Back catalogue: Electro

Review: Brian Dougans and Garry Cobain, the masterminds behind Future Sound of London, return with The Pulse EP Vol 3, a reissue of their classic work under various aliases on the Jumpin' & Pumpin' label. This highly anticipated 12" features tracks that showcase their 90s techno brilliance. Side-1 opens with Smart Systems' 'Tingler' (Four By Four mix), a dark, sinister track that channels Beltram's 'hover' sound into a hardcore rave anthem. Indo Tribe's 'Owl' (I Can See You mix) follows, hailed by fans as one of the greatest breakbeat hardcore tracks ever made, a retro-classic loaded with chunky, energetic beats and an unforgettable sample. Side-2 kicks off with Indo Tribe's 'Bite The Bullet Baby' (Jacques Reynoix mix), another gem that blends early 90s rave energy with a unique edge. The real highlight, however, is Yage's 'Calcium' (Elementary mix), which first appeared on Future Sound of London's Accelerator album. Even today, it sounds transcendental and timeless, its melodic piano lines and otherworldly ambiance continuing to win over listeners. This EP is a vital piece of underground rave history and an essential listen for fans of early techno and breakbeat hardcore.

Review: Italian artist Younger Than Me makes a great impression with is debut album, The Golden Age Of Love, on 90's Wax. Collaborations with Massimiliano Pagliara, Brame & Hamo, and Pablo Bozzi enrich the diverse array of sounds he explore after making a name for himself with a modern take on 90s club music that blends prog, trance, EBM, breakbeat and techno with nostalgic elements from rave culture's many idiosyncrasies. It is infused with contemporary electronic elements so tracks like 'Zarathustra Dance' and 'Eternal Sunshine Of Solitary Mind' showcase a dynamic sound, while 'Music Will Never Stop, Heartbeat Will Never Fade, Party Will Never End' encapsulates the eternal essence of the thing we call rave.

Review: Imagine a Dance'o'drome: some dastardly mixture of a David Cronenberg's Videodrome, perhaps, and a giant colourful tube-socked festival ala Electric Daisy Carnival. Whatever inspired French producer and DJ Yuksek to envision such a coinage, we'd like to know. This new full-length project from the artist contains 12 tracks of walloping sunset disco, colourful experiments house and funk, and guest appearances by Breakbot, Queen Rose, Polo & Pan and more. The album is described as "a tribute to the dancefloors of the world" and "a celebration of freedom and joy".

Review: The concept album is a divisive, err, concept. So often are we overwhelmed at the length of sleeve notes that make such little tangible sense it feels like falling through a wall of ketamine on acid, it almost makes us approach all sleeve notes with trepidation. Then you have records that have a bat shit crazy idea behind them, but convey it quite succinctly. Or at least in terms of the vital information you need to know. A few years before his own spiritual journey led him to Islam, Cat Stevens, later Yusuf, gave us Numbers, which is frankly the best type of concept album. Playing out like a surreal rock opera, of sorts, it's the soundtrack to a planned book, The Pythagorean Theory Tale, which tells of a planet, Polygor, on which there's a castle with a number machine, there to churn out new numbers and distribute these across the galaxy. Does it make sense? No. Do we grasp the fundamentals? Yes. Is it fantastic? Most certainly.