Review: Having played a slew of inimitable and unforgettable television comedy characters over the past decade or so, from Toast of London's Stephen Toast to Douglas Reynholm in The IT Crowd, Dixon Bainbridge in The Mighty Boosh and Todd Rivers in Garth Marenghi's Darkplace, you could be forgiven for expecting Matt Berry to use songwriting and music as another form of hilarious release. That's definitely not the case. There's plenty of release on I Gotta Limit, but this is anything other than satire. The first new music to come from Berry's 2025 album, Heard Noises, the two tracks here are pure joy, authentic and genuinely impressive on a technical level. Exchanging lines in a duet with Kitty Liv for the titular number, the vibe is part Northern Soul, part psych rock, and pretty much all completely captivating.
Review: One of several debut singles by Khruangbin, 'White Gloves' sweltered in with a mellow sway that would soon become their calling card. 'White Gloves' rode a wistful bassline and slackened drums, built around a hazy guitar riff and Laura Lee's near-whispered vocal - "she was a queen" - as much lullaby as lament. As ever drawing from Thai funk, 60s surf and gospel, the track established Houston trio's knack for folding global references into something spare and dreamlike. Now again released via Late Night Tales offshoot Night Time Stories, it marked the start of their partnership with producer Steve Christensen, whose hands-off touch would help sculpt their fluid, lo-fi feel across their early run.
Review: Sometimes it's just too difficult to contain our excitement; we're quaking in our boots at news of Khruangbin's next release, with the Texan three-piece this time lending their alt-indie-funk mastery to vocal frontage by Leon Bridges. The humorously titled lead single 'B-side' is emblematic of their stated aim here - to redefine "how people perceive Texas music i that beautiful marriage of country and r'n'b i and really paying homage to that." The sonic result? Bubbling bass and wahhy riffs, over a ghostly and misty relaxers' beat. Its hook digs into our thighs deeper than a Sheriff's steel spurs, and fittingly, it's music video is themed after a 19th Century western town.
To See One Eagle Fly (original version 1978) (5:09)
To See One Eagle Fly (Mudds extended mix) (7:27)
Review: Well, what a way to inaugurate your label! The newly crowned Spacetalk comes through resolutely correct with this reissue of 1978's "To See One Eagle Fly" by Morrison Kincannon, a psyched-out funk bomb with a glorious blue-eyed soul twist, and a mystical sort of vibe that can proudly sit up there with the likes of Stills, Nash and Young - i.e. proggy but still groovy. There's an extended remix from Mudds, and the man goes for a kind of dub version approach; a new and different tactic to deploy over a rock tune, but effective nonetheless.
Kelly Finnigan - "The Shape Of My Teardrops" (4:30)
Review: Here comes a meltingly powerful 7" split single by Monophonics and Kelly Finnigan, a psychedelic soul band and a singer from California respectively. Monophonics' contribution is a classic: 'Love You Better', a catchy, soulful belter concerning a formerly broken relationship, and the sacrifices it takes to pick up the pieces. The flipside, meanwhile, is a newer one from Finnigan; 'The Shape Of My Teardrops', which reckons with grief in the form of a surreal, rimshotting slow jam.
(Further Reflections) In The Room Of Percussion (3:18)
Dear Nellie Goodrich (2:45)
Holidaymaker (2:29)
A Lesson, Perhaps (2:41)
The Sky Children (7:58)
Review: ***B-STOCK: Record very slightly warped***
Kaleidoscope's Tangerine Dream stands as a quintessential English psychedelic album, often ranked among the most important and influential works in the genre alongside iconic releases like Sgt. Pepper's, Forever Changes, and The Psychedelic Sounds of the 13th Floor Elevators. Despite its rarity and collectability, with mint copies fetching hefty prices, the album has surprisingly lacked a proper reissue and remastering treatment for over five decades. However, after three years of determined effort, negotiations with major label executives and stroke of luck, the album is finally receiving its long-awaited official reissue. Thanks to painstaking detective work and fortunate encounters with Universal archivists, the original master tapes, previously languishing in the vaults, have been unearthed. Moreover, Sonic Boom of Spacemen 3 fame has meticulously remastered the album from these original tapes in his Lisbon studio, ensuring that it is presented to listeners as intended. This reissue will undoubtedly be a must-have for fans and collectors alike, offering the best audio quality version of the band's early psychedelic masterpiece.
(Further Reflections) In The Room Of Percussion (3:18)
Dear Nellie Goodrich (2:45)
Holidaymaker (2:29)
A Lesson, Perhaps (2:41)
The Sky Children (7:58)
Review: Kaleidoscope's Tangerine Dream stands as a quintessential English psychedelic album, often ranked among the most important and influential works in the genre alongside iconic releases like Sgt. Pepper's, Forever Changes, and The Psychedelic Sounds of the 13th Floor Elevators. Despite its rarity and collectability, with mint copies fetching hefty prices, the album has surprisingly lacked a proper reissue and remastering treatment for over five decades. However, after three years of determined effort, negotiations with major label executives and stroke of luck, the album is finally receiving its long-awaited official reissue. Thanks to painstaking detective work and fortunate encounters with Universal archivists, the original master tapes, previously languishing in the vaults, have been unearthed. Moreover, Sonic Boom of Spacemen 3 fame has meticulously remastered the album from these original tapes in his Lisbon studio, ensuring that it is presented to listeners as intended. This reissue will undoubtedly be a must-have for fans and collectors alike, offering the best audio quality version of the band's early psychedelic masterpiece.
Review: No prizes for guessing the kind of sonic avenues we're invited to explore here. Less obvious is the fact Kandodo is actually Simon Price, a name many psych lovers will recognise from British heavyweights The Heads - a group that have spent the last few decades bending minds to their will, or at least sound, and opening up third ears with far reaching cosmic tones. Here you can expect similar wormholes to open, but dark matter reigns supreme. Introverted to the point of collapsing in on itself, Theendisinpsyche feels sludgy, deep, heavy and all the things that make us look down and then inside ourselves. With the B-side taken up by 22-minute long epic, 'Swim Into The Sun', you should hopefully know just how intense and inescapable things get - which should only ever be taken as a strong recommendation from us.
Review: This analogue-driven masterpiece sets a high bar for exciting music in 2025. The ten-track album, crafted by the Gothenburg duo (featuring members of Fontan and Ultra Satan), blends intricate soundscapes with emotional resonance, offering a listening experience that is both reflective, thought-provoking yet at times, challenging. Vind explores the intersection of rhythm and emotion, creating an atmosphere that feels timeless and innovative. The first single, 'Montilla', embodies the album's ethos. With its downtempo pace and broken beat structure, the track feels like a sonic odyssey. Psychedelic elements and exceptional guitar work add layers of complexity, while leftfield textures make it stand out. The result is a piece that's unique, grounded but also otherworldly. 'Medvind Part 1' is a great example at the ability of the band to create an outstanding blend of various styles of music such as Latin, ambient and folk music along with many others. Vind is a rewarding journey for all who cherish inventive music.
Review: This marks the first re-press since the 2019 release of Lux Prima, which is the critically acclaimed album by Yeah Yeah Yeahs' lead vocalist Karen O and renowned producer Danger Mouse. Hailed as a "dreamy and poignant collaboration" back then, the album featured the single 'Woman' which earned a Grammy nomination for Best Rock Performance and a Spike Jonze-directed performance on The Late Show with Stephen Colbert. The reissue includes original artwork and a 16-page booklet highlighting their interactive exhibition, An Encounter with Lux Prima, which featured a 360-degree soundscape mixed at Skywalker Ranch.
Review: 'Mordechai is another blissed-out record from Texan party-chill-psyche trio Khruangbin. It's also among the outfit's most defined and driven, a smooth, sticky hot funk odyssey made for hazy afternoon soirees. Leader Laura Lee is, as ever, unfathomably siren-like on vocals, her bass grooves aiding the process of seduction no end. Even at the most upbeat and anthemic, 'Time (You and I)', it's hard not to feel woozy and intoxicated by the pared-back breaks and guitar lick combination. Dance floor ammo for sure, as is Pelota. Overall, though, it's an album best savoured slowly, allowing you to fully appreciate every lackadaisical moment of opiate goodness, with tracks such as 'Father Bird, Mother Bird', 'One To Remember' and 'Shida' summoning stunning sticky, heavy, deep atmospheres.
Review: Desert funkers Khruangbin announce their latest album A La Sala, turning their efforts inward to a more personal recollection of childhood and origination, and to reach a firmer understanding of what exact influences made this troupe who they are today. In contrast to their last record Mordechai (2020), uniquely conceived as a party record from the jump of its making, A La Sala (translation: 'to the room') is the measured, self-reflective morning after; lead singles 'May Ninth' and 'A Love International' pare back the layers even further than we could imagine Khruangbin pulling otherwise, making for emotional ponderings of the external world, inextricably tied to the internal as it is.
Review: In 2015, Texas & London-based trio Khruangbin's debut album 'The Universe Smiles Upon You' garnered wide critical acclaim and captured attention for its seamless genre-blending and internationally shaped sound - one that evidently has deep roots in Thai-funk cassette culture. Similarly to their debut, sophomore record 'Con Todo El Mundo' is a cocktail of largely instrumental surf-rock, afro-funk, middle-eastern and far-eastern influences, mixed with warmth and soul. As if their pallette wasn't diverse enough, the additions of the pared back boogie on 'Evan Finds The Third Room', the widescreen dream-pop of 'A Hymn' and deeply intricate writing of closer 'Friday Morning', are illustrative of a band who have worked hard to broaden their horizons while keeping their roots in mind and, despite transatlantic bases, clearly remain a stunningly cohesive and well-matched outfit.
Review: 'Mordechai is another blissed-out record from Texan party-chill-psyche trio Khruangbin. It's also among the outfit's most defined and driven, a smooth, sticky hot funk odyssey made for hazy afternoon soirees. Leader Laura Lee is, as ever, unfathomably siren-like on vocals, her bass grooves aiding the process of seduction no end. Even at the most upbeat and anthemic, 'Time (You and I)', it's hard not to feel woozy and intoxicated by the pared-back breaks and guitar lick combination. Dance floor ammo for sure, as is Pelota. Overall, though, it's an album best savoured slowly, allowing you to fully appreciate every lackadaisical moment of opiate goodness, with tracks such as 'Father Bird, Mother Bird', 'One To Remember' and 'Shida' summoning stunning sticky, heavy, deep atmospheres.
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