Back catalogue: Electro House

Review: Sweat It Out Records kicks off their tasty Sweat Sampler series with their first volume, cutting niftily across four exceptionally sweaty bops, spanning tongue-in-cheek deep tech reworks and downtempo disco delights. First off is the dream team of Cid and Havoc & Lawn, whom together deliver a hilariously effective house version of America's 'A Horse With No Name'; this is shortly followed by Saturday Love, Kon and Furious's 'Come Out', a rejigged nu-disco samosa packed with some rare vocal spices; then there's 'Give It To Me' by Marco Lys and Ben Miller, a bass-driven bouncer unafraid of lasershot winddowns, injunctive vocals and risers; and finally, there's Set Mo's 'Could I Be', the anthem of the bunch, whose buildup and drop is alarming, affecting, cumulatively awe-striking.

Review: Amasser of over 100 million streams in 2024, 'Ora che non ho piu te' ('Now I No Longer Have You') was one of Italy's top electropop hits of 2024. Attracting a panoply of remixers for use in their own DJ sets, Mondo Groove now commit four of the choicest of said redoings to a vinyl press, enlisting such first magnitude stars as Benny Benassi and DJ Ralf. Progressing through fine layers of burbling synth and cooing sentiment, we're most taken, however, by Samuele Sartini's closer, which the roar of crowds into descending synth beneficences, causing all heaven to break loose.

Review: SQNC's debut release on Sequence Records delivers an electrifying clash of styles. Hearthug's playful energy opens the A-side with 'Beep Blump Beep (Sex Mix)', a bouncy track that effortlessly commands the dancefloor. 'Moonrush (Original Mix)' follows, taking a more acidic approach while maintaining that signature groove that's undeniably infectious. On the B-side, Cybercafe - Adam Dirk'heim's brainchild - establishes its cybernetic identity. 'Hyperdrive' is an immersive experience with deep kicks and distorted synths, creating a pulsating rhythm that draws listeners in. 'Katorza' takes things further with a retro-futuristic edge, adding a hypnotic energy that makes it perfect for late-night sets. It's a dynamic fusion of playfulness and intensity, showcasing the unique approaches of both artists while setting the tone for Sequence Records' future. This release is full of depth and dancefloor potential, marking the start of something exciting for the label.

Review: Following acclaimed contributions from Mandy, DJ T, Dixon and Jesse Rose, the fifth instalment of Get Physical's "Body Language" mix series comes courtesy of Chateau Flight (aka Gilbert Cohen and Nicolas Chaix). "Body Language Vol. 5" is a discerning, rich and tasteful celebration of the best in disco, techno, electro and house in all it forms and it's a joy to listen to, from start to finish. This is one Get Physical chartered flight you should not miss.

Review: A quarter of a century on, Chemical Brothers' second studio album returns to stores in expanded form. The original album remains the high watermark of the (now often derided) big beat movement - a bolshy, thrill-a-minute ride that races between funk-fuelled, break-heavy hits ('Block-Rockin' Beats'), rock-tinged heaviness (the title track), fuzz-fuelled post-techno hedonism ('Electrobank'), La Funk Mob-influenced trip-hop ('Piku'), heady ambience ('Loft in the K-Hole') and riffs on the Beatles' 'Tomorrow Never Knows' ('Setting Sun' with Noel Gallagher and the incredible 'My Private Psychedelic Reel'). The second disc on this bonus edition boasts a quintet of previously unreleased tracks and alternate versions, with our highlights including the opioid pulse of 'Cylinders' and the slamming techno breathlessness of 'It Doesn't Matter (alternate mix)'.