Back catalogue: Experimental/Electronic

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Exuberant 1990s electronic music revivalist Ludwig Af Rohrscheid has released some of his most magical music of late, with December 2019's "Between Worlds" being one of his best to date. There's much to set the pulse racing on this four-tracker too, from the rushing, trance-influenced melodic positivity of breakbeat wiggler "Blissful Lie" (which, incidentally, lifts the same Aisha sample as the Orb's "Blue Room"), to the IDM/braindance fusion of "Psychiflux" and ultra-deep, spaced-out brilliance of "Cloud Walker", via the madcap insanity of "Weightless", which flips from a jazz-flecked ambient soundscape to a maniacal braindance stomper midway through.

Review: Chicago-based composer and underground mainstay Rob Mazurek has teamed up with modular synth expert and light artist Alberto Novello for this new collaboration on Hive Mind. The music was recorded in a single afternoon at Dobialab, an experimental artist space in Northern Italy where they cooked up an immersive, improvised journey into uncharted musical dimensions. Across all the coherent pieces, Novello provides a rhythmic and timbral foundation while Mazurek weaves delicate trumpet harmonies, bells and samples to build an atmospheric soundscape. The results veer from new age to psychedelic and are truly mesmerising, like an intense space ritual that explores new realms.

Review: Rivet's newest album for Editions Mego blends optimism and negation, emerging sanguinely from a period of personal tragedy and disillusionment undergone by the artist. Mika Hallback, a key figure in the Swedish underground, first gained attention with industrial techno as Grovskopa before shifting to experimental work, including On Feather and Wire (2020). After the loss of fellow musician Peter Rehberg and his dog Lilo, Hallback created the somber L+P-2 (2023), and now Peck Glamour marks his return, coming reinfused with hope and exploration. Drawing on punk, industrial, techno, and trauma, the album combines synthetic and organic elements, with 'Orbiting Empty Cocoon', with its tugging, metal ballistic sound-rooms sounding like an Au-technic, cybernetic ritual, a dance anthem 'Patitur Butcher' and 'We Left Before We Came' concluding on comparatively layered zoonotic notes; posthuman synthesis backed by birdsong.