Review: Hyperdrive's label debut was a biggie that brought together old and new-school techno on one fizzing EP. The follow-up comes soon after and this time makes no bones about being a Rave Revival. Anthrophia's 'The Voice' kicks off with what is a hefty breakbeat cut with edgy rave stabs and slamming bass. Dimension 23 - 'Fascination' (Seb G mix) then takes a more stripped-back approach with turbocharged synths layered up over silky drums. Centuras brings plenty of bright, euphoric prog energy to the urgent drum funk of 'Jizz' and last of all Dimension 23's 'The Eagle' then kicks out more dusty old-school breaks with machine gun synth fire. A potent EP, make no mistake.
Review: B.I.T. Productions launches its new Alternative label with UK talent Stu Chapman's debut rave house sounds first to make their mark. The original mix if 'Hold You Tight' is a high-energy, synth-driven anthem featuring a hands-in-the-air piano break and soaring vocals serving up a catchy chorus. The Retropolis Remix transforms it into a breakbeat powerhouse with gritty synths and melodic pianos then the Crowdpleasers Remix delivers an uplifting house stomper with organ melodies and a massive piano break. Finally, the M-ULATE Remix throws it back to 1992 with a piano-driven breakbeat rave-up. Reach for the lasers!
Review: Everyone's talking and no-one is listening... Unless Chatta B is chewing your ear off with his militant breaks - because then we're all ears over here. Unleashing the ghosts of 93 with big sacks of sheesh and oh my gosh, each of these cuts hits hard with the neck-snap breaks and big hooky samples. 'Watch Out' sets the scene with energy, 'Real Badman Sound' goes full-on rudeboy, 'The Exit' is a big sing-along moment while 'Easy Take It Easy' sends us off into the sunset with mixed sentiments... The vocals are like a sweet rum punch while those rattling breaks on the rhythm are more like a tum punch. Talk to us.
Review: The latest Coco Bryce EP is different to much of his previous work, eschewing the retro-modern banger-science for something that edges much closer to liquid jungle. Fittingly for the style, an core theme on 'My Space' is that of personal dominion and interiors; like the reams of potential found in a family living room or kitchen, the tracks here are interpretable as everything from 'chill' to 'nostalgic' to 'creepy', depending on how you choose to hear them. The palette is eerie and objective, though Bryce's usual preference for unpolished joy shines through as ever in his choice of samples.
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