Review: Re:discovery has got a superbly illusive reissue eon its hands here with 1993's Clouds Over Europe EP from Aquarian Atmosphere, 39626 and Unit 2. It is a cosmic deep tendon voyage that tingles all of your sense as you ride on the gloriously serene synths of opener 'White Clouds'. It is one of the three tunes from Aquarian Atmosphere, the others being 'Floating On Boyne' a dreamy downtempo number that leaves you gazing at the stars and also 'Rhiannon', a thinking melodic masterpiece. 39626' 'Elixir Of Life' is an intense mix of synth modulations and minimal rhythm and Unit 21s' 'Clubtraxx' (Movement 1 - unreleased version) is pure Detroit techno goodness.
Review: The latest EP from the Lonely Planets label co-founder Caim plunges you into an innovative soundworld of ancient myth and futuristic techno brilliance. The title cut 'Medusa Hunter' weaves hypnotic rhythms with smouldering, Goa-inspired melodies that are driven by venomous basslines that evoke suspense and intrigue. 'Hypno Gravity' is a weightless cut with balmy neon pads and silky beats that lure you into a trance where time fades and consciousness drifts. 'Adonis From Space' is another supple and stylish sound with ambient pads adding scale to skeletal rhythms. 'Desert Planet06' shuts down with a masterful blend of dubby undercurrents and aquatic sounds.
Before We Drown (Chris Avantgarde extended remix) (5:43)
Before We Drown (AC Wet remix) (3:59)
People Are Good (Indira Paganotto Psy remix) (9:29)
People Are Good (AC Fool remix) (6:45)
Review: The fifth edition of Depeche Mode's Memento Mori white label remixes series hears four new remixes added to the post-hoc vinyl selection, offered to the world after the release of the synthpop pioneers' most recent eponymous album. Beginning with the demure atmospherics of Chris Avantgarde's 'Before We Drown', then into two propulsive, audio-brut experimental downtempo versions by AC, but not before a brilliant pystrance B1 by Indira Paganotto, which makes for a squarely sagacious sendoff.
Review: 'Diamond Bullet' is a chill out masterpiece that epitomises Effective Force's pioneering style. With its laid back groove and hypnotic rhythms, the track immerses listeners into a sonic journey through the German trance scene of the early 1990s. The driving force behind the music is undeniable, as Johnny Klimek and Paul Browse skillfully blend elements of trance, techno, and ambient music to create an electrifying experience. The track's four original remixes offer unique interpretations, each adding layers of depth and complexity to the already captivating composition. From the infectious energy of the beats to the ethereal melodies that weave throughout, 'Diamond Bullet' is a great example of the psychedelic underground trance scene of the era.
Review: Shout out to Greek powerhouse Kinesthetik Recordings for making it all the way to a half a century of releases there. They celebrate in the best way they know - with more tranced-out sounds from artists in their orbit. Giorgio & Andreas open things up with 'Nice One' and its thudding tech drums and cosmic synth lines. Diskinesia gets much more raw and moody with the edgy drums of 'Back & Forth' and Interphase then drops a pair of industrial tech thumpers. Giorgio & Andreas reappear with a raw, roughshod and deep groove and Marcelino Sanchez's 'Motive One' offers dub techno to close.
Review: Nina Kraviz has approached her latest single 'Tarde' with cogent flair, issuing several vinyl remix sets to divvy up and complement a full ten-track digital compilation, made up of a star cast of remixes by major artists. On another 12", Kraviz shortens the full ten tracks to a short selection. The tense, and hummingly fun, original track 'Tarde', released earlier this year, is heard in full effect on this record's B-side, coming complemented by Melchior Productions' phattened 'Late Mix' in the vein of flickering tech house. The A-side is taken up meanwhile by veteran endurance DJ Ricardo Villalobos, whose version of 'Tarde' doesn't care a hoot about tardiness less than it does bask in it, slowly unveiling a clockwork mechanism of spitting schematic beats and tastefully placed vocal shouts from Nina's original acapella.
Review: By now already a cult favourite label, Banoffee Pies Originals is back with new beats from Planet Euphorique label boss D. Tiffany and multidisciplinary artist and Rinse FM resident Ciel working together as Psychedelic Budz. The Canadian duo delivers two off-kilter club tracks here with a guest appearance by Adam Pits under his Lil Mushroom alias. That's on the title cut 'Wonk Donk' and it features a supple and hyper-speed rhythm with dubby undercurrent and deft vocal smears next to acidic squiggles. The other cut 'Vokal Fry' is a percussive jumble with broken beats, watery effects, chopped-up vocals and a generally beguiling vibe.
Review: Snippets Music is an emerging Russian label doing more and more to carve out its own niche in the world of trance, prog and Goa sounds. Rambal Cochet kicks off this one with some big-ass beats, tribal synth work and celestial chords to expand the mind. Dylan Forbes remixes into a more deep, spiritual prog-trance sound and 'Sasha The Explorer' then brings undulating, rubbery bass and modulated synth sounds that call to mind early era Sasha and Digweed work. 'Trancemental' shuts down with a darker sound that has all manner of synths spraying about the mix over phased bassline action.
Review: Reissued on vinyl for the first time, here comes Juno Reactor's 1997 LP Bible of Dreams, also newly remastered and available on double black vinyl. Juno Reactor's fourth album, Bible Of Dreams came with a staunchly different sound compared to the group's previous albums, and moved away from the traditional dance beats by implementing tribal influences. The band collaborated with Amampondo, a traditional South African percussion act, on the single 'Conga Fury'. Watkins and Amampondo went on a five-week tour of the US, opening for Moby. With many of its tracks appearing in acclaimed pop culture soundtracks - the likes of The Matrix Reloaded, Animatrix, Mortal Kombat Annihilation and Beowulf - its composer, producer, musician and performer Ben Watkins has gone on to become an essential innovator of modern electronic music and a pioneer of trance.
Axel F - "Geronimo" (Special instrumental mix) (6:52)
Review: Continuing the research project started last year, Sound Metaphors, Transmigration, and historian Ray Castle present an in-depth analysis of the dancefloor scene in Goa during the 80s and early 90s, before trance became a mainstream genre. This tropical underground haven thrived on unique aesthetics, with dedicated collectors and DJs curating the finest "special goa music" from the era's emerging electronic tracks. This compilation features impactful new beat, proto-techno, early progressive, trance, industrial, EBM and house music tracks, accompanied by event photographs in a double LP gatefold with a poster and liner notes by Ray Castle. Re-mastered in Berlin, it's an essential addition to any record collection.
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