Back catalogue: Techno

Review: A repress for four prime slices of classic Baby Ford minimal tech gear, from the rhythm-centric drum machine fest 'Very', the resonant bleepy tones of 'Test', the sparse and spacious 'Down' and the subtle acid undertones of 'Percy'. Baby Ford is finally getting his props as one the UK acid and techno scene's true innovators and pioneers, and these four very mixable tracks are four more reasons why this is only right.

Review: Two sides of mega-minimal, textural minimal and a dash of drone here, shared equally between friends Bastian Balders and Anton Kubikov. The producers bring a sophistication to the tech, reflecting the huge variation in the emotions they indulge. Something between ecstasy and horror is heard on Balders' 'Machinery', while Kubikov's 'Introland' is comparatively hopeful and tearjerking, with its delayed piano refractions and filtery-in-and-out strings.

Review: Rising Boorloo artist Beltrac shows why he is so well thought of here with five tracks that deliver a dynamic collision of sleek, dub-infused minimal rollers reminiscent of the late '90s and early 2000s tech-house but paired with high-energy drum-driven explorations. After the bubbly synths of 'Tek Code' comes the more direct and crisp 'VIP Section (Otherworld mix)', then Side B features a standout remix of 'Echo Response' by Eora's dub master Command D who transforms the wonky bassline of the original into a hazy, after-hours dub techno gem. The meticulous production really elevates these irresistible grooves.

Review: Henri Bergmann and Wennink's Guardian Angel marks an impressive debut on Crosstown Rebels, delivering a track that expertly fuses melody with depth. Bergmann's knack for sculpting rich, atmospheric landscapes is matched by Wennink's haunting vocals, creating a piece that feels both expansive and intimate. It's the kind of collaboration that hints at a shared vision without ever losing individual identity. The original track opens with textured percussion, slowly unfurling into an emotive soundscape as Wennink's vocals hover above like an ethereal guide. There's a melancholic undertone, but it's balanced by an uplifting drive, showcasing their ability to blend light and dark seamlessly. The remixes take Guardian Angel into uncharted territories. Stimming strips things back, opting for a more minimalist approach that sharpens the focus on rhythmic intensity, while his subtle use of effects amplifies the track's ethereal quality. It's a remix that feels lean but still full of intent. Hardt Antoine, on the other hand, plunges deeper into the shadows, pushing the bassline forward and letting synths stretch into eerie, sci-fi realms. His reworking is darker, stranger, and ultimately a satisfying close to the EP. With this release, Bergmann and Wennink add another strong entry to the Crosstown Rebels roster, proving that their partnership is one to keep watching.

Review: Bluets' debut on Kimochi Sound seamlessly integrates into the label's well established and distinctive style. This one, with a hand-sprayed sleeve as always, opens with "if you can imagine," a confident bit of microhouse that mixes rich melodies and a lively bassline. 'Action Potential' echoes RDMA's aesthetic with its precise beats and on the B-side you will find a vaporous melody that weaves through sparse downbeat house grooves to make for a dreamlike atmosphere. Closing the EP, 'Buong Bilog' features distorted IDM rhythms and a poignant refrain that balances twitchy textures with melancholic tones. This carefully crafted release bridges home-listening electronics with dancefloor clout.

Review: German artist Stephan Bodzin has done a fine job of keeping himself at the forefront of the melodic techno world, not least with his always boundary-pushing live shows. He takes that energy into the studio when cooking up his scintillating club tracks, too, and always has. This reissue on his own Herzblut label revisits one of his many stand cuts. 'Valentine' is a wonky one with creepy bass and mysterious melodies over crunchy tech beats. 'Papillon' takes flight like its butterfly namesake, with elegant leads and rubbery bass all doused in glorious melodic rain that has a sci-fi edge.

Review: Casino Classix is one of several aliases for legendary minimal man Baby Ford. Here it is also the name of a four-track EP that finds the long time UK underground operative working alongside fellow British techno luminary Mark Broom on a quartet of devastating cuts. 'Ringer' opens up with some dark and nimble baselines darting about beneath a dense layer of percussion and FX. 'Hoppa' is then a more precise and minimalist cut with wonky bass snaking down low beneath the icy hi-hats and jumbled toms. There is a warm dub depth to 'Hot Pot' to kick off the flip and 'Beach Club' shuts down with a restless mix of synth daubs and deft percussion over an ice cold groove.