Review: Renowned DJ and selector MURO is a Jedi-level compiler and this new collection of his delves into Victor's extensive archives to spotlight a world of Japanese jazz, fusion and AOR. It take sin plenty of internationally known names like Yasuko Agawa on the sunset sounds of 'L.A. Night', Sadistics who offers the more psyched out guitar leans of 'On the Seashore', Yuji Ohno's neo-Balaeric bliss-out 'The Dawn of Seychells' and Hiroshi Fukumura's soul soothing Ry Ayres-style melodies on 'White Clouds.' These are luxurious sounds and timeless tracks with MURO's signature funky perspective making this a brillaint choice for brighter, warmer days.
Review: Psychonauts, brace yourselves... A reissue of the classic track by artist Spacetime Continuum and ethnobotanist Terrence McKenna is upon us. The six-track EP 'Alien Dreamtime' was first released on Astralwerks in 1993, and came as the first ever release by Jonah Sharp, who played an instrumental hand in pioneering the sample-use of spiritually-enhancing spoken word segments as preludes to magnanimous, ambient electronica tracks. McKenna himself is credited as a collaborator; this EP documents the moment Sharp teamed up with the entheogenic pundit, alongside fellow didgeridoo player Stephen Kent, for an hour-long spoken word rave live in the psycho-breaks capital, San Francisco. "For your edification", McKenna intones and then continues, "the psilocybin mushroom is the catalyst of human evolution and language..." as the wildest possible atmospheric forms of take shape on the highlight dance-scapes 'Transient Generator' and McKenna's glossolalic 'Speaking In Tongues'.
Review: The Hermanos Gutierrez return with another album-lenfgth bang - Sonido Cosmico - hearing the sonorous siblings abandon the desert for the cosmos, having established a firm arenaceous grounding on their prior record El Bueno Y El Malo. Artfully produced by Dan Auerbach, the album brims the fiery 'stones: suspenseful, analogue-treated guitar dialogues - the crux of the brothers' project - all while playing up an arid Western aesthetic, with a stargazing propensity. Lead track 'Sonido Cosmico' indeed comes with a music video that finds the brothers atop a desert mountain observatory, surrounded on all sides by cacti and UFOs, and sporting telescopes and dowsing rods when they're not playing guitar. An album of dreamy instrumental delights; the planes of Arenillas indeed are a prime location to take alien flight.
Review: Fresh instrumental Afro-funk-disco magic from LA-based quartet The Bombillas, once again emerging from their post-LP slumber with the complementary 'Kidi Bloom' and 'Hatif'. In no rush to release again since 2022's 'Nac Nac/Senebi', this new 12" is suitably taciturn and unaffected; the A-sider riffs on distinctive Arabian folkloric music styles, its brand of funk closing in on a harmonic minor key, as David Michael Celia and Tyler Nuffer digitally riffle the electric keys and vintage-amped guitar respectively. 'Kidi Bloom' is a similar pre-car-chase scene complement, bringing cluing vibraphones and mod-wheeled synth work to a relative slow jam.
Review: Marie Guerin, or maybe you know her as Marie de la Nuit, is a sound artist who has explored field recordings, radio archives and "hertzian ghosts" for almost a quarter of a century since her debut in 2001. Her work blends voices, textures and ambient sounds that examine sound heritage and its preservation. Transportees is an electroacoustic composition that connects archaic and electronic trance and in doing so weaves a musical thread from Brittany to Tunisia. It follows a trance-like journey through recordings and oral traditions, all rooted in Guerin's passion for archives. The album reflects her fascination with capturing and preserving songs and transforming them into a soundscape that bridges past and present.
Review: A release that honours the centenary of Alessandro Alessandroni's birth with a collection of previously unreleased tracks from the iconic composer and multi-instrumentalist. This album uncovers a hidden chapter of Italian film scores and library music, featuring Alessandroni's lesser-known work between 1969 and 1978 for war documentaries and films. Paesaggio Bellico isn't just a military march through battlefields but a deeply nuanced exploration of war's human and existential facets. Alessandroni expertly balances sweeping, cinematic themes with moments of tension and unease. His compositions juxtapose stark, unsettling imagery with softer, more hopeful tones that has a poignant counterbalance to the brutality of conflict. The maestro's signature whistle floats over gentle 12-string guitar melodies, while his fuzz-laden Fender Stratocaster electrifies more intense passages. The Cantori Moderni, Alessandroni's trusted vocal ensemble, contribute haunting vocals that delve into the psychology of warfare. An elegant string section adds layers of drama and sentiment, enhancing the album's orchestral weight. With 18 tracks in total, the release is visually enriched by Eric Adrien Lee's cover art, which reimagines the bold design of 1970s Italian war-themed records. With a tip-on hard cover and a unique inner sleeve, the vinyl is a fitting tribute to Alessandroni's enduring legacy, blending sonic and visual storytelling into a truly special release.
Review: Frollen Music Library is a high-quality sample library and production house specialising in live ensemble recordings and analogue production techniques. It has a creative process rooted in a love for 60s and 70s music, the foundational sounds for hip-hop sampling, so offers producers easy-to-use sample packs. Created by long-time collaborators Darvid Thor, Henry Jenkins and Hudson Whitlock who are members of Melbourne's soul scene, Frollen Music Library is a rich sound source for productions and compositions in film and television and a go-to resource for fans of artists like David Axelrod and Ennio Morricone. It also works as an evocative mental trip when listened to from back to front.
Review: Frollen Music Library is a premium sample library and production house focused on live ensemble recordings and analogue production techniques. Drawing inspiration from the 60s and 70s - which is of course - the era that shaped hip-hop sampling, it provides producers with accessible, high-quality sample packs. Founded by long-time collaborators Darvid Thor, Henry Jenkins and Hudson Whitlock who are all active members of Melbourne's soul scene, the library offers a rich collection of sounds perfect for film, television and music productions. It's an essential resource for fans of artists like David Axelrod and Ennio Morricone and also makes for a good standalone listen.
Review: When it comes to hunting the very of best library music cuts out there, De Wolfe's discography is likely the best place to start, and finish. The British music production company were the first to license such music exclusively for film and TV and thus single-handedly popularised the now DJ's favourite genre. Here on this reissue, Aussie producer, musician and double bassist Johnny Hawksworth (one of two famous library musician "hawks", only once removed from the perhaps more eminent Alan Hawkshaw), prizes open both falcon's eyes and auriculars: 'Bite Hard Breaks', the star, makes for an unfathomably cool piece for the playing of seductive games. Unsurprisingly, but with this fact not known to many, this record has been much sampled by hip-hop titans, from Beyonce to Drake to Jay Z to Madlib.
Review: Dirty Harry is one of the greatest Western characters of all time and the main title theme from the movie is just as brilliant. Here it gets pressed up to a fiery and funky 7" that follows on from one on this same label back in summer which offered up 'Scorpio's View' on 45rpm. This one opens with the eponymous theme which is a funky and thrilling chase with superb rhythms and lush strings and then the flip is 'Magnum Force' (main Title) which is more subtle and slow burning but just as dramatic.
Review: The sound of Medline exploring the deeper edges of electronic music, crafting a sonic landscape that's both hypnotic and evocative. 'The Edge' is a journey through atmospheric textures, pulsating rhythms and subtle melodies, creating a mesmerising soundscape that's perfect for late-night listening or introspective moments. The production is pristine, with each sound carefully crafted to create a sense of depth and immersion.
Review: The fact Paesaggi is being released on Four Flies, an Italian label that has tasked itself with unearthing, or rather catching obscure soundtracks from the country's golden age before they fall into complete obscurity and off the face of the Earth, should tell you everything there is to know about this one. One of the all-time masters of film scores, Umiliani delivered the album in 1971, and it's a wonderful example of his work.
It's probably important to point out that his output leant towards the less high brow genres, including Spaghetti Westerns, and soft core sex movies. This version of the album itself, which is number three after the original in 1971 and re-release (with different sleeve) in 1980, features performances by legendary session supergroup I Marc 4, and is as wistful and beguiling as it is lounging and made to make background moods. Flutes, guitars, strings and all.
Phongsri Woranuch - "The Farmstead Awaits You" (3:09)
Chen Yenkhae - "Poor Homeless People" (2:56)
Nanta Pitanilapalin & Naris Aree - "Love Me For A Long Time" (3:48)
Suwanna Seneewong - "Beyond Desire" (2:48)
Review: This is a wonderful collection of Phleng Thai sakon, a style of Thai popular song that fuses local and Western influences. Recorded from the end of WWII to the early 1960s, these tracks are part of the Luk krung genre which contrasts with rural Luk thung. Following the 1930s Thai cultural revolution, Western elements like jazz were incorporated into Thai music and transformed folk melodies into dances like ramwong. This compilation showcases the polished, urbanized Luk krung style, though some tracks touch on rural themes. Despite Western influences, many tracks retain strong ties to traditional Thai music and create romantic, beguiling arrangements.
Review: Library music maestro and original member of The Shadows Brian Bennett has a raft of sought-after records to his name, but this is surely one of the most prized. As with the best library music, the execution of the compositions is impeccable - like slipping on silken luxury leisurewear for your ears. The record has been a rich source for sampling over the years, so half the joy is in spotting licks and loops from your favourite tunes, but equally these disco-fied delicacies funk all on their own. Lovers of the Black Devil Disco Club vibe will be more than happy getting down to these tasteful cosmic groovers, unbelievably repressed for just the first time on Isle Of Jura since the original release in 1978.
Review: Gianni Marchetti's 1977-78 LPs Equinox and Solstitium are truly rare gems from Italy's library music scene. Long thought lost, these tracks were unearthed from original DAT tapes and remastered for vinyl. They are loved for their ethereal, imaginative compositions as Marchetti's work blends driving rhythms, lush strings and intoxicating jazz sounds that offer a cinematic, dreamy feel. These albums, previously promotional-only and still highly coveted by collectors, now shine as part of Dialogo's initiative exploring RCA's "Original Cast" series. They lay bare the brilliance of Italian library music.
Review: This is the first-ever reissue of Gianni Marchetti's 1978 LP Solstitium, which was originally released as part of RCA's "Original Cast" series in limited promo copies and has long been considered one of the most rare and enigmatic pieces of Italian library music. Library music was primarily created for television, radio and film but often yielded hidden gems that fused jazz, lounge and soul into storytelling vignettes of sounds. Marchetti's wonderful Solstitium is a prime example of innovation within this space which rightly remains a classic in the history of Italian music.
Review: Oscar 'Sholto' Robertson's album Letting Go of Forever prides itself on being an expansive musical journey, building on the momentum of his critically acclaimed EP 'The Changing Tides Of Dreams'. This 26-track double LP reflects Sholto's rich influences, from Mozart's dramatic 'Lacrimosa' to David Axelrod's eclectic productions. The album's initial tracks, including the evocative 'For The Love Of Stripes' and the atmospheric 'Ligurian Storm', are a signature blend of orchestral and instrumental artistry. 'For The Love Of Stripes' features lush strings and choral elements, interwoven with flutes and percussion to create a nostalgic, dreamy vibe. The track is inspired by the concept of stripes as both a visual divider and a symbol of individuality, which Sholto translates into a stunning musical narrative. 'Ligurian Storm' tells the story of a stormy journey through Italy, combining harp, vibraphone, and synths to evoke the beauty and drama of nature's transformation. Drawing comparisons to the Cinematic Orchestra and Surprise Chef, Sholto's work merges the soulful warmth of jazz and the experimental spirit of 60s and 70s soundtracks. This album should resonate with emotional depth and cinematic flair for anyone who listens.
Review: Whatitdo Archive Group goes deep with Wild Man, diving headfirst into the eerie side of holiday folklore. This isn't your average Christmas fare; Side A's 'Wild Man' pulses with heavy, driving bass and swirling wah-guitar that captures the energy of dark legends like Krampus and the Yeti. On the flip side 'Greensleeves' takes on a haunting Ethio-jazz edge, stretching the familiar tune into shadowy, hypnotic territory. Each track is a bold reimagining, blending ancient mythology with grooves fit for any late-night winter gathering that dares to step off the beaten path.
Review: 'Warlock' is the latest release to be pushed via Bob Stanley's Measured Mile imprint, and pulls two floor-friendly but still retrospective gems from the storied De Wolfe music library, based in the UK and widely known as the progenitor and originator of what has now become known widely as library music. To demonstrate the gestation times common to this corner of the music industry, these two tracks have never been heard before, and yet were recorded in 1983! First comes Reg Tilsley with 'Warlock', a full yet light-winged flight through linns of flute, funk bass and notes inegales. Meanwhile, 'Flashpoint' by Roger Jackson is a space-age tittup of booming, long-tailed proportions; it's tempered by the nagging nip of a clavichord and the formidable frown of the lowest piano note.
Review: After a prolific 2023 which saw them release two albums of fried and wide-eyed instrumentals Harmons Gutierrez return with further explorations of their atmospheric taker on 1950s Latin American sounds. There's a sense of Morricone drama and expansive space to the duo's self-described cosmic sound, where the intricate guitar work collides with space-age effects processing to create a truly escapist listening experience. Steeped in the mystique of the desert, with an undeniable romance in their hearts while heading towards the stratosphere, Alejandro and Estevan Gutierrez show their craft has the potential to explore new vistas while staying true to the formula which has served them so well thus far.
Review: The man behind the Death Is Not The End label and archival NTS radio show got plenty of people talking earlier in the year when he presented the music on this record on the airwaves. It is a brilliantly authentic document of a very special time in the history of British music culture. Pirate radio was the voice of the underground, the mixing pot for the musical sounds and scenes of the time with their famous phone-ins, shout-outs and adverts all adding to the atmosphere of each broadcast. Relive it now as often as you like with this brilliantly assembled collection.
Review: Four Flies present another masterpiece from one of the all-time greats of Italian soundtrack and library music, Piero Umiliani. His work on the 1974 film Il Corpo ranks amongst his most famous work, and now two pieces have been selected from the soundtrack and presented on this exclusive single. 'Chaser' on the A side appears in an exclusive extended form which has never been released before, while 'Hard Times' on the flip remains the archetype of Italian jazz-funk perfection. This is a limited edition so don't hang around as these are sure to fly out.
Review: Reissued by Before I Die after being singled out as a choice cut from a recent Swedish library music compilation, 'UFO' is a cosmic funk jam by one lesser-cited duo known as Falk & Klou. This being their only collaboration, the fused efforts of Carl Johan Fogelklou and Fredrik Segerfalk make for an otherworldly experience, with lasery sound FX and a strange narration complementing this toothy electro-funk oddball. The remix by Andi Henley (Ruf Kutz) on the A-side cements the track's importance.
Review: Farfalla Records' reissue of Wonderland of Sound to celebrate its 50th anniversary is a nostalgic nod to the classic 70s library sound. Originally released in 1974 and produced by Brillant-Musik's Werner Tautz, the album was recorded in Zurich and features the talents of the Big Band Rainbow-Orchestra, comprised of Europe's finest session players. Wonderland of Sound epitomises the era's jazzy bliss, with splendidly funky compositions and arrangements that feature a ultra-stylish horn section. The album exudes a timeless charm, transporting listeners back to the heyday of European library music. Throughout the record, the craftsmanship of the musicians shines through, creating an exciting album that is both evocative and infectious.
Review: Three years ago, Dutch multi-instrumentalist and producer Noam Offir unveiled his debut album as Soul Supreme, a vividly realised fusion of jazz-funk, jazz-fusion, hip-hop, soul and electrofunk flavours that boasted impeccable musicianship. Poetic Justice, the rising star's hotly anticipated follow-up, continues in a similar vein whilst aiming higher. The musicianship is, if anything, even better, with liberal use of horns, P-funk synth sounds, Clavinet, warming electric piano motifs, loose limbed drums (blessed with the swing of live drums, but - we think - MPC-powered). It's basically the same old super Soul Supreme sound, taken to the next level. As a result, Poetic Justice is even better than its lauded predecessor. Don't sleep on this one!
Review: Woman by Monica Lassen & The Sounds is a rare and beautiful album that has finally been reissued on vinyl in 2024. Originally released in 1970, the album is a mix of easy listening and jazz-funk with a distinctly cinematic feel. The lack of vocals gives the music a dreamy and evocative quality, perfect for soundtracking your own mental movies. If you're a fan of either easy listening or jazz-funk, or if you're just looking for something new and different, we highly recommend checking out this rare piece of Japanese music. It's a truly unique and special album that deserves a place in any music lover's collection.
Review: 'Available Forms' is the latest masterwork of the musical project Tobor Experiment, led by Giorgio Sancristoforo, an Italian sound artist and music software designer based in Milan. Active since 2007, Sancristoforo's work has largely centred on highly technical odysseys in avant-disco, exploring surreal takes on the ambivalent promises made by the tide of technological advancement, channelled into a that has been described, perhaps quite cleverly, as 'moogsploration'. Coming after a 12-year hiatus on gatefold LP, Sancristoforo returns to his go-to label Bear Funk for yet another foray into this retro-modernist vision, mixing genre-bent jazz, electronica, nu-disco, and psychedelic influences.
The Phoenix (Kenny Dope Fantastic Souls mix) (4:31)
Kraken (3:41)
Kraken (Kenny Dope Fantastic Souls mix) (3:32)
Review: Kay-Dee Records comes at us with a 45 double-hitter, presenting Bert Hector's 'The Phoenix' and 'The Kraken' with Kenny Dope on remix duties. On the first record, we're treated to 'The Phoenix', a sure-fire funk gem with a super-warm sound - beat is as cool as it gets, with a laid-back and funky attitude sitting beneath a joyous intermingling of sitar, flute, brass and guitar, all performed at expert levels. 'The Kraken', meanwhile, channels a killer groove, strutting at 85 bpm and incorporating a huge brass section which pumps loud, while flute solos and funky Wah-guitar chops take things up a notch.
Review: Over three decades of musical exploration and innovation have cemented German guitarist and bandleader JJ Whitefield as a stalwart in the realm of authentic, timeless music. As a founding member of the Poets Of Rhythm in the early 90s, Whitefield pioneered a hard-edged take on 70s street funk, setting the stage for the Deep Funk scene to come. His subsequent ventures under various pseudonyms, including Karl Hector, showcased his versatility and eclectic influences, drawing from Ethiopian Jazz, West African funk, Kraut-rock, and ambient sounds. With his latest album, The Infinity Of Nothingness, Whitefield delves into the astral realms of spiritual jazz, paying homage to influences like Sun Ra and Pharoah Sanders while forging his own path. The album's mature, delicate orchestrations evoke a trance-like atmosphere, with subtle accents of hip-hop, library and avant garde seamlessly integrated. Tracks like the sparse opener 'Nothingness' and the expansive 'Infinity Suite' demonstrate Whitefield's ability to create music that not only honors his influences but also stands the test of time. The Infinity Of Nothingness represents a culmination of Whitefield's lifelong musical journey, showcasing his unwavering dedication to authenticity and innovation.
Anthony Hobson Aka Tektron - "Future Perspectives"
Chameleon - "Waterfall"
James Asher - "Telecom"
Simon Park Aka Soul City Orchestra - "Eagle"
Alan Hawkshaw - "Astral Plain"
Paul Williams - "Drifting In Time"
Brian Bennett - "Earth Born"
Harry Forbes - "Soft Waves"
Astral Sounds - "Topaz"
Alan Hawkshaw - "Eternity"
John Cameron - "Infinity"
Andy Grossart & Paul Williams - "Morning Dew"
Review: In the 70s and 80s, nothing was as revolutionary as the synthesiser. Electronic sounds became essential for forward-thinking adverts, with TV producers and advertisers seeking music akin to 'Tubular Bells,' Tomita, and Jean Michel Jarre. Music libraries like De Wolfe, Bruton, Parry, and Chappell swiftly adapted. Bob Stanley's new album, 'Tomorrow's Fashions,' compiles advertising jingles, TV themes, and space exploration tracks with ambient beats from that era. Despite being 40-50 years old, the music feels fresh, featuring jazz veterans like Brian Bennett and John Cameron embracing synthesizers. This electronica predated new age and ambient music, influenced pop, early Human League, Warp Records, and has been sampled by MF Doom and Kendrick Lamar.
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