Back catalogue: Pop

Review: A new song by the acclaimed DJ Mitsu The Beats (a member of Sendai's hip-hop crew Gagle) and rapper Sorane, 'Daily Meets' is a chillaxed, fluid lo-hi-fi hip-hop tonic for those whose ears require polishing, refreshing and/or full-blown aneling in the morning. Getting at a quotidian "everyday life" themes - bleary eyes, coffee shop hissings, cutlery tinkles, long gazes out the window - this jazzy track blends sharp lyricism with repetitious slice-of-life themes, finding joy in those life periods that the less patient among us dare to call groundhog days. Backed up by the instrumental too, you're more than well equipped for both DJ and home system play here.

Review: Who can forget Maneskin's triumph for rock on the Eurovision stage as they brought the win for Italy in 2021? In Damiano David, the Italian band have a natural born frontman who is now having his Harry Styles moment and stepping out on his own and forging a distinctive solo career to rival the day job. Despite being labelled a glam rock outfit, Maneskin's pop element always shone brightly and so for his debut solo album David has tapped more heavily into that side of his. David's embraced co-writes and in terms of the production he has thrown the kitchen sink at it to get a massive sound. 'The First Time' has more hooks than a fisherman's tackle box and a sweeping epic Sprinsteen-esque feel. Another highlight 'Next Summer', lets David's vocals star, but the arrangement is unexpectedly massive. Despite its sparse beginning it turns into an orchestral showstopper indicative of the seemingly vast resources the label have had to craft this beauty.

Review: There's a certain drama in the air when the beats kick in with an instant jolt of energy that doesn't let up. The tracks on the second album on Pete Burns-fronted crew are an exuberant mix of bold melodies and infectious rhythms, blending sharp pop with a cheeky edge. You'll know their massive SAW-produced SMASH 'You Spin Me Round (Like a Record)', but the group's unmistakable sense of theatre shines through, with each track feeling like a mini anthem. Whether it's the larger-than-life production or the slightly over-the-top flair, the sound remains unapologetically fun. It's pop at its most playful, wrapped in an unmistakable 80s glow that still carries weight today.

Review: London-born neo-soul sensation Olivia Dean has soared to stardom since the release of her debut album, Messy, back in the summer of 2023. By May 2024, she headlined three sold-out nights at London's iconic Hammersmith Apollo and the second performance, captured on Live at Eventim Apollo, is a fine example of her remarkable stage presence and soulful vocals. The album features fan favs such as 'Dive,' 'Touching Toes' and 'Time' which highlight her heartfelt storytelling and signature sound. This is a great testament to her talent and meteoric rise and one that celebrates Olivia Dean as one of the brightest voices in contemporary neo-soul.

Review: Released in 1990, the Canadian 'Titantic' legend's ninth - and first English-language - album, was her formal introduction to a broader international audience. While later albums would showcase her powerhouse balladry, Unison is rooted in late 80s and early 90s pop, dance and soft rock, highlighting a different, more youthful side of Dion. This reissue's title track, 'Unison', is a bright, upbeat number, blending slick production with a catchy, danceable groove. Dion's voice is confident but not overpowering, riding the rhythm with an effortless charm. 'Where Does My Heart Beat Now', arguably the album's peak, is a soaring ballad that previews the emotional intensity she would later become famous for i her vocals swelling with a mix of vulnerability and strength. Tracks like 'If Love Is Out the Question' and 'Have a Heart' lean into soft rock territory, filled with shimmering synths and polished guitar work, highlighting Dion's adaptability across genres. Meanwhile, 'The Last to Know' presents a bittersweet mid-tempo groove, layered with heartfelt emotion. Unison captures an artist in transition i blending dance-pop sheen with emotional depth. It's a polished debut that lays the groundwork for Dion's meteoric rise, offering glimpses of the superstar vocalist she was destined to become.

Review: 'The show must go on' would be a fitting subtitle for Celine Dion's new Amazon Prime Video documentary. Charting her life, accomplishments, and often hidden difficulties, the overall message is clear: very little is going to stand in the way of someone this determined. Even viewers who don't consider themselves fans have been won over, with 100% of reviews on movie critic aggregator site Rotten Tomatoes offering positive feedback. It's certainly rousing stuff, with Dion's ongoing battle with stuff-person syndrome - a rare neurological disorder characterised by increasing rigidity - a key reason why you're bound to get off the couch feeling like most things might be possible after all, just as the closing credits roll. As for the soundtrack, it's a big, concert-hall worth selection of her most powerful anthems and album tracks, from 'The Power of Love' to 'My Heart Will Go On', many of which take on new resonance after watching the film.

Review: To celebrate the one-year anniversary of provocative rap and hip-hop star Doja Cat's critically acclaimed album Scarlet, this deluxe vinyl edition 'Scarlet 2 CLAUDE' is now served up on bone vinyl. This version includes 24 tracks and features hits like 'Attention,' 'Paint The Town Red,' 'Agora Hills,' and 'OKLOSER.' 'Paint The Town Red' is the real standout and a firm favourite with many having spent three weeks at number one on the Billboard Hot 100, which made it the first rap song to top the chart last year. It also led the Billboard Global 200 for four weeks and after that in February 2024, the superb 'Agora Hills' reached No. 1 on Top 40 Radio, marking Doja Cat's eighth chart-topper.

Review: The reissue of Duran Duran's self-titled debut album revitalises the iconic 1981 release, showcasing its blend of new wave, synth-pop, and post-punk influences. Standout tracks like 'Girls on Film' and 'Planet Earth' highlight the band's knack for infectious hooks and stylish production. The reissue enhances the original's crisp, polished sound with remastered audio, bringing renewed clarity to Nick Rhodes' synths and John Taylor's basslines. Additional bonus tracks and rare demos provide deeper insights into the band's early creative process. This reissue solidifies Duran Duran as a seminal work that defined an era.

Review: Duran Duran's Rio album, had a huge impact on the 80s music scene. The album is praised for its catchy choruses - despite its often nonsensical lyrics - each track is noted for its strong hooks, with even the lesser-known songs having memorable melodies. Recognized for the importance of John Taylor's bass playing that adds a unique groove to the band's sound. Simon Le Bon's vocals are praised for his ability to convey emotion, even with generally meaningless lyrics. The album features the worldwide hits 'Rio', 'Hungry Like A Wolf' and 'Save A Prayer' whose videos were some of the most popular in MTV history. Nick Rhodes' synthesisers as essential to the band's sound, along with Andy Taylor's guitar work, which, while not flashy, contributes to the overall package. 'The Chauffeur' is considered by many as the stand out track, with its spooky vibe and memorable pan flute solo. Overall, the album is described as essential for anyone looking to explore 80s pop music, with its energetic and engaging sound.

Review: LSD’s Remixes EP channels the group’s genre-blurring ethos into a collection that thrives on reinvention. Lil Wayne’s charged verse on ‘Genius’ adds grit without overshadowing the original’s playful intensity. MK’s remix of ‘Thunderclouds’ transforms its soaring vocals into a deep house anthem, all pulsing bass and late-night allure. Banx & Ranx’s reggae-infused take on ‘Genius’ radiates sun-soaked warmth, while Dombresky’s remix of ‘No New Friends’ packs a punch with relentless house energy. CID’s rework of ‘Audio’ dials up crisp, percussive beats that slice through its melodic core. Meanwhile, The Aston Shuffle injects ‘Heaven Can Wait’ with shimmering synth layers, balancing nostalgia with dancefloor readiness. Lost Frequencies’ remix of ‘Thunderclouds’ closes the record on a euphoric high, reframing its introspection with bright, festival-ready optimism. This is LSD’s universe expanded — familiar yet thrillingly unpredictable.