Back catalogue: Leftfield

Notes: Dust & Grooves Vol. 2: Further Adventures in Record Collecting - First Limited Edition

Renowned photographer and publisher Eilon Paz returns after the successful release of Dust & Grooves: Adventures In Record Collecting. For Volume Two, Paz highlights the planet's biggest proponents of vinyl collecting, bridging stunning images with extensive interviews, revealing the motives and backstories behind the global vinyl community. Ten years after the first release, with vinyl sales skyrocketing and a booming popularity among Gen-Zs, Volume Two digs deeper than its predecessor, underscoring gorgeous collections from astute everyday enthusiasts to venerated DJs, musicians, and producers. Veteran journalist and editor David Ma handles the editorial end to this sequel, making Volume Two a cultural leader in the field, expertly accentuating the world's unifying devotion to vinyl.

Tailor made for lovers of world-class photography, novice and expert collectors, and music obsessives alike.

Foreword by Prince Paul

Includes interviews with A-Trak, DaM Funk, Quantic, DJ Spinna, Kid Koala, Don Letts, Andy Votel, Mayer Hawthorne and more.

First edition, limited to 4000 copies.

Notes: Take a trip through alien worlds and bizarre scenarios in a psychedelic Hero’s Journey of thrilling and surreal art from the mind of celebrated artist and composer Jem Panufnik. The Legend of Kaptain Karnival is a highly original lavishly illustrated book that also includes a CD soundtrack recorded under his Jem Stone moniker.

This highly original 94-page, lavishly illustrated book includes a specially created musical soundtrack with an array of incredible musicians including Ben Castle (Quincy Jones, Elton John, Hans Zimmer, Radiohead) and Dominic Glover (Incognito, Primal Scream, Brand New Heavies, Orbital), recorded under his Jem Stone moniker: the kind of deep, hypnotic and delicious grooves Mr Panufnik is renowned for.

The book is 24.5cm square and the 96 pages are printed and bound on heavyweight 150gsm paper with a hardback cover.

Notes: A 470-page hardcover book featuring highly detailed photos and comprehensive research on 222 portable vinyl record players.

Once considered little more than a children's plaything or a grade school accessory, the portable record player has gained newfound respect in recent years. Whatever they may lack in high-end audio fidelity, battery-powered turntables more than make up for it with their convenience and ease of use. Just ask any crate digger: a cult favourite portable like the Columbia GP-3 or the Audio-Technica Sound Burger (or even the Fisher-Price Big Bird model) can be an absolutely essential companion on an all-day vinyl hunt.

Portables features lavish, detailed photos of 222 portable turntables from around the world, including rare record players from Japan, the UK, Germany and the Soviet Union as well as the USA, and ranging in vintage from the 1920s to the early twenty-first century. They're all gorgeously captured here by photographer Eilon Paz, with accompanying commentary from music historian Dan Epstein.

Whether you're a hardcore turntable collector, an aficionado of cool vintage audio gear, a student of industrial design, or a vinyl lover curious about the wild world of portable record players, Portables will make your head spin-and will soon have you scouring thrift stores, antique malls, and even your grandma's attic for the portable record player of your dreams.

Notes: The history of India's first electronic music studio founded in 1969 at the National Institute of Design in Ahmedabad by David Tudor.

A book companion to the compilation album The NID Tapes: Electronic Music in India 1969-1972 released by State51.

Subcontinental Synthesis explores the history of India's first electronic music studio, founded in 1969 at the National Institute of Design in Ahmedabad with the support of the composer David Tudor. The essays and writings unravel the narrative and context surrounding the studio as well as the work of the Indian composers who created groundbreaking recordings during its four years of activity.

The texts reflect on the role of electronic music within a post-independence India, considering its interconnections with experimental design, radical pedagogies, and the international avant-garde, as well as the encircling conditions of Western ideological soft power within the global expansion of Modernism.

Contributors:

Geeta Dayal, Alannah Chance, Matt Williams, Shilpa Das, Jinraj Joshipura, You Nakai, Rahila Haque, and Paul Purgas. Foreword by Budhaditya Chattopadhyay