Back catalogue: Leftfield

Review: Music journalists and documentarians are trying hard to right some of the wrongs of the past - not least failing to ensure the limelight has been equally distributed among artists, communities, and ideas. The role of women within synthesised production is one area in which reparations have been particularly visible, and the female members of the groundbreaking BBC Radiophonic Workshop is one example. Nevertheless, the name Elizabeth Parker still won't be familiar to everyone. Joining the aforementioned experimental sound lab in 1978, she would remain part of the core team of talent through to 1996. She's also noted as the first graduate of East Anglia University's electronic music Masters degree, and a staggeringly good cellist and pianist. Future Perfect is a showcase not just of her deft musicianship, but incredible ideas for compositions, drifting between ambient, drone, space age classical overtures, and the bits in between.