Back catalogue:

Review: Encore has been remastered from the original tapes and features 11 compositions by Arthur Verocai who was joined by the legendary Azymuth, Ivan Lins and a nine-piece string section. The album was a long-awaited follow-up to his 1972 debut so bridges 35 years and bottles up Brazilian influences with American soul and cinematic experimentation. Initially overlooked amongst his wider canon, Verocai's debut gained cult status thanks to Far Out Recordings' Joe Davis who rediscovered it in the late 80s. In 2004, producer Dave Brinkworth brought Verocai back to the studio to reignite his musical brilliance. A master arranger, Verocai's work with Brazilian legends shaped his visionary sound and have helped to cement him as a timeless force in music history.

Review: After making some low-key waves with his Panama 77 LP, Daniel Villarreal is back with a unique document which pulls from the same era and mindset, but offers something very different. When in October 2020 he invited Jeff Parker and Anna Butterss to record in the backyard of Chicly Outpost in LA, it was the first jam the three had experienced post-lockdown. Some results from the session made it onto the last record, but now Villarreal has decided to focus squarely on these poignant sessions and pull out some of the finest material for our listening pleasure, and what a pleasure it surely is. Dusky, scratchy and honest, this is stripped down jamming jazz at its best.

Review: Over the last 12 months, Adrian Younge and A Tribe Called Quest member Ali Shaheed Muhammad have been inviting some legendary musicians to swing by the former's Los Angeles studio to make fresh tracks with vintage equipment. The results are detailed on "Jazz Is Dead", a superb album that combines elements of dusty soundtrack jazz, soul, jazz-funk, Latin jazz and head-nodding live beats influenced by the duo's hip-hop roots. Highlights include the atmospheric, slow-motion warmth of Roy Ayers collaboration "Hey Lover", the floor-rocking fusion heaviness of epic Azymuth hook-up "Apocaliptico", the languid sweetness of 'Down Deep" (featuring Doug Carn) and the samba-soaked sunshine that is Marcos Valle composition "Nao Saia Da Praca".

Review: Since launching the Jazz is Dead series two years ago, Adrian Younge and Ali Shaheed Muuhammad have released eight studio albums - each a collaboration with a different figure from the jazz and soul spectrum - and a compilation of instrumental takes. It makes sense, then, that volume 10 is a remix album, with a variety of producers putting their stamp on cuts from the pair's expansive joint catalogue. As you'd expect, it's packed to the rafters with killer hip-hop, downtempo and broken beat reworks, with highlights including Cut Chemist's head-nodding, cinematic hip-hop take on Gary Bartz hook-up 'Soulsea', Shigeto's contemporary spiritual jazz revision of Brian Jackson co-production 'Nacy Wilson', and DJ Spinna's squelchy, house-not-house rub of Azymouth collaboration 'Rendor Do Samba'. Soulful, jazz-fired perfection.

Review: Jazz Is Dead 021 is a celebration of legendary artists and their timeless sounds, pressed on vibrant red vinyl. Produced by label founders Adrian Younge and Ali Shaheed Muhammad, this series transports listeners from the funky rhythms of Ghana to the psychedelic soul and samba of Brazil. The collection features new, all-analog recordings from iconic musicians like Ebo Taylor, Dom Salvador, Hyldon, and more, offering a fresh take on their influential styles. At 88, Ebo Taylor recorded a powerful afrobeat album, one of his most seminal works of the 1970s. Meanwhile, Brazilian masters like Carlos Dafe, Dom Salvador, and Hyldon return to their roots, blending jazz, funk, and samba with Younge and Muhammad's modern sensibilities. The dynamic duo Antonio Carlos e Jocafi, along with Joyce and Tutty Moreno, also contribute rich, anthemic albums that resonate with their classic sounds. Come celebrate the legends and their enduring impact with this stunning edition.

Review: Adrian Younge and Ali Shaheed Muhammad share the 21st volume in the 'Jazz Is Dead' series, the LA-based "love story" founded by the pair in the fallout of the latter's involvement in A Tribe Called Quest. Jazz Is Dead is a longstanding series committed to unearthing and re-sharing the jazz artists who, after initial releases, found continual success in the continua of hip-hop and pop, especially by way of being sampled by other artists. That said, all the artists featured share new contributions to the series, rather than reissued goldies. A new eight-track record, this is yet another LP, one that multiplicitously celebrates and continues the legacies of the greats: chief among them this time is Ghanaian highlife and afrobeat pioneer Ebo Taylor - whom at 88 years old contributes the jolly synth-sonic rivulet 'Obi Do Woa', a sagacious modernising of his originally 70s and 80s psycho-beat sound - and Antonio Carlos e Jocafi, who updates, in the label's own words, "some of the sweetest samba-soul of the 1970s by way of Salvador, Bahia," Brazil. An all-out arsenal of differential Afrobeats (among other kinds of beat), packaged and presented for the modern listener gripped by an insatiable curiosity for the past.

Review: Jazz Is Dead is a series that welcomes contemporary musicians to revisit jazz storied of old. This collection challenges Adrian Younge and Ali Shaheed Muhammad to utilise vintage equipment to create new master soundscapes, and they really come correct. Roy Ayers, Gary Bartz, Marcos Valle, Azymuth, Doug Carn, Joao Donato, & Brian Jackson are some of the legends who feature and the album is a free flowing delight that touches on soaring and soulful highs as well as bossa-tinged shufflers and plenty in between.