Review: ** REPRESS ALERT ** Originally released in 1976, this piping hot serving of funk from the legendary Philadelphia outfit People's Choice will satisfy many a deep digger out there. Comprised of a revolving cast of musicians but centered around Frankie Brunson, David Thompson, Darnell Jordan and Marc Reed, the band presented one of their true finest on the electric groove of "Here We Go Again" which bursts at the seams with its fervent soul power. All creamy Rhodes, sing-along vocals and conga drums galore. On the flip, they go for something more lo-slung on the James Brown influenced "Jam, Jam, Jam" (All Night Long) featuring some hot guitar licks and a truly roaring vocal delivery.
Review: Originally released in 1974, "For the Love of Money" is a soul/funk song that was recorded by Philadelphia soul group The O'Jays for the album Ship Ahoy. The lineup at the time comprised of Eddie Levert, William Powell and Walter Williams, It was written and composed by Anthony Jackson, Leon Huff & Kenneth Gamble, and produced on the latter's Philadelphia International Records. The original pressing was issued as a single in late 1973 with "People Keep Tellin' Me" as its B-side. The single peaked at number three on the U.S. Billboard R&B chart, and at No. 9 on Billboard's Pop Singles chart in spring 1974. "For the Love of Money" made the group Grammy Hall of Fame Inductees in 2016.
The O'Jays - "This Time Baby" (A Tom Moulton mix) (9:52)
The Futures - "Party Time Man" (A Tom Moulton mix) (9:10)
Jean Carn - "My Love Don't Come Easy" (A Tom Moulton mix) (10:46)
The Jones Girls - "Nights Over Egypt" (A Tom Moulton mix) (9:09)
Review: Philadelphia International Records continues to dip into its bulging archives and offer up double-packs containing some of the finest 1970s remixes from remix pioneer Tom Moulton. As you'd expect, there's plenty to get the juices flowing and the heart pounding on this third volume in the series. Record one opens up with Moulton's epic version of the O'Jays' "This Time Baby", a swirling Philly Soul classic that later became a favourite of sample-loving disco-house producers and disco re-editors, and continues with his sugary but floor-friendly version of the Futures' "Party Time Man". Over on record two, Moulton's inspired extension of Jean Carn's seductive "Love Don't Come Easy" is followed by his must-have version of the Jones Girls' "Nights Over Egypt".
Review: Marking 40 years since the release of Edwin Birdsong's self-titled and fourth studio album, this Philly reissue couldn't have landed at a more poignant time as the LA funkateer sadly passed away on week of release. "Cola Bottle Baby" is known to absolutely everyone thanks to Daft Punk and that refreshing fizzy groove sounds even better, freer, looser, cooler in its natural state. The lesser spotted "Freaky Deaky Sities" kicks like a loose limbed mule, too. Perhaps a riposte to Roy Ayers "Freaky Deaky" hit the year before, or just another fine trope LA's funk continuum, once again it's the cult fusioneer at his most vibrant. Rest in peace.
Archie Bell & The Drells - "Where Will You Go When The Party's Over" (A Tom Moulton mix) (9:06)
People's Choice - "Jam Jam Jam (All Night Long)" (A Tom Moulton mix) (7:42)
Teddy Pendergrass - "I Don't Love You Anymore" (A Tom Moulton mix) (8:46)
Lou Rawls - "See You When I Git There" (A Tom Moulton mix) (9:39)
Review: During the latter stages of the "Philly Soul" era, New York remixer Tom Moulton delivered a string of inspired, DJ friendly reworks for the Philadelphia International label. For proof, check this fine selection of classic Moulton mixes for the storied imprint. Check first his version of Archie Bell and the Drells' "Where Will You Go When The Party's Over", which he brilliantly teases out and increases in intensity over nine spellbinding minutes. The funkier flex of People's Choice's "Jam, Jam, Jam (All Night Long)" is a sweaty, low-down treat, while the Teddy Pendergrass rework is a soaring disco classic in the Philly Soul style. Best of all, though, is the string-drenched disco celebration that is his mix of Lou Rawls' "See You When I Git There".