Back catalogue: Techno (Alles)

Review: Berlin's Exit Strategy began their 12"s game releasing EPs in browned sleeves, shortly before branching out into digital-vinyl combo releases with original artwork in the 2020s. Now with over ten years of experience under their belts, they welcome five new artists for a playful bricolage in deep and minimal techno, privileging elite, razor-sharp additive sound design and future-soulful vocal tasters. Ivory's opener 'Rain' epitomises this, while Jimi Jules squelchifies the same formula, and Aera's 'Future Holdings' rolls out the same logic to its ultimate conclusion, veering towards complex, 3D-graphic melodic techno composed entirely of climbing saws.

Review: Jooice, yet another sublabel of London-based proggy dance and electro label Lirica Archives, drop a swell new dark acid trance release collectively smithed by five sound-stokers: J6, Christian Sarde, Aline Umber, Krol and Otis. Each titans in their respective scenes (between which there is much crossover on this release), the overarching mood is one of renegade sci-fi escapism and revolution, with glitching, quivering robo-vocals and technic, sciencey sound-tunnellings aplenty.

Review: Four new prangers from France's BOOOoo! crew, startling our ears with audio-apparitions by ghosts of the resident French sceno-system: Jamahr, Mooglee, Jucid and Odeon. 'Black Loops' and 'Flex (Booty Mix)' invade elastic terrains of bass and flicky synth, churn them back through meshes of gradated beats and rond-squelching stab notes. 'The Question Is' eliminates much of the A-side's establishing layers and overdubs, harking rubbery and slip-tastic FX design, countered by the equally sticky 'Jimbeldance'.

Review: JS is an alias of James Zeiter and is also the name of his own label. This seventh transmission once again showcases his signature take on minimal, dub and techno. 'JS-07' rolls out with deep, pillow drums and well buried sub bass that slowly sweeps you up and locks you into a state of hypnosis. 'JS-07R' on the flip side is run through with slightly more warmth and light, like beams of sun piercing the surface of an ocean and catching microscopic organisms floating on the sea bed. It's a heady sound full of soul.

Review: Montreal's Jump Source makes it six with four tracks engineered for maximum impact on the dancefloor. Side A features 'Bleach' and 'Condenser,' which are all about building and sustaining tension through bold, cyclical progressions. 'Condenser' was co-produced with Sabola and leans heavily on the Roland SH-05, which anchors the track with analogue grit. The mood shifts of the flip with vocal-driven cuts from Martyn Bootyspoon and Frankie Teardrop adding a hint of introspective flair to the club ready grooves. 'On' takes a confrontational edge, while 'Get It Done' rides a cooler groove.

Review: Short Attention Records makes a welcome return here with a new drop of wax that fits the label head into its roots in deep techno sound worlds. This one takes the form of a various artists' EP crafted with an intake feel for cosy floors and who better to kick off in that vibe than the revered Lawrence whose 'Hawser' is a groovy and melodious track. Next, New Jersey don Joey Anderson sets a slow and deep tone with 'Human Kind' which has moody vocals and Japanese artist Takuya Matsumoto follows with 'Three Flowers', a more potent and driving cut with a fine acid bassline. Rounding off the EP is 'Desired Spring' by R/K, a loop-driven deep house gem designed for both listening and dancing.

Review: Francesco Mami and Julien Chaptal deliver a compelling deep house experience with their 'Reconnect' release, blending smooth minimalism and melodic tech house grooves. The title track, 'Reconnect', is an addictive mix of fluid rhythms and rich melodies, striking the perfect balance between sleek production and dancefloor appeal. Reboot's 'Outahere Rework' of the same track deepens the vibe, adding a fun, groovy energy that's primed for late-night sets. Side-2 shifts gears with 'This Is My Ticket', a standout deep tech house cut that pairs intricate production with a memorable, catchy drive. The track's hypnotic layers create a textured soundscape, ideal for dancefloor workouts. Johnny D's remix of 'This Is My Ticket' ups the tempo, injecting high-energy beats and an infectious bounce that transforms it into a peak-time anthem. Each version bringing a unique energy while remaining cohesive. It's a well-rounded EP for dance music fans.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Francesco Mami and Julien Chaptal deliver a compelling deep house experience with their 'Reconnect' release, blending smooth minimalism and melodic tech house grooves. The title track, 'Reconnect', is an addictive mix of fluid rhythms and rich melodies, striking the perfect balance between sleek production and dancefloor appeal. Reboot's 'Outahere Rework' of the same track deepens the vibe, adding a fun, groovy energy that's primed for late-night sets. Side-2 shifts gears with 'This Is My Ticket', a standout deep tech house cut that pairs intricate production with a memorable, catchy drive. The track's hypnotic layers create a textured soundscape, ideal for dancefloor workouts. Johnny D's remix of 'This Is My Ticket' ups the tempo, injecting high-energy beats and an infectious bounce that transforms it into a peak-time anthem. Each version bringing a unique energy while remaining cohesive. It's a well-rounded EP for dance music fans.

Review: Kulture Galerie is back with more wax and the third time proves a charm here with Doc Sleep, Rambal Cochet, The Jaffa Kid, Mesmerist, Jack Bags and Undsidedly all coming correct under the stewardship of label head Filippo MSM of Metropolitan Soul Museum. Cochet kicks off with some trance-infused prog techno, Doc Sleep offers jacked-up and analogue house, there is lithe cosmic tech from The Jaffa Kid and twisted machine sounds from Jack Bags, while Undsidedly's dreamy electro and The Mesmerist's peak time synth techno close down in style.

Review: Sasha is back with another standout release on his own label, Last Night On Earth, this time joining forces with Jody Barr. After recent collaborations with Super Flu and Sentre as well as his solo hits like 'Florian Drift' and 'How to Wear Raybans Well', Sasha remains a leading figure in the melodic house and techno world. Jody Barr, with releases on Krankbrother, among others, brings his rugged, hardware-driven sound to the mix. Their track 'Phaxon' is an elegant, emotive affair, while Einmusik's remix adds a darker, club-ready edge.

Review: One Eye Witness rounds up another four acts for their periodic V/A series, spewing forth four breaks-driven whooshers crossing into progressive techno territory. The Hague duo Young Adults nod to a 1997 Loveparade anthem with 'It's Only Temporary', while breaks and kick implants converge on Christopher Ledger's 'Change That', a track which sounds like the starting firings of an interplanetary expedition pod after years of disuse. Joely brings cosmic chug on the cocooning B1 'Transitional', while the Samesame closer 'Novel End' is just that, traversing a noxious atmosphere with a flexoskeletal electro beat.

Review: Multi-instrumentalist Jimi Jules got plenty of acclaim, and rightly so, for this 2022 album, which now sees a reissue on coloured vinyl. Executively produced by Innervisison label head Dixon, the album includes some of the most hammered tracks of the year it was released in - see 'My City's On Fire,' the superb 'Der Aufstand,' the dancefloor hit 'Burning' and 'Clinomania,' featuring Joy Tyson and renowned drummer Nathan Curran who has worked with the likes of Lily Allen and even Elton John. It's a melodically rich album that works at home as well as in the club and the album's artwork is designed by none other than the legendary Trevor 'Underdog' Jackson.