Back catalogue: Funk

Review: Les Cigales, the latest release from The Offline, draws deep inspiration from the cinematic scores of the 1960s and 70s, influenced by composers like Francois de Roubaix and David Axelrod. The EP offers a mix of lush, atmospheric sounds, blending psychedelic tones with retro soul and hip-hop elements. The music weaves a narrative inspired by the love story of Gyptis and Protis, the mythical founders of Marseille, reflecting themes of longing and breaking societal norms. Following his 2023 album La Couleur de la Mer, which was a soundtrack to an imagined film, The Offlineihelmed by composer and photographer Felix Mullericontinues his evocative storytelling. The music evokes dreamlike imagery: fog-drenched villas by the sea, shadowy sailboats, and nefarious villains. Each track brims with cinematic flair, from intense drama to tender romanticism. The Offline project was born after Muller's travels along the Atlantic coast of southern France, where he captured beach life on film, later turning his visual experiences into music. With support from the likes of BBC 6Music's Huey Morgan and Deb Grant, the project has built a loyal following and continues to charm listeners with its immersive, nostalgic soundscapes.

Review: Another comprehensive collection of jazz here from the good people at Light in The Attic. This 14 track compilation has been carefully selected and compiled by Japanese jazz expert Yusuke Ogawa, who is the owner of Tokyo's Universounds record store. It comes on heavyweight vinyl with vast track-by-track liner notes by Ogawa and take sin everything from hard bop to free jazz with plenty of big and explosive moments as well as more deep and introspective sections of calm, all of which has been plucked from the vaults of Nippon Columbia. There is a reason Japanese jazz is so revered, and this record shows why.

Review: A lesser-known but electrifyingly slick city pop record (her fourth) by Junko Ohashi. 1979's Full House hears the Japanese singer's graceful but powerful contralto in full collaborative force, paired against the historic instrumental talents of her backing band, Minoya Central Station. Perhaps second only to Ohashi's timeless New York paean, Magical, Full House is yet another discographic dazzler that most likely contributed to the revival of the city pop genre after its retroactive but no less ironic recognition in the popular music sphere by the vaporwave subgenre, future funk. The mood throughout Full House is vital and joyful, suggesting something close to complete emotional fulfilment and idealistic glee on the singer's part - all part of the city pop's objective - its grand plan - to portray metropolitan life as an ultimate ideal.

Review: Legendary US funk practitioners the Ohio Played are as well known for the erotic nature of many of their album covers as they are for their super sleazy funk sounds. They never really go out of fashion which is why so many of them are always getting reissued. Ouch! is next up with a special Ruby Red Milestone Anniversary Edition on limited edition and marbled red vinyl to mark the fact it is now 40 years old. It's an upbeat and diverse mix of funk sounds that draws influence from the world of jazz and soul and pairs swooning strings with lush melodies and catchy grooves that still energise any dancefloor.

Review: The reissue of Oneness Of Juju's 1976 album Space Jungle Luv stands as a crucial addition to the Black Fire Records reissue series. When James "Plunky" Branch founded Oneness Of Juju in 1975, he had already spent years engulfed in the vibrant jazz scenes of both coasts. The group, previously known as Juju, was deeply rooted in New York's avant-garde jazz scene. However, upon relocating to Richmond, Virginia, Plunky gathered a fresh ensemble, blending African rhythms with funk and r&b. This lineup produced two of their most acclaimed albums, African Rhythms and Space Jungle Luv. This era marked the band's peak, with Space Jungle Luv embodying a shift towards a more serene, spiritual sound. The album showcases Lady Eka-Ete's enchanting vocals and guitarist Melvin Glover's celestial tones. Plunky's vision for this record was influenced by artists like Pharoah Sanders, aiming to deliver a message of spiritual upliftment through "space music, jungle music, love songs." Tracks like 'River Luvrite' and 'Follow Me' explore themes of unity and exploration.

Review: Following 2012's fourth volume that celebrated the existential work of Tim Maia, here we find Luaka Bop exploring the legacy of William Onyeabor. A high chief and Kenyan diplomat who allegedly refuses to discuss his music, he self-released eight albums in the 70s and 80s and these are some of the many highlights. Stretching from the New York-influenced post-punk synth funk of "Good Name" to the most authentic Afro fusion of "Why Go To War", Onyeabor's range not only reflects his clear creative skill, but also the ever-developing international language of music during the fruitful period he was active. Who is William Onyeabor? Press play and find out yourselves...

Review: Reel People Music expands the fizzing dynamic between highly accomplished label associates Opolopo (AKA Peter Major) and Angela Johnson with the release of their brand new album Best of Both Worlds. The nine-track record is an impressive merging of soulful souls, building on the pair's previous 'track-by-track' collaborative approach, and calling on influences from Quincy Jones to The Isley Brothers. From the twizzling decrescendos of Buffalo, which hears the pair summon the bruk maestro Kaidi Tatham on recording and co-prod duties, to the sparkly, sparky whetstone electro-disco track 'The Ones You Love', we really do get the best of both worlds here; we get nine worlds, in fact.

Review: Colemine Records is reissuing Orgone's 2008 classic Bacano on vinyl for the first time, here exclusively for Black Friday RSD 2024. Known for their raw, organic California soul, Orgone's music grabs you by the collar and pulls you to the dance floor. The band's journey began in the San Fernando Valley, where two friends, united by their love for gritty 60s and 70s soul, drew inspiration from the vibrant music scene in Los Angeles during the late 90s. This collaboration ignited a movement, and Orgone has since become a key player in delivering timeless funk for music lovers.

Review: Orgone is back in California and coming in hot with Chimera, a fire-breathing spectacle of psychedelic Afro-soul. Produced by Sergio Rios (Neal Francis, Say She She), Chimera is an electrifying, dream-like odyssey, tripping through the hazy swamps of New Orleans, weaving textures of entrancing voodoo soul, thrumming Afro-funk, and stoney psyche-rock. Taking its name from a mythical beast with the head of a lion, the body of a goat, and the tail of a serpent, Chimera conjures a state that is at once trance-like and heart-poundingly exciting. For instance: the album opens like a heady puff of smoke in the face with 'Hallowed Dreams,' drawing the listener into a state where reality blurs and the music takes control. Chimera will delight fans of early Orgone while showcasing the band's effortless and endless ability to shape-shift. It's an electrifying, mesmerizing record sure to exceed expectations and keep the listener rapt.

Review: A year shy of its 40th anniversary, Inspiration Information enjoys a reissue and it's still as sparkly and soul-laden as it was in 1974. Ranging from the guitar-twanging smoky blues funk of "Rainy Day" to the sultry, strutting title track, it's largely regarded as Otis's most comprehensive work of that time. According to legend it took him three years to create... 39 years later and it still sounds as good as this? We'd say that's time well spent!

Review: In the encyclopedia entry for psychedelic soul you're sure to find some mention of Shuggie Otis, and this is the album that cemented his sound. 'Strawberry Letter 23' is undoubtedly Otis' 'Albatross', a universally adored anthem that ploughs a furrow straight to the heart, but it grows in stature even more when you hear it in context on the 1971 album it was first released on. With George Duke lending his inimitable touch on keys amongst the ensemble of players, this is a true treasure of funk and soul with the spark of inspiration to look beyond genre conventions. Beyond the big hit, this is an album of abundant riches which rightly gets a repressing to reaffirm Otis' status as a legend in a league of his own making.

Review: London soul heavies Output/Input channel the spirit of their influences on their debut vinyl LP Forward Motion, hadron-colliding a recognizable topoi of soul and funk, and bringing all these influences together rather convincingly despite having recorded each track separately, and remotely across mulitple continents. A diverse and international group, we hear the full-bodied, co-operative vocals of Antonio McLendon, Audrey Wheeler-Downing, Brent Carter and Katie Holmes-Smith collide in an unstoppable rotation of the limelight. Meanwhile, the album remains dominated by its session artists, delivering the tightest of tight backbones and melodious acoutrements.

Review: The Middle East has always invoked a sense of wonder and escapism, even if a singular tag for a vast and varied global region is an instant disservice. So it's not much of a surprise to find many countries currently in the throes of an explosive rediscovery of psychedelic sounds. Ouzo Bazooka is just one example of the kind of bands we're talking about. Originally solo project from Uri Brauner Kinrot - a musician, scientist and producer - the vehicle quickly grew into the fully fledged group we have loved over the last five albums and ten years, give or take. Widely considered pioneers of the burgeoning scene, Kapaim (Hebrew for 'palms') cements their status as a cut above most psyche rock bands anywhere on the planet. Informed by jazz, soul, blues, and indigenous musical traditions of the South Eastern Mediterranean, it's a smooth and intoxicating ride.