Back catalogue: House

Review: A San Francisco house producer who is taking jazz influenced house music to another level is Coflo aka Cody Ferreira 'Syncopatience' is a stunning deep house release that highlights his signature blend of soulful rhythms, intricate grooves, and rich musicality. Each track brims with personality, that blend clever and creative vocals and lyrics to a deeper level than just for the dancefloor. Side-1 starts off with 'Get Down, Show Love', a collaboration with Fenyan that exudes a hip, jazzy charm. Playful yet refined, it features catchy vocal work and a high-level jazz flair, effortlessly blending house with improvisational energy. Next, Coflo's remix of 'Cee.Side's Elektrify' brings atmospheric depth, wrapping Latin influences around a funky, sultry groove that's as hypnotic as it is danceable. Side-2 delivers Ecru, where Coflo, Steve Howerton, and Niya Wells craft a deeper, tech-tinged house cut with sharp, clever lyricism. Its polished production and layered instrumentation elevate it to a higher plane of jazzy house, demonstrating Coflo's versatility and artistry. 'Syncopatience' has the solution on how merge soulful textures with dancefloor energy in a unique way.

Review: Berlin producer Ede returns after their 2023 Innervisions debut 'Poptroit', this time for another melodic techno forward-facer. With a papillary front cover - resembling the suckers of an octopus or the polyps of a fantasy coral - we doubt the trypophobics out there will be at ease with this one. That is, at least until they hear the soothing progressives of 'I Am Wavy' and 'Odyssey', which build through and cleanse classic acid, rave and bleep motifs. The latter track has an incredible vocal breakdown, saturating and processing its stabs and chirp-hits just right.

Review: The long-time preservers of house heritage at Chiwax welcome Nacho Marco for more timeless sounds that arrive perfectly for sunny days. Opener 'Cherry On Top' has a nice gentle Balearic feel with vocals off in the distance and supple piano chords in the foreground next to more widescreen synth smears. 'Tequila Sunrise' brings organ lines to the fore with a 90s New York feel while more Balearic energy comes from the lead sax. 'Black Velvet' is more strident and textured for the nighttime club sessions and 'Twinkle' closes with a joyous sense of celebration, old school bass and unbridled piano happiness.

Review: 'Solipsism' opens with sleek, futuristic energy where its infectious groove and sharp percussion that locks dancers into its hypnotic rhythm. It's a shinning example in refined minimal techno, balancing precision with raw club energy. 'Street Lite' follows, evoking the spirit of early 90s UK techno with rolling drums and nostalgic synth textures, transporting listeners straight to a dimly lit warehouse. On Side-2, 'Freeze' shifts into heavier territory, driven by a weighty bassline and pounding rhythms that demand attention. It's a raw and relentless techno cut built for peak-time intensity. Closing the EP, 'Glove Box' leans into new beat influences, layering thick synth stabs and mechanical grooves for a gritty yet infectious finish. Drum-heavy and rich in character, this record is all about the old-school techno feel while keeping things fresh. It's a love letter to the past with both feet firmly on the dancefloor, designed for those who crave deep, rhythmic intensity with a timeless edge.

Review: Last year, Kiko Navarro unveiled a regularly updated Spotify playlist, entitled TwentyFour, which he uses to showcase his favourote productions, reworks of other artists, an d remixes if his work. That playlist has now spawned the first of what we believe will be an ongoing series of EPs. The long-serving Spanish artist (and Afroterraneo Music founder) begins by showcasing his fine, pleasingly rolling re-edit of Blaze's hybrid soulful house/Earth Wind & Fire style disco classic, 'Breathe', before treating us to a superb, sample-heavy and piano-rich Tucillo remix of his own 'The First Time'. Over on side B, he serves up some bouncy disco-house action ('Jammin' All Night Long', with its female spoken word vocals, jazzy pianos and killer groove) and an authentic-sounding Afrobeat re-make of 'Isao' by DJ Fudge.

Review: Don't forget to put on your Anorax... A new retro-futuristic outing by veteran dance music exec Neil Rushton marks his latest configuration in techno, which has kept mutant ever since the DJ broke from his infamous, 1970s Northern soul label Inferno. If Inferno was a glittery bodysuit, Anorax is like blast-protective PPE. Here Rushton welcomes Mark Archer and Chris Peat aka Nexus 21 back to the fold. Emissaries of the Salford dance music circuit, Nexus 21 have always harked a frontier-scouring, centennial vibe in sound. Their latest release is reissued from 2008, though the Network Records original only cut it to B-side: 'Self-Hypnosis' is a semiconscious auto-state in sound, bringing jam-born orchestra-stabs and sprung synth toms to a strange brew. We're left spiral-eyed.

Review: Since parting company with collaborator and mentor Ron Trent in the mid 2000s, Anthony Nicholson has built up a vast catalogue of evocatoive, emotion-rich and spiritually enhancing deep house EPs - mostly on his own long-serving Circular Motion label. Following the delivery of his first 12-inch for the imprint in three years, 'Sound Theories', last month, Nicholson returns with two more typically atmospheric treats. He begins with 'With You I Am Born Again (Space N Tone Rework)', a typically gorgeous and tactile vocal number in which layered deep space synths and jazz-funk electronics rise above Ron Trent-esque beats and a squelchy synth bassline. Over on the flip, he provides a fine 'InstruDub' of the same track, cannily showcasing the beats, bass, chords, acid-flecked electronics and all-round stargazing positivity.

Review: A predictably strong start to 2025 from long-serving US deep house producer Anthony Nicholson, who serves up two scintillating and subtly soulful 'Sound Theories' for us to enjoy. He begins with the stretched-out beacon of positivity that is 'Moondancing (The Rejoice)', where jazzy Clavinet licks, spacey chords, colourful synth solos and sun-bright piano motifs dance atop a pleasingly loose-limbed deep house groove. Flip-side 'Echoes of Music & You' is even deeper and squelchier, albeit with the same dizzyingly high level of intricate musicality and undeniably dancefloor friendly construction. In other words, it's another excellent two-tracker from the former Ron Trent collaborator.

Review: Synaptic Juice is a dizzying trip into the world of electronic and synth-driven sounds with Edinburgh's Natasha Kitty Katt at the wheel. Her third studio album is a melange of retro 80s beats, eerie atmospheres and futuristic storytelling which explores the surreal psyche of Ze Katt and features tales of vampires, alien love and otherworldly experiences. Each track offers a portal into a neon-lit world where reality and fantasy blur and standout collaborations with Billy Wirth, Suki Soul and His Bitter Truth add depth. The album's sci-fi and cyberpunk influences create a cinematic sound that is bold and adventurous and unlike much else, we've heard of late.

Review: Cabale Records is a Parisian label that has, for the last few years been exploring the minimal techno world. It now branches out with its first various artist release featuring some tasteful tune makers starting with Pheek. He brings some loose percussive energy and wonky drum funk to his opener then Mod303 layers in dreamy and immersive pad work to deft, subtle drums on 'Paris City Zoo.' Night No Tori Vs Hubble keeps it deep and dubby with the late-night introspection of 'Deja Vu' then Sten's 'Slope' is a trippy afterhours sound with tumbling synth smears and percolating dub tech beats.