Back catalogue: Rock (All)

Review: "Planes, Trains And Eric" follows Eric Clapton on the Far and Middle East leg of his 2014 world tour. In addition to live footage of the tour, the film features interviews with Eric Clapton and his band members, footage of rehearsals and soundchecks, travel on trains and planes. Through its beautiful impressions and impressions of life on tour, this film makes you feel as if you were part of it yourself.

Region code: 0 (All countries)

Review: After their first round was such a success, Gary Crowley and Jim Lahat have been tasked with pulling together another essential collection of punk and new wave from the 70s and 80s, and you can rest assured they've done it again. There are some major, familiar names here like The Clash, The Slits and Ramones, but there's also a hell of a lot of rare delights from the likes of The Limit, The Art Attacks and The Newtown Neurotics. Musically, there's plenty of range too from spiky three-chord pub rock and punk through to Linton Kewsi Johnson and Dennis Bovell's crossover dub as Poet & The Roots. That's just a tiny overview of this mammoth six-disc set, which takes you deep into the heart of a vital, thrilling period in alternative music.

Notes: Cream in 1968 at the Royal Albert Hall was an emotional experience for the fans and the musicians, as it marked the end of an era. It was a final highlight of the band's career, who had released highly influential albums in the three years they were active.

The band performs their famous improvisational skills and unique musical chemistry. The concert is considered an important moment in music history and was an unforgettable event for the fans, who were able to experience the supergroup Cream live.

The legendary Farewell Concert - worldwide for the first time in HD - It is also cinematically remarkable concert recording, as the film through its means of expression (monochrome sequences, hectic cuts, preference for close-ups and detail shots, double exposures, etc., the film also documents the pop art and flower power movement of the late 1960s and with it the attitude to life of the young generation.

Blu-ray, (region B)

Notes: Cream in 1968 at the Royal Albert Hall was an emotional experience for the fans and the musicians, as it marked the end of an era. It was a final highlight of the band's career, who had released highly influential albums in the three years they were active.

The band performs their famous improvisational skills and unique musical chemistry.The concert is considered an important moment in music history and was an unforgettable event for the fans, who were able to experience the supergroup Cream live.

The mediabook with a foreword by director Tony Palmer and a personal text by Nettie Baker, daughter of the legendary drummer.

Farewell Concert: Live At The Royal Albert Hall in London 26, November 1968 - German cinema premiere: November 1973. Cream is considered the first supergroup in the history of rock music - The music magazine Rolling Stone listed the band as number 67 of the 100 greatest musicians of all time.

The legendary Farewell Concert - worldwide for the first time in HD - It is also cinematically remarkable concert recording, as the film through its means of expression (monochrome sequences, hectic cuts, preference for close-ups and detail shots, double exposures, etc., the film also documents the pop art and flower power movement of the late 1960s and with it the attitude to life of the young generation.

DVD + Blu-ray (region 2)

Notes: "Matinee: All Ages On The Bowery" was created during the early 1980s when New York City was embroiled in debt and crime, and as the middle class continued to evaporate, the city confronted one of the most trying periods in its history.

Paradoxically, its underground music scene was teeming with vitality like never before. Still staggering from the violent outset and eventual deterioration of punk rock, hundreds of disenfranchised kids living in the city and outlying boroughs began forming their own groups to rail against the everyday trials and prejudices of urban existence. As a result, New York City became a hub for a flourishing hardcore scene; a cultural phenomenon that used punk rock as a platform for a politically charged, inherently regional catharsis.

Between 1983 and 1985, local photographer Drew Carola began photographing the patrons of the now infamous hardcore matinees that were going on at the seminal underground music club, CBGB. During the week, Carolan was working as an assistant to legendary portrait photographer Richard Avedon, and on weekends he set up a makeshift studio across the street from CBGB and intercepted kids on their way to the all-ages afternoon shows. The result is a collection of photographs capturing the beauty, vulnerability, and the unbridled energy of youth during the height of the Reagan years.

Now more than thirty years later, all of that has disappeared and a copacetic, prosperous, and gentrified element has taken its place. While the hardcore punk scene still thrives today, these photographs capture a time and place in history that no longer exists.