Back catalogue: Reggae

Review: Henry 'Junjo' Lawes produced a double-headed twin spin on the iconic Eventide Fire riddim for this one. It is arguably that which helped Barrington's 'Crucifixion' soar to the top of the UK reggae charts in 1980 when it was released. It is one of his most iconic vocal performances, which is saying something given how much music the man has worked on. On the flip side of this new 7", Ranking Joe delivers 'River Jordan' with full force, riding the rhythm with impeccable skill. These jams were recorded with the one and only Roots Radics at Channel One and King Tubby's, so very much capture the essence of reggae at its peak with some of its key players all involved.

Review: Night Owls are back with a fresh take on Lee Moses' 1970s cut Got That Will, transforming the soul classic into a dancehall-inspired banger. Dan Ubick leads the production, bringing in powerhouse vocalist Gina Murrell and the tight rhythm section of Wilder, Colie, and Rivas to infuse the track with new life. As if that wasn't enough, Kingston's Ranking Joe adds his signature toasting, giving the track an extra layer of authenticity and drive. The B-side, Got That Dub, takes things deeper with Roger Rivas on the mix, dialing up the echo and delay to create a spaced-out, dubbed-up version. With steady radio play on BBC Radio 6 and KCRW, this release is already making waves. DJs and collectors will want to act fastithis record is primed for late-night sound system sets and is sure to fly off the shelves.

Review: Andy Rantzen is an academic psychologist and former University of Sydney lecturer who has been a fixture in Sydney's underground music scene since his early work with Pelican Daughters when he was producing industrial-ambient soundscapes and experimental tape recordings. Recently, his music has gained renewed attention through labels like Kashual Plastik and Efficient Space. Now he joins Paesaggi Records for a special Halloween release on 7". This unique two-tracker includes custom screen-printed cover art by Fieldink Studio, while Rantzen's continued impact on experimental and ambient music shines through in the sounds.

Review: If you're in the mood for some gently summery reggae-soul to warm you on cold winter nights, we'd heartily recommend this tidy new single from Tarrus Riley, son of legendary Jamaican vocalist Jimmy Riley. 'Love is Stronger Than Pride' is breezy, musically positive and gentle, with Riley delivering a slick and emotive lead vocal over a backing track rich in toe-tapping reggae grooves, subtle organ motifs, twinkling synth sounds and, most surprisingly, some rather lovely Spanish guitar motifs. It comes accompanied by a flipside 'Version' mix that's not all that dubbed-out, but nevertheless does a great job in showcasing the track's sunny and heart-warming instrumentation.

Review: As Whodemsound races towards its 50th outing, it presses up yet another great little 7", this time with Bopper Ranking delivering some great spoken word roots. 'The Man That I Am' is just under four minutes of super clean dub with digital synths adding a future-facing feel to the sultry horns that drift up top and the traditional dub rhythms that roll deep down low. The conscious lyrics make this an even more heady experience and on the flip is a dub version for those who prefer to whittle things down to the bare dub essentials.

Review: The second ever release from Discos Martos moulds another 45, this time from Rocksteady Romantics, who are committed to the timeless allure of rocksteady. Also keeping true to the label's analogue ethos, the record captures essences of Jamaican soundsystem culture with deep dub grooves and a fresh take on classic soul. The A's powerful dub with Tibstar is readymade for stacked soundsystems, its infectious, picante horn section skimming aplomb bass. On the B-side, the band offers a unique Spanish rendition of 'I'm Your Puppet', with Tito Ramirez's smooth vocals bringing a new dimension to the beloved soul classic.

Review: 17studio double up as both visual designer and indie label and it's this combination that amounts to the roots-radical sonic spectacle we hear here. 'King Of My Castle' is a regnant lyrical musing, hearing a collaborative work with producer and multi-instrumentalist Bob Vito, and with additional vocals and percussion by the band Riciclette, for an impressive meditation on the nature of power and its perverse enjoyments. First produced in 1998 by Wamdue Project, this fresh reggae cover is best remembered as an era-definer, and this cover and Version extends the monarchy's rule by way of bubbling wahs, boxy fills, and owwing basses; simple, clean, effective instruments of force.

Review: Ras Jammy from Suns of Dub has curated a special release for Trojan Records that celebrates the deep cultural and historical ties between dub music and cannabis, all rooted in Jamaican music and Rastafarianism. This album, which arrives just in time for the stoners' best day of the year, 420, features iconic tracks from pioneering dub dons King Tubby, Scientist, Dennis Bovell and Roots Radics. These are the legends that helped shape the genre and this compilation highlights how they did it and what influence they had on the development of dub music. So, when the day comes, light up a fat one and turn this one up loud.

Review: Mediation in Dub by The Revolutionaries, reissued as part of Death Is Not The End's 333 series, delves into the archives of NYC-based Flames label. The Revolutionaries, a renowned reggae session band, comprised a rotating lineup of top Jamaican musicians, anchored by the formidable duo of Sly Dunbar and Robbie Shakespeare. Recorded at Channel One studio in Kingston during the mid-1970s, under the guidance of producer Ossie Hibbert, these tracks feature dub versions of Winston Jones's Flames label releases. Jones, known for his work on 'Stop That Train,' established Flames in NYC in the early 1970s, becoming a key player in Brooklyn's reggae scene. Meditation in Dub is a collector's gem, offering essential dub versions of popular rhythms from the era. This reissue, licensed from Jones and mastered with assistance from DKR, provides a valuable snapshot of reggae's roots and early dancehall periods.

Review: From Then 'Til Now marks Roots Architects' debut full-length album, a monumental project bringing together over 50 of Jamaica's most iconic session musicians. Spanning from the birth of reggae in the late 1960s to the present day, the album is a celebration of the unsung heroes of reggae music: the rhythm builders or Roots Architects. Conceived by Swiss keyboardist and producer Mathias Liengme, the album is the culmination of years of dedication to honoring Jamaica's musical legacy. Liengme's journey began in 2013 with "The Inspirators" project, leading to his immersion in Kingston's studio scene and the eventual formation of Roots Architects. Recorded in Kingston studios over February and March 2017, the album features a stellar lineup of veteran musicians aged 60 to 85, including legends like Robbie Lyn, Fil Callender, and Dalton Browne. Together, these Roots Architects revive the spirit of reggae, creating nine instrumental tracks that pay homage to their enduring legacy and timeless artistry.

Review: Spanish dub maestro Roberto Sanchez first met Channel One artist and all right reggae legend Linval Thompson 15 years ago. In the time since, the pair have collaborated on numerous projects, though nothing as ambitious as this. It sees Sanchez provide an authentically dusty, deep and rhythm-focused dub translation of Thompson's 1978 album I Love Marijuana - a set that, despite King Tubby handling production duties - had never been fully re-worked in. Largely working with the original master tapes, Sanchez has delivered a dub re-imagining that sounds like a long-lost King Tubby or Lee 'Scratch' Perry production - all weighty low-end 'riddims', effects aplenty and echoing organ, guitars and vocals.