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Startseite  Back Catalogue  Funk
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Back catalogue: Funk

Juno's full catalogue of Funk
Artikel 1 bis 44 von 44 auf Seite 1 von 1 anzeigen
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z ALLE
Singles
Down In The Basement Vol 4
Abramo & Nestor - "Dig It!" (2:28)
Floyd James & The GTs - "Work That Thang" (2:50)
Curtis Baker & The Bravehearts - "Fried Fish ’n’ Collard Greens" (2:40)
The Native Yinzer - "The Hip Strip" (2:33)
Review: The fourth edition in Original Gravity's Down In The Basement series, which gathers instrumental soul and swing cuts onto worthy 7" slabs, resounding the fervent 1960s decadal gap in which mod reigned supreme. With juleps flowing and kneecaps knocking, Abramo & Nestor bring newfangled electric pianistic swing with 'Dig It!', while a twinned "hit it!" injunction is heard from Floyd James & The GTs on the reissued 'Work That Thang'; James' voice is tubed and speed-delayed to terrific effect, achieving a sprung intonation. Curtis Baker brassifies the bonanza with the lively 'Fried Fish 'n' Collard Greens', while The Native Yinzer's exiting excitation 'The Hip Strip' quilts our ears with a mnemic, down-feathery Hammond-breaks bit.
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 in stock $17.33
I'm So Proud (reissue)
I'm So Proud (reissue) (limited numbered 7" + booklet)
Cat: CCR 006OS. Rel: 22 Nov 24
Aswads - "I'm So Proud" (4:14)
The Natural Band - "There Was A Time" (3:46)
Review: This 7" reissue of 'I'm So Proud' by Aswad and The Natural Band's 'There Was A Time' delivers a funk-filled gem originally released in 1972. Aswad's 'I'm So Proud' leads with a soulful blend of funk and soul, anchored by a strong vocal performance and tight rhythm section. On the flip, The Natural Band's 'There Was A Time' is a dynamic instrumental jam that showcases tight grooves and infectious rhythms, making it an essential track for any funk enthusiast. Previously fetching high prices on the second-hand market, this reissue is a great opportunity to experience these classic tracks without breaking the bank.
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 in stock $17.61
Everybody Loves The Sunshine (remastered)
Everybody Loves The Sunshine (remastered) (translucent orange vinyl 7" limited to 300 copies)
Cat: SSCRART 007 ORANGE. Rel: 09 May 25
Everybody Loves The Sunshine (vocal)
Everybody Loves The Sunshine (instrumental)
Review: This orange 7" is a miniature monument to one of soul's most quietly influential figures. Roy AyersiLos Angeles-born, jazz-schooled, funk-mindedicrafted 'Everybody Loves the Sunshine' not to dazzle but to dissolve. It moves with a drowsy clarity: shimmering synth, near-whispered vocals, and a lazily tumbling bassline that never quite lands. Released during a golden run of Ayers' mid-70s material, the track has since become shorthand for warm-weather introspection, equal parts ease and ache. The instrumental version on the reverse keeps the spirit intact, offering a meditative glide through the same terrain. Limited to 300 copies, this orange pressing pairs a low-lit groove with a deepening sense of legacyiAyers' influence isn't just heard, it's felt in the space he leaves behind.
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Tags: Jazz Funk
 in stock $17.88
Everybody Loves The Sunshine (remastered)
Everybody Loves The Sunshine (remastered) (translucent yellow vinyl 7" limited to 300 copies)
Cat: SSCRART 007 YELLOW. Rel: 09 May 25
Everybody Loves The Sunshine (vocal)
Everybody Loves The Sunshine (instrumental)
Review: Roy Ayers at his most transcendent. 'Everybody Loves the Sunshine' is more than a summertime anthemiit's a spiritual moodboard that's shaped jazz-funk, soul, r&b and hip-hop for nearly 50 years. Ayers, born in Los Angeles and raised in its fertile fusion scene, places the vibraphone at the music's heart, coaxing heat-haze tones from sparse chords, synths, and that honeyed chorus. Flip it over and the instrumental version unlocks a deeper layer: stripped of vocals, it becomes a pure groove, drifting and hypnotic. What lingers is the balanceibetween melancholy and bliss, rhythm and release. A rare track that feels entirely unhurried yet quietly radical, now preserved in a limited pressing that looks as golden as it sounds.
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Tags: Jazz Funk
 in stock $17.88
Everybody Loves The Sunshine (remastered)
Cat: SSCRART 007 BLACK. Rel: 09 May 25
Everybody Loves The Sunshine (vocal)
Everybody Loves The Sunshine (instrumental)
Review: Few recordings capture the easy intensity of a summer afternoon like 'Everybody Loves the Sunshine'. Released in 1976 and wrapped in slow-drifting synths and soft falsettos, the track became a touchstone not just for Roy Ayers, but for 70s soul and beyond. Born in Los Angeles, Ayers helped define the jazz-funk crossover, placing the vibraphone at the centre of a sound both hazy and sharply detailed. The original vocal take on the A-side still melts under its own warmth; the instrumental on the flip uncovers the careful architecture beneath. Issued here on 7" black wax following Ayers' recent passing, this reissue feels like both a keepsake and a quiet honouring of an artist who shaped a whole way of listening.
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Tags: Jazz Funk
 in stock $18.16
Everybody Loves The Sunshine
Cat: SSCR 2024007. Rel: 22 Apr 24
Everybody Loves The Sunshine (5:35)
Everybody Loves The Sunshine (instrumental) (5:31)
Review: 'Everybody Loves the Sunshine' represents a pivotal moment for Roy Ayers and Ubiquity, marking a departure towards a funkier and more laid-back sound in 1976. With its languid tempo and dreamy atmosphere, captures the essence of summer with its joyful lyrics and hypnotic groove. Ayers' vibraphone melodies intertwine seamlessly with the band's instrumentation, creating a mesmerizing sonic landscape that resonates with listeners. The song's universal appeal lies in its ability to evoke a sense of warmth and nostalgia, making it a timeless classic that continues to enchant audiences across generations.
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 in stock $18.16
Everybody Loves The Sunshine
Everybody Loves The Sunshine (yellow marbled vinyl 7" limited to 200 copies)
Cat: SSCR 2024007 COLOUR. Rel: 06 Jun 24
Everybody Loves The Sunshine (vocal) (4:36)
Everybody Loves The Sunshine (instrumental) (4:36)
Review: 'Everybody Loves the Sunshine' represented a pivotal moment for Roy Ayers and Ubiquity as it marked a shift towards a funkier, more relaxed sound in 1976. It is one of his best-loved tunes as a result and always comes out when the weather warms up. That means it also often gets reissued, as it does here, as the track captures the essence of summer through joyful lyrics and a hypnotic groove. Ayers' vibraphone melodies intertwine seamlessly with the band's instrumentation while on the flip us an instrumental that offers a slightly different vibe. It all comes on nice yellow marbled vinyl.
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 in stock $17.88
Down In The Basement Vol 3
Down In The Basement Vol 3 (7" limited to 300 copies)
Cat: OGR 885. Rel: 07 Jan 25
Curtis Baker & The Bravehearts - "Slippy" (2:40)
Abramo & Nestor - "Gumband" (3:05)
Melvin Craig - "Redd Up" (2:37)
The Native Yinzer - "Return Of The Yinzer" (2:54)
Review: The third volume of this series delivers an irresistible blend of funk and 60s-inspired grooves. Side-1 kicks off with a surf-rock-infused funk jam packed with energy and retro vibes. Following that, a swinging 60s sound that combining catchy rhythms and pop sensibilities keeps the momentum going. Side-2 shifts gears a groove-heavy track led by a soulful organ that oozes vintage charm. Closing the collection, there is a gem that features smooth, funk-driven melodies, topped off by a standout sax solo and a subtle British flair. This compilation offers a vibrant mix of styles, perfect for fans of classic funk with a modern twist.
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 in stock $17.33
Harlem Bound: The Reflex Revisions
Harlem Bound: The Reflex Revisions (180 gram vinyl 12" in die-cut sleeve)
Cat: DISCOREC 005. Rel: 03 Jun 24
Harlem Bound (The Reflex Revision) (8:10)
Dancin' The Mambo (The Reflex Revision) (8:09)
Review: Dancin' The Mambo (The Reflex Revision) grooves with infectious disco energy, seamlessly blending Chic-esque rhythms with early piano house vibes. The Reflex's revision injects new life into this 1980 gem, maintaining its French flair while adding modern twists. With its pulsating basslines and irresistible beats, this track is a testament to the timeless allure of disco music. Perfect for igniting dancefloors, its vibrant energy captures the essence of a bygone era while feeling fresh and exciting for contemporary audiences. Prepare to be transported to a world where disco reigns supreme and every beat compels you to move.
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 in stock $19.29
Peace Love Not War
Cat: KD 1202RE. Rel: 16 May 25
Peace, Love Not War (Kenny Dope extended mix) (5:35)
Peace, Love Not War (Kenny Dope instrumental) (5:19)
Review: New York City was the early block city foment of The Fatback Band, who would, on the official account, see their names written into history as some of the pioneers of funk at large. Aside from their disputed four-to-the-floor point-sourcings with 'Oops Upside Your Head', The Fatback Band were equally known for many a hit, including 'I Like Girls' and 'Yum Yum (Gimme Some)', and the formula for such repeated successes has been expertly localised by some as resting in the charismatic wiles of one Johnny King, the founding member whose proud, biped posture and wicked vocals brought to the group a firm and charismatic leading presence to the group. This originally 2004 cut by working Master Kenny "Dope" Gonzalez hears us lean into the funkier ends of the latter's remix-craft, as 'Peace, Love Not War' is given a profound kneading and planing across an excoriating final funk beat.
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Gespielt von: Mauritzio
 in stock $19.29
Beat Me Till I'm Blue
Cat: PU 101. Rel: 23 Jan 25
M Hawk - "Beat Me Till I'm Blue" (No Horns version) (2:41)
The Mohawks - "Beat Me Till I'm Blue" (Horns version) (2:42)
Review: 'Beat Me Till I'm Blue' is a wonderfully funky classic by The Mohawks presented under the M Hawk alias, the Hawk in question being none other than KPM Music Library overlord Alan Hawkshaw, who wrote the themes from everything from Grange Hill to Countdown. It was a real cornerstone of the late-1960s library and soul-infused grooves of the sort that diggers still fawn over today, and sample fiends still search out. The track delivers Hawkshaw's distinctively driving Hammond organ riffs, tight drum breaks and irresistible rhythms, all of which have made it a favourite among DJs for decades. Two versions are served up here, one with the iconic horns and one with them stripped away, and both offer plenty of energy. .
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Gespielt von: Voodoocuts
 in stock $19.84
Only You
Only You (12")
Cat: SNDW 12025. Rel: 28 May 19
Steve Monite - "Only You" (Frankie Francis Disco Jam edit) (7:55)
Tabu Ley Rochereau - "Hafi Deo" (Nick The Record & Dan Tyler re-edit dub) (10:15)
Review: Edits in the hole! Two Afrofunk gems enjoy floor-primed refocuses: Steve Monite's Doing It In Lagos-featured "Only You" gets a little juice from Sofrito's Frankie Francis who really brings the bass out in proceedings. Meanwhile on the B Nick The Record and Idjut Boy Dan Tyler tweak the energy and sheen of Tabu Ley Rochereau's "Hafi Disco" as the drums are given a little more momentum and the chorus and horns are really brought to the centre of the action. Stunning.
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 in stock $18.16
Disco (reissue)
Cat: KALITA 12017. Rel: 04 Jun 21
Disco (3:04)
Freak Out (with Botsotso) (3:08)
Disco (Jamie 3:26 extended edit) (7:18)
Review: 
A-grade diggers Kalita have a few top class releases on their hands this month and this is one of them: a first ever official vinyl reissue of Mpharanyana & The Peddler tunes 'Disco' and 'Freak Out With Botsotso.' This is worldly South African disco and funk from 1979 that comes with a super remix from Rotterdam-based DJ, producer and funk specialist Jamie 3:26. is version of 'Disco' is primed for modern dance floor with murky drums and the big vocal chants sure to get huge reactions. Meanwhile, opener 'Disco' keeps it deep and tropical with tumbling drums and a powerful bass riff, then 'Freak Out' ups the ante with more clipped disco funk o,
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 in stock $16.49
Checking Out
Checking Out (limited 12")
Cat: SJR 53912. Rel: 22 Feb 24
Checking Out (5:22)
Checking Out (instrumental) (4:07)
Review: In 1984, Jamaican-born producer Tony Williams gifted the British jazz-funk scene with two exceptional 12" records, both now rare gems. One of these, Nat King Cool's 'Checking Out,' showcases a fusion of MFSB's 'Mysteries of the World' with quintessential UK Brit-funk vibes. Originally released on the Tai Wan label, this single remains as fresh today as it did in 1984, with its captivating flip-side instrumental. Remastered from tapes, these essential 80s Brit-funk tracks are presented on pristine vinyl, adorned with bespoke repro-labels, and packaged in a groovy Soul Jazz/Funk Masters house bag, which means it looks as good as it sounds.
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 in stock $18.16
Jungle Lion
Cat: SAG 007. Rel: 12 Aug 24
Lee Perry & The Upsetters - "Jungle Lion" (3:26)
The Upsetters - "Freak Out Skank" (3:21)
Review: Is there a more celebrated combination in all of reggae than Lee Perry & The Upsetters? The master producer and his iconic backing band laid down many of the genre's most vital sounds and helped subtly evolve it across the seventies and beyond. This single 'Jungle Lion' came right in the midst of that in 1974. An original 7" will cost you upwards of 500 quid, and that's if you can find one. Here it gets reissued on the young but already well-formed Skank & Groove label and is backed with a version by The Upsetters named 'Freak Out Skank' that gets even more warm, cavernous and dubby.
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Gespielt von: Juno Recommends Reggae
 in stock $17.61
Come On Down (To New Orleans)
Come On Down (To New Orleans) (limited yellow & blue splattered vinyl 7")
Cat: FSJ 129. Rel: 19 Nov 24
Come On Down (To New Orleans) (feat Fullee Love aka Soup Of Jurassic 5 & Haisizzle) (4:13)
Come On Down (To New Orleans) (feat Fullee Love aka Soup Of Jurassic 5 & Haisizzle - Professor Shorthair Bounce remix) (4:41)
Review: Connie Price & The Keystones team up with Fullee Love (aka. Soup of Jurassic 5) - as well as New Orleans' very own bounce king Hasizzle - to bring you the brand new second-line funk anthem 'Come On Down (To New Orleans)'. Patently referencing and working within the regional New Orleans hip-hop style known as bounce music, Price, Love and Hasizzle stick true to the soulful, syrupy and yet still hard-edged call-and-response style indicative of this 80s-90s stylistic cusp. Slacken lyrics, soul-tinged choruses, skrrt ad-libs and one-two-step antiphony predominate on this versioned A-B sider, as Professor Shorthair also provides a quintessential bounce demo mix on the B.
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 in stock $15.09
My Sweet Polly
Cat: SJ 559. Rel: 24 Jan 25
The Scott Brothers - "My Sweet Polly" (2:44)
Judson Moore & The Al Tog Staff - "Everybody Push & Pull" (3:11)
Review: Soul Junction revisits the Scot-Tees Capri master tapes here to unveil two previously unreleased tracks. First is 'My Sweet Polly' by The Scott Brothers, a late 60s dance tune inspired by Howard Scott's former girlfriend. Coupled with this is a studio version of Judson Moore's "Everybody Push & Pull," a crossover hit influenced by Rufus Thomas. The Scott Brothers evolved from the 'Elpeccios' in 1958 to the Scott Brothers Band in 1963 and were instrumental in Chicago's music scene. Their label, Capri Records, produced hits like 'We Like Girls' and worked with legends like Garland Green. Judson Moore was a veteran singer who thrived under their mentorship and went on to leave a lasting legacy.
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 in stock $18.45
Bostin' Norton
Bostin' Norton (7" limited to 300 copies)
Cat: FNR 212. Rel: 20 Feb 25
Bostin ' Norton (3:58)
Play It Again Sam (3:11)
Review: The Tito Lopez Combo brings together some of London's finest musicians and here is led by the renowned drummer Harbans Srih, who gained fame for his performance on the iconic Starsky & Hutch theme with the James Taylor Quartet. On this one, 'Bostin ' Norton' gets going with some steamy and seductive sax notes which rise out of a bubbly funk brew. 'Play It Again Sam' los it don t more pensive and prying melodies which unfurl at their own pace of icy cymbals and deep drums.
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 in stock $16.21
Sock It To Me
Sock It To Me (7" limited to 300 copies)
Cat: MSH 114. Rel: 16 May 24
Sock It To Me (part 1) (3:45)
Sock It To Me (part 2) (3:57)
Review: Riveting, super-punchy uptempo funk from Japan's Mushi 45 imprint, the label home of the band The Mushi Players, and whose wily curatorial wits are put on full display with this incredible new release shared with Super Eagles Band. The Players' fourteenth release, 'Sock It To Me' welcomes the newly formed Super Eagles for an enthralling sonic spectacle; part one on the A signals an unmatched taste for unisons and tightness, prepending singeing axes with gnarly vocal yaps and an overall unmatched fonk; the instrumental B-sider, meanwhile, eschews the various voxes and solos for a full-frontal exposing of the nude groove, evincing a strong taste for on-beat hat-batterings and firmly-held sax notes in their place.
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! low stock $15.37
At Midnight (remixes)
Cat: MS 527B. Rel: 24 Jun 24
At Midnight (Dr Packer extended remix) (7:18)
At Midnight (Dr Packer Pianola dubstumental) (6:55)
Review: T-Connection was a late 70s funk and disco band from Nassau, Bahamas that moved to Miami. They had plenty of input into the early disco sound and have long been favourites for remixers. Which is why Dr Packer steps up here with two versions of their 'At Midnight' classic. It has some raw and guttural vocals and majestic horn leads with plenty of neat and funky basslines and loose-limbed percussive layers with hip-swinging claps. The Dr Packer Pianola dubstumental closes out with even more florid trumpets. Both of these are primed and ready for plenty of fun.
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 in stock $19.56
Freak (reissue)
Cat: JFR 1266. Rel: 07 Aug 19
Freak (7:10)
Freak (Musical Intimidator version) (6:35)
Review: Tappa Zukie gives us his one effort into a reggae fired disco dub spaced out journey with fine results. Killer stuff




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Gespielt von: Craig Bratley, Dicky Trisco
 in stock $16.49
Disco Highlife Reedit Series
Cat: COMET 087. Rel: 19 Jun 19
Pat Thomas - "Enye Woa" (6:24)
Pat Thomas - "Enye Woa" (LeonxLeon Keyed Up mix) (7:20)
Ebo Taylor - "Atwer Abroba" (8:14)
Ebo Taylor - "Atwer Abroba" (Leo Nanjo remix) (5:03)
Review: Comet's "Disco Highlife" re-edit series continues with an EP that draws together original tracks and reworks from two of the Highlife scene's biggest stars: Ebo Taylor and Pat Thomas. The latter can be found on side A, with the tipsy, synth-driven highlife-boogie fusion of "Enye Woa". This is in turn re-edited by LeonxLeon, who has not only extended the original track but also added some superb new spacey synth solos. Turn to the flip for Ebo Taylor's richly percussive, Hammond-laden disco-highlife bubbler "Atwer Abroba" and Leo Nanjo's brilliant remix, which re-imagines the track as a rubbery chunk of Highlife-house drenched in dub delays.
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 in stock $15.64
Just Loving You
Cat: SJ 558. Rel: 27 Nov 24
Just Loving You (3:44)
You Happened To Me (4:16)
Review: Sometimes the act of love comes accompanied by a feeling of revelry in simplicity; in love, you've skived the potentially overcooked acrobatics of a life led insatiably, playing truant to the ever-increasing and limitless demands of business affairs or public personage. Tearra's 'Just Loving You' is an A-sider single whose sentiment expresses this idea as simply as the product of a real loving relationship can, with the Alabaman singer expressing, in frank terms, the internal limit and thus soul-sating dimension of love: "all my dreams have come true... all I want is lovin' you." Soul Junction's reissue does a timely justice to the original Midtown release format, though the two tunes here have actually never been paired together before.
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Gespielt von: Pete Haigh
 in stock $19.00
Concentrate (Record Store Day RSD 2022)
Cat: GS 8001. Rel: 25 May 22
Concentrate (3:47)
Get Up (3:35)
Review: Willie Tee is one of those New Orleans artists whose records are hard to find and expensive. He is the perfect subject of special record store day reissues and that's what we get here from the Gatur label. 'Concentrate' is some high-class mellow magic from 1980. The backside tune is another doozy with more New Orleans mellow funk bringing to mind the quality of Roy Ayers., It all makes for a 7" you simply cannot find anywhere online for any money whatsoever and thus a crucial one to snap up before it's gone again.
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 in stock $15.37
Reachin For It
Cat: SC 7702. Rel: 08 Aug 24
Reachin' For It
If You Want It (You Can Have It)
Review: This scorching 7" single features standout tracks from Chicago's Third Rail, who later became known as Maxx Traxx, and specifically for their monster hit 'Don't Touch It' (which has also been reissued by Star Creature and Numero before now). These tracks are drawn from the band's sole 1982 album, Reachin' For It, which is listed on Discogs for over L700, so not one for the feint-hearted. The single delivers high-octane, first-wave boogie with big bass, catchy choruses, energetic playing, and soulful vocals that infuse both tracks with joy and positivity. Limited import copies mean this will go pick and become pricey again so don't dally on it.
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 in stock $17.88
Springtime
Cat: SRL 11035. Rel: 14 Jan 21
Jimmy Thomas - "Springtime" (2:37)
Owen Grey - "I Am Satisfied" (2:31)
Review: Should you be able to find original copies of the two dusty-fingered classics featured on this "45", your bank balance was be significantly smaller. Of course, just because something is rare and expensive doesn't make it good, but Jimmy Thomas's 1969 cut 'Springtime' is genuinely brilliant. Released when funk-rock was arguably at its height, it sees the legendary soul man belting out Alan de Roches' lyrics over a Hammond-heavy fusion of soul, funk and Hendrix-style heavy rock. This time round, it comes backed with a relatively hard to find - on vinyl, at least- chunk of reggae/soul/rhythm & blues from iconic Jamaican singer Owen Grey. It's superb, of course, but we still prefer the incendiary A-side.
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 in stock $18.16
Feel So Good Inside
Cat: FVR 099 RP. Rel: 19 Feb 21
Feel So Good Inside (extended Waxist edit mix) (6:51)
Feel So Good Inside (4:19)
Take Me To (New York City) (4:18)
Review: The result of a diligent digging quest since he heard DJ Klas drop it many years ago, Lyonaisse editor Waxist has finally track down his own copy of Lamar's 1980 disco soul love gem and given it some serious treatment. Extending the unfettered positivity of the original by almost two minutes (with special attention paid to that immense organ solo), it lives up to its name in every possible way. For authenticity's sake he's also included the original B-side "Take Me To New York". Still standing the test of time impeccably after 35 years, one tickle from the lolloping bassline and swooning keys and your dancefloor will be hooked.
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Tags: Soul Disco
 in stock $16.21
Pinehurst Edits Vol 1
Pinehurst Edits Vol 1 (12" limited to 212 copies)
Cat: PHST 01. Rel: 29 Jun 23
Juice (6:52)
Thief (7:29)
John Fogerty Shreds (6:12)
Danger (6:22)
Happy Air Dance (5:42)
Review: After debuting in 2020 on DJ Monchan's Dailysession Records, Tinker's Knob is back with a fresh five tracker on the new Pinehurst Music label. These are edits of stuff he has been working on dating back to 2017 - revisions of structure and arrangement that build on the solid bones of the originals. This is a package packed with heat, including 'Juice,' which is an early Tom Moulton mix that's been updated with strings, as well as the loopy boogie goodness of 'Thief' and a heartfelt tribute to the late Hamilton Bohannon in the form of 'Happy Air Dance.'
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 in stock $15.64
Go Back & Make It Right
Cat: SSCR 008. Rel: 25 Jun 24
Go Back & Make It Right (vocal) (4:13)
Go Back & Make It Right (dub) (4:13)
Review: The magical 'Go Back and Make It Right' by David A Tobin on Sedsoul came back in 2021 and offers a vibrant blend of soul, funk, and disco. This 7" pressing offers up two versions. The vocal comes first and is one of those impossibly feel-good gems with light, funky rhythms, a great interplay between male and female vocals and neat bass topped with strong synths. The dub pairs it back and allows the rhythms to shine but really the vocal is the one that will get the best reactions.
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Gespielt von: Sol Power All-Stars
 in stock $18.16
Superfunkanova Vol 3
Cat: ZEDD 7005. Rel: 31 May 23
Together Band - "Calif Curl Calif Girl" (4:29)
The Firebolts - "Firebolts Hustle" (3:13)
Review: The latest in the 'Superfunkanova' series hears Woody Bianchi unearth little-heard-before rarities in the genre, with two rather naive and lo-fi but ultimately delightful songs peeking through the fold. The deep-friend strings of 'Calif Curl Calif Gurl' by the Together Band helms up the A-side, while the inflammable, instrumental soul mass that is 'Firebolts Hustle' by The Firebolts comes hits us like a Flaming Moe on the B.
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 in stock $16.21
White Lines (reissue)
White Lines (reissue) (red vinyl 7" Nachpressung)
Cat: CR 002. Rel: 12 May 25
Whitelines (4:31)
Smack My Pitch Up (4:04)
Review: Australia's Choi Records drop their second release in the shape of two powerful cover versions either side of a devilish little 7" by The Traffic. The A-side, "White Lines", is a funky, horn-led reinterpretation of Grandmaster Flash's original tune : an instrumental brass ode to the original beast. On the flip, there's "Smack My Pitch Up", another mighty instrumental rework of The Prodigy classic, complete with a string of trumpets that imitate the original's inimitable vocal loop.
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 in stock $16.49
Beat It
Beat It (7" Nachpressung)
Cat: CR 009. Rel: 12 May 25
Beat It (4:42)
Thriller (4:50)
Review: Melbourne, Australia based sextet The Traffic, headed up by Ivan 'Choi' Khatchoyan, serve up a special MJ feature funk 45. Presented in a special pressing in red vinyl with black splatter, we get awesome renditions of Michael Jackson tracks 'Beat It' and 'Thriller' from his iconic Thriller album from 1982. The big band energy of the players make these cover versions worthy your attention, with a killer horns section imitating the king of pop's falsetto to great effect.
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 in stock $16.49
Harder Better Faster Stronger (reissue)
Cat: CR 007. Rel: 13 Dec 23
Harder, Better, Faster, Stronger (4:56)
Chasin' Feels (4:43)
Review: Now here's a traffic jam we're all happy to be in... Aussie funk super troupe The Traffic (comprising members of The Bamboos, Cooking On 3 Burners, Pickpocket and Punkawallahs) come correct with this follow up to their debut last year. Come for the awesome party-melting, wall-shaking Daft Punk cover on the A, stay for the groove-based soul-laced broken beat jam "Chasin' Feels". Both poles in their clearly broad and skilful musical scope, we can't wait to hear what they've got coming next.
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 in stock $16.49
Blow Up The Groove
Cat: LRK 31. Rel: 08 May 25
Blow Up The Groove (3:19)
All Killer, No Filler (3:10)
Review: South London's Trambeat return with a double punch of funk and soul on LRK Records 13 years after first being formed by Graham Potter and Des James. The Croydon-based band brings classic Northern Soul energy with sharp modern flair to their latest 7", featuring 'Blow Up The Groove' and 'All Killer, No Filler'. Both channel dancefloor euphoria with turbocharged horns, breakneck grooves and bold vocals over strutting basslines and all-nighter anthems. Trambeat's shift from DIY collective to stage-commanding soul machine is great, and if their debut 'Don't Hold Back' teased their potential, this release kicks the doors wide open.
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 in stock $18.16
Sessomatto (Soundtrack)
Cat: FLIES 4537. Rel: 19 May 22
Sessomatto (3:21)
Kinky Peanuts (3:35)
Review: The late Italian film composer Armando Trovajoli was best known for his Italian expressionist / exploitation soundtracks. It's not so known that he made funk: 'Sessomato' and 'Kinky Peanuts' is as such a lesser known rarity, and consists of two made as part of his soundtrack to the film Sessomatto. With vocals from Edda Dell'Orso, the two tracks here are whispry, clean, tambourine-rattling and erotic; trumpets and drums buzz away on the A, while the B opts for clavichordy samba goodness.
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Gespielt von: Voodoocuts
 in stock $18.73
U Cant Run (Knoe1 mixes)
U Cant Run (Knoe1 mixes) (7" limited to 250 copies)
Cat: TSKNOE 002. Rel: 28 May 24
U Cant Run (Knoe1 rework) (4:10)
Disco Lights (Knoe1 rework) (5:47)
Review: Boogie and funk don Tim Tucker hails from Northern Cali and is half of the Love Cryme duo. He has been digging in his vaults to offer up two songs for this limited new vinyl release on Trusechool and they have both been reworked by Knoe1. First up is the brilliantly blissed-out boogie and retro synth work of 'U Cant Run' complete with a sultry vocal that soon gets under the skin. 'Disco Lights' (Knoe1 rework) then keeps it deep and smoochy with jumbled disco percussion and noodling jazz chords all topped off with some superb synth work. Two real gems here, then, on a mad-limited 7".

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Gespielt von: Juno Recommends Disco
 in stock $17.61
Getting Nasty
Cat: OTS 218. Rel: 06 Aug 20
Getting Nasty (3:09)
Getting Nasty (Conomark & Hong Kong edit) (4:23)
Review: A Black Man's Soul is an instrumental album by Ike Turner & the Kings of Rhythm from 1969. Turner wrote the songs with a host of other musicians and it showed off a side to him that hadn't been heard before. It was packed with traditional and simple funk that was as raw and lo-fi as you like, and one of the bigger tracks from it was "Getting Nasty" which has been synced to a number of films and adverts over the years. It's an authentic cut that bristles with gauzy textures and realness. On the flip, "Getting Nasty" (Conomark & Hong Kong edit) is more playful and funky.
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 in stock $17.88
Mr Bongo Edits Volume 3
Cat: MRB 12063. Rel: 21 Mar 25
Juan Pablo Torres - "Cacao" (Dan Tyler NAD Bulto version) (7:54)
Juan Pablo Torres Y Algo Nuevo - "Pastel En Descarga" (Dan Tyler NAD) (3:39)
Grupo Los Yoyi - "Paco La Calle" (Nick The Record re-edit) (8:11)
Review: Dan Tyler and Nick The Record's third installment in the Mr Bongo Edits series brings a bold twist to Cuban classics with three tracks that are equal parts cosmic and dancefloor-ready. On the A-side, Tyler extends two Juan Pablo Torres tracks from his reissued 1978 'Algo Nuevo' and 1977's 'Super Son.' First, Tyler reimagines 'Cacao,' a standout track from Torres' LP, giving it room to breathe and intensifying the percussive climax with swirling synths and spacey dub effects. It's a track that thrives on a big system, building tension as it goes, and works wonders in the right environmentijust ask anyone who caught it at La Paloma in Barcelona. Next, Tyler dials into 'Pastel En Descarga,' turning the Latin-funk fusion into a punchy, trippy dub with delay and drama, keeping the track's energy while taking it further into spacey, cosmic territory. On the flip, Nick The Record tackles Grupo Los Yoyi's 1977 'Paco La Calle,' taking a 2009 edit and expanding it into a longer, more hypnotic piece. The percussion pushes and pulls as the psychedelic synths swirl, creating a dynamic and ever-building groove. The 2025 version is elevated with new synth lines courtesy of Tyler, deepening the track's psychedelic richness. A cosmic whirlwind of reworks that bridges the gap between '70s Cuban innovation and modern dancefloor sensibilities.
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 in stock $19.56
Sugar My Love
Cat: JAMWAXMAXI 20. Rel: 14 Dec 18
Sugar My Love (6:55)
Are You Ready For Love (6:55)
Review: Original copies of T.Z Junior's bubblegum-boogie cut "Sugar My Love" are hard to come by outside of the artist's home country of South Africa. It's been that way since the single was first released on Roy B Records in 1985, hence this tidy reissue from the on-point Jamwax label. The title track remains a breezy, melodious, cheery and soul-flecked treat, with T.Z Junior delivering a brilliantly evocative lead vocal over bustling bubblegum synths, delay-laden machine drums and an inspired electrofunk bassline. "Are You Ready For Love", meanwhile, may not be quite as celebrated but is equally as impressive. It's the kind of sun-kissed "bubblegum" treat that would sound perfect blasting out of a soundsystem on a hot summer's day.
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 in stock $17.33
Alben
Africanism
Africanism (2xCD)
Cat: ASVN 073. Rel: 23 Jan 25
This Is Madness (Africanism version)
Two Little Boys (Africanism version)
Just Because (Africanism version)
New York, New York (Africanism version)
Niggers Are Scared Of Revolution (Africanism version)
When The Revolution Comes (Africanism version)
Related To What (Africanism version)
Gash Man (Africanism version)
This Is Madness (vocal & Percussion)
Two Little Boys (vocal & Percussion)
Just Because (vocal & Percussion)
New York, New York (vocal & Percussion)
Niggers Are Scared Of Revolution (vocal & Percussion)
When The Revolution Comes (vocal & Percussion)
Related To What (vocal & Percussion)
Gash Man (vocal & Percussion)
Niggers Are Scared Of Revolution (Early Africanism version)
This Is Madness (Africanism instrumental)
Two Little Boys (Africanism instrumental)
Just Because (Africanism instrumental)
New York, New York (Africanism instrumental)
Niggers Are Scared Of Revolution (Africanism instrumental)
When The Revolution Comes (Africanism instrumental)
Related To What (Africanism instrumental)
Gash Man (Africanism instrumental)
This Is Madness (Percussion edit)
Two Little Boys (Percussion Only)
Just Because (Percussion edit)
New York, New York (Percussion edit)
Niggers Are Scared Of Revolution (Percussion edit)
When The Revolution Comes (Percussion edit)
Related To What (Percussion edit)
Gash Man (Percussion edit)
Just Because (acappella)
This Is Madness (acappella)
Two Little Boys (acappella)
Related To What (Early Africanism version)
Just Because (Early Africanism version)
Review: The Last Poets, pioneers of revolutionary spoken word and proto-rap, return with a powerful new album that blends their fiery lyricism with the infectious rhythms of Afrobeat. 'Africanism' sees the legendary duo, Abiodun Oyewole and Umar Bin Hassan, collaborating with a stellar cast of musicians, including the late Tony Allen, Prince Fatty, and members of Seun Kuti's Egypt 80. The result is a potent and timely exploration of social and political issues, delivered with the same raw energy and uncompromising spirit that has defined The Last Poets' music for over five decades. Abiodun revisits classics like 'When The Revolution Comes' and 'Gash Man', their messages of social justice and self-empowerment still burning bright. Umar's 'Niggers Are Scared Of Revolution' and 'Just Because' remain as potent and provocative as ever, their unflinching commentary on race and inequality cutting through the noise of contemporary discourse. The album's musical landscape is equally captivating, with Tony Allen's polyrhythmic drumming providing a driving force, complemented by the soulful melodies and intricate arrangements of the contributing musicians. A powerful reminder of the transformative power of music and spoken word.
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 in stock $17.88
Rendez Vous
Cat: MOCCD 14437. Rel: 03 Sep 24
Got To Be Lovin' You (3:21)
Rendez Vous (5:00)
Lover With Stature (4:01)
Fancy Meeting You (2:52)
Marja's Tune (4:13)
Babies (4:55)
Mutual Feeling (4:29)
Soul Touch (5:06)
Life Goes On (4:31)
Living Off The Love (bonus track)
The Love I Gave (bonus track)
Who Are You? (bonus track)
Will They Be Listening? (bonus track)
Review: Erik Tagg's Rendez Vous (1976) is pure seventies soft rock with a touch of jazz fusion, creating a rich, melodic experience. As his second solo effort, it showcases Tagg's evolution from his earlier work with Dutch bands Beehive and Rainbow Train. Produced by Hans Vermeulen, the album is a masterclass in intricate harmonies and sophisticated arrangements, all underscored by Tagg's warm, resonant vocals. Tracks like 'Life Goes On' highlight Tagg's ability to infuse soul-searching lyrics with a smooth, soothing delivery, creating a sound that is both introspective and comforting. The album's lush instrumentation, blending elements of jazz, pop and rhythm & blues, evokes a sense of romantic escapism, making it a hidden gem of the AOR and modern soul genres. Though it didn't achieve mainstream success, Rendez Vous developed a cult following, appreciated for its nostalgic and warm vibes.
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 in stock $15.37
Kaidi's 5ive
Cat: JRF 0003LP. Rel: 22 Mar 22
Don't Hide Your Love (7:20)
To My Surprise (5:21)
Dyno (3:15)
For All The Love In Time (7:44)
Organic Juggernaut (6:08)
Review: A decade after it first surfaced on CD and digital, Kaidi Tatham's superb contribution to Jazz:Refreshed's now legendary 5ive series of mini-albums has finally made it onto vinyl. We don't expect these to hang around in stock too long, in part because it's one of the most consistently on-point and musically expansive sets in Tatham's vast catalogue - and that's saying something. For proof, check the soulful bruk-up business of 'To My Surprise' (reminiscent of the best of the collective Bugz in the Attic project he was a big part of), the fluid, spiritual jazz-funk brilliance of opener 'Don't Hide Your Love' and the expansive, up-tempo excellence of 'Organic Juggernaut', where fluttering flutes, squelchy bass and sparkling pianos catch the ear.
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 in stock $19.84
Stranger Ja Catem Traboi (reissue)
Cat: ARCD 004. Rel: 16 Jun 23
Stranger Ja Catem Traboi
Go To The School
Bo Ba Bo Esquece
Vida (D) Mar
E Bo Problema
Agora Voce Mi Deixou
Tudo Linguaradas
Oh Baby
Review: Tchiss Lopes's Stranger Ja Catem Traboi is as good a debut album as you could ever wish to hear. It is a world fusion of great rhythms, high-energy grooves, politically and socially aware vocals and reggae and funana collisions that brims with life and vitality. It was recorded in Rome after the artist spent 11 months at sea and was drawn from his personal and collective experiences of hardship, education, love and the loss of lives at sea. Though now 40 years old, the album has stood the test of time musically and lyrically and now gets a welcome reissue on CD.
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Tags: African | Cape Verde
 in stock $16.21
Stage Two
Stage Two (limited 180 gram clear vinyl LP with obi-strip)
Cat: TWM 73LITA. Rel: 04 Aug 21
Let's Think It Over (3:59)
La La La La La La (4:17)
We're Coming Home (5:55)
Think About It (3:10)
Sweet Gloria (2:33)
I Need You Around (7:06)
Fishes (Mankind) (3:37)
Let's Do It Now (2:56)
Let Me Feel As I Am (4:16)
Review: Recorded and initially released in 1976, Stage 2 was one of a trio of killer albums that highlife legend Pat Thomas recorded with the Marjarita backing band. Although amongst his most popular sets in his native Ghana, the album has never been released outside Africa - until now. This remastered edition, which comes pressed on clear vinyl, is therefore long overdue. It remains a superb set all told, with Thomas and his collaborators serving up a fuzzy, sometimes fiery fusion of Afro-Soul, highlife, Afro-funk, rocksteady, reggae and Afro-rock. Thomas is in terrific form throughout, delivering effortlessly soulful and impassioned vocals that turn an otherwise excellent album into a genuinely terrific one.
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 in stock $17.33
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