Review: Yumi Murata's Uterus Uterus is a jazz-pop classic from 1985. Yumi is a vocal coach and former singer who was active from the late 70s and through the 80s before opening her own Murata Yumi Vocal Training Room in 1991 and teaching ever since. This long-player was a later one out of the seven she released in all and is one of her most popular as it mixes up fusion, new wave, funk, pop and jazz across synth sounds. These are enjoyable and sophisticated sounds from this talented vocalist.
Review: A lesser-known but electrifyingly slick city pop record (her fourth) by Junko Ohashi. 1979's Full House hears the Japanese singer's graceful but powerful contralto in full collaborative force, paired against the historic instrumental talents of her backing band, Minoya Central Station. Perhaps second only to Ohashi's timeless New York paean, Magical, Full House is yet another discographic dazzler that most likely contributed to the revival of the city pop genre after its retroactive but no less ironic recognition in the popular music sphere by the vaporwave subgenre, future funk. The mood throughout Full House is vital and joyful, suggesting something close to complete emotional fulfilment and idealistic glee on the singer's part - all part of the city pop's objective - its grand plan - to portray metropolitan life as an ultimate ideal.
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