New releases last eight weeks: Techno (Alles)

Review: Given that he's been active as a producer since the dawn of the 90s, it would be fair to say that Sven Vath is well worthy of an authoritative, expansive retrospective. That's certainly what we get here on this quadruple-vinyl mix of classic productions and fresh, eye-catching remixes. It's the latter that dominate the early stages of the collection - see Adam Port's hypnotic, didgeridoo-sporting revision of 'Ritual of Life', Speedy J's acid-fired stomp through 'Ballet-Fusion' - before Vath showcases some of his choice cuts. There's naturally to set the pulse racing, from the twisted, sub-heavy thump of 'Cala Llonga' and the tactile hypnotism of 'Sounds That Control Your Life', to the electroclash-meets-Kraftwerk flex of 'Dein Schweiss' and the ambient techno excellence of 'The Day After', a 21- minute epic from 1995 produced alongside Steffen Britzke as Astral Pilot.

Review: Last year, the Hartnoll brothers gave their debut album, 1991's 'Green Album' (officially simply titled Orbital) the deluxe reissue treatment, offering an expanded quadruple CD edition backed with a detail-packed hardback book. They've now moved on to its similarly superb sequel (the 'Brown Album') from 1993. It gets a similar treatment, with a freshly remastered version of the original album (CD1) being joined by two discs of single versions, B-sides, remixes and 'Peel Session' cuts (including legendary Underworld and Psychik Warriors Ov Gaia takes on 'Lush 3', and the duo's own originally US-only extension of 'Impact'), and a fourth CD containing a previously unreleased live recording from the Limelight in New York in 1992. Oh, and a fine hardback book telling the story of the album. An early Christmas present for Orbital fans!

Review: Techno is a misunderstood thing. Big stages and even bigger drums pounding out relentless and often unthoughtful loops really isn't where the genre is as a whole. One of the most varied sounds in the dance spectrum, defining the canon has always been pretty hard and zeitgeist counts for more than strict rules of arrangement, tempo and composition. Sixty is just the reassurance heads will need then. While some might argue we're closer to electro than anything, for the most part anyway, perhaps no more so than in the detailed and glitchy warmth of 'Micfrk' by Gherat, let's not get pedantic. Largely broken and off-centre beats of the deep, emotive and patient kind from innovators like Patricia and Fasme, frenetic and intense staccato snares via Oh Mr Jones, rave-y, hardcore infused emotive bombs via Novel 23 and James Shinra.