drum patterns of 'Arbey.'

Review: Certain parts of Canada's proximity to techno birthplace Detroit means the country has always had its own fresh take on the sound, right back to the early Richie Hawtin days of minimalism. Over a quarter of a century of releases now, Aquaregia has kept up that tradition. Behind this latest missive is 747 who opens with lashings of acid and coarse, chattery percussive over jacked-up drums. There is a more psychedelic edge to the loopy synth patterns and softer acid of 'Suffocating In Stardust' then 'Iron Tears' gets gritty, tense, and douses you in melodic fireworks. Last of all, 'Deep Space Opera' takes a more widescreen approach with misty-eyed synthscapes and soft, gently pitch-bent acid.

Review: It's been a while since the Albion stable graced our platters, but they're back in style with more of that on-point house music voodoo for the heat of the night. This single is a vessel for the various sides of Tommi Vicari Jr, who rolls out his Czevski alias to deliver a bruising remix of "57 Hertz" by 76-79. It's a reverb-soaked, dubbed out affair with a rock solid rhythm section and plenty of trippy FX tweaking on top. On the flip it's a different story with a similar feeling as we get the straight up Tommi Vicari Jr material in the shape of two killer tracks crafted for transcendental moments of dancefloor hypnosis.

Review: RNT welcomes Brooklyn-based band 79.5 to the family with the first single from their forthcoming eponymous LP. Soulful and psychedelic, the haunting melodies of Club Level float above a steady strutting rhythm section, punctuated by moaning baritone saxophone and drenched in washy reverb.

NYC mainstay Eli Escobar crafts a masterful remix that leans into 80s nostalgia, with a soundscape and arrangement nothing short of perfection.

Review: Matt Hodgson's 7th Voyage is one of those mid-90s labels that enjoyed cult status almost from the off. Its releases helped to define the sound of the London underground of the time and have since become pricey and sought after. The Return Voyage is a new seven-track collection of back-catalogue gems that pays tribute to the label's fine work. From the deep and atmospheric 'Big Hips Blue Gloves (No Dubs)' by Tactics Of Bass to the squelchy lo-fi hip-hop funk of The Secret Garden's 'Rough Diamond,' this is a vital look back at a hugely influential label.

Review: Freerange Sounds - which shouldn't be confused with Jimpster's deep house label Freerange - is reissuing its first release from back in May 2022 here. It's a dark garage outing from 9TRANE that kicks off with 'Keep It Moving' (feat Riko Dan) with edgy vocals, late-night urban menace and some crisp drum patterns. The fantastic Bakey dub mix brings more pruning basslines and withering pads while the instrumental is stripped back and more haunting. Last of all is 'Hear This' which leans on the Burial style of ghostly production but with a more fulsome low-end and prickly percussive brew riding the beats. Serious tackle for sure.

Review: Let's face facts, the trilogy of releases that ACR:EPR completes have helped win over a new generation of fans for the band while reassuring established followers that A Certain Ratio can still do the business. They've been heartfelt and honest, truly innovative and - when all is said and done, at some point in the near future - destined to be considered collector's items.

The final chapter is certainly winding things up triumphantly. '$ouls In The City' seems to go straight for the mind's eye, an enrapturing track that chugs its way through layers of funk groove, with acid details just about audible on top. 'Night People' is a far more sticky, treacly affair, while 'Big Boy Pants' ushers in a kind of nocturnal seduction, brass and rolling breakbeats setting the scene perfectly for the ska-infused melodies of 'Downtime Vibes' that follow.

Review: A Certain Ratio have returned with their most tight and funky album, possibly ever, recently, and it is steeped in 40 years of ACR DNA. Now you can grab two of the standout singles on this fine, limited edition white 7" thanks to Daniel Miller's essential Mute. Opener 'Berlin' is the second single from that album, ACR Loco, and has breezy vocals and Trillin riffs over tight drum work. 'Dirty Boy' is riddled with squelchy synth funk, with popping drums and a great vocal performance that will get any party vibing.

Review: Welcome to the Slippery Yard, a new label out of Spain which is sure to turn heads with this fine first release - a psychedelic blend of techno from various artists. A Morgan's 'Air' is urgent and cosmic a la Jeff Mills, Dc11's 'It's All An Act' layers up deft synth details with sleek linear rhythms and Judy's 'Bide Luzea' is a hurried, pulsing, late-night mental techno trip. A further deep and heady trio of tunes features on the B-side with Bassywax's sub-aquatic sound world on 'Amona Left Us Overnight' taking the headlines for us.

Review: A Skillz and Krafty Kuts are veteran names by now but at one option they were some of the hottest new DJs and producers in the game. They pioneered a breakbeat, cut-up and paste sounds 20 years ago that was high on energy and with plenty of character. Now they look to the roots of the sounds they used to draw from and serve up a new single on Jam City that is all about disco. 'Lit Up' has loose, jumbled drums and funk basslines with some great vocal flourishes up top from Gizelle Smith. A remix on the flip takes things into deeper new soul territory.