Samplers

Notes: Innovative real-time sound mangling is the name of the game with the Timetosser. Hook up a stereo audio signal, re-order and re-sequence on the fly for a unique twist on DJing and live remixing.

Supplier's Notes:
Timetosser is the first of its kind. An innovative hybrid between an audio effect and electronic musical instrument, enabling you to playfully reorder any audio signal in real-time.

Real-time sound mangling is the name of the game. Timetosser automatically detects the tempo of the incoming audio, samples it and chops it to length ready for re-triggering. Create new rhythms on the fly by actively playing the instrument, or let Timetosser serve you loops and slices of your live audio. By combining Timetosser with a classic DJ set-up, much value can be added to any stage act. Furthermore, Timetosser can be hooked up to any device, giving you much artistic freedom. From drum machines to modular synthesizers, from a single layer on your mixer (e.g. basslines, vocals, drums..) to the master output. By adding Timetosser, you instantly gain a unique live effect by adding variety to your tracks and loops.

How does it work?

Standalone - Use the tap-tempo key to tap in sync with the music. From this, Timetosser learns the length of 1/4, 1/8 and 1/16 notes, as well as their triplets.

MIDI IN - Another option is to sync to midi-clock. By connecting the supplied mini-jack to DIN-5 adapter cable to the sync input, Timetosser is able to synchronise to an incoming midi-clock signal.

Analog Gate - The sync input also supports analogue gate voltages. To use analogue gate sync, just connect a standard mono mini-jack cable to the sync input directly.

MIDI OUT - Having both a MIDI-input and output means these will be usable from within your DAW software when Timetosser is connected to your computer. But the true advantage comes when Timetosser is used in standalone-mode. Since Timetosser detects the tempo of the incoming audio, the MIDI-output can be used to send out that tempo. This means you can synchronise your MIDI-gear and have them play in time with anything you feed into Timetosser. Alter Audio are very excited about the possibilities this brings: blur the lines between deejaying and live performing by having synths and drum machines play alongside your tracks.

By pressing any of the keys of the upper row, you basically select a delay that is a multiple of the selected note length. By playing patterns using the upper keys, you can keep changing the delay time (in real-time!) in a way that you can repeat a note, or change the order of the music entirely.

Audio Plugin / USB connectivity

Besides being a standalone device, Timetosser can also be connected to your computer. This way, it becomes a USB MIDI interface and controller for the Timetosser audio plugin (VST & AU).

Timetosser's firmware can be upgraded through USB with the application that is downloadable from the support page.

The audio plugin is a virtual Timetosser that can be dropped as an effect on an audio track in your DAW. One of up to eight plugin instances can be selected and controlled from the hardware unit.

Unit size & weight

With included travel case and cable set: 220 x 140 x 50 mm / 630 grams

High quality sound

Digital audio: 24-bit / 96 KHz, low noise, high quality codec, 2-in / 2-out 1/4" jack connectors

CPU: 180 MHz 32-bit ARM

Microcontroller for real-time audio analysis and smooth visual feedback
VST plug-in: Use Timetosser as midi interface and plugin controller when connected to a computer

MIDI / Gate IN, MIDI OUT: Sync to MIDI-clock and analogue gate voltage. Send detected or external sync as MIDI-clock

Notes: ***B-STOCK: Slight surface marks ***


Innovative real-time sound mangling is the name of the game with the Timetosser. Hook up a stereo audio signal, re-order and re-sequence on the fly for a unique twist on DJing and live remixing.

*** Firmware update - October 2022 ***

As well as some bug fixes, this firmware update will add two more play modes to the unit: a looper and a slicer. The Loop mode allows you to record a loop of up to 16 beats, play patterns during that recording and have the Timetosser loop that, or remix a recorded loop like you would do in the original Live mode. The Slicer mode allows you to make slices of a recorded loop and play those slices on top of the live audio in MPC style. Overall a very quick and easy way to make live samples of your ongoing audio.

Next to that, Alter Audio have added a full set of new preset patterns which auto-remix your music by adding in a bit of beat shuffling, some nice offbeat timings and drop in the odd mute and reverse within the pattern.

Nice to know: The update brings Apple silicon support for the Mac version of the VST3 plugin as well.

Supplier's Notes:
Timetosser is the first of its kind. An innovative hybrid between an audio effect and an electronic musical instrument, enabling you to playfully reorder any audio signal in real-time.

The novelty of Timetosser lies in the way it is used: the user is not simply enabling an effect, but has to actively and skillfully play the instrument in order to yield good results. By combining Timetosser with a classic DJ set-up, much value can be added to any stage act. Furthermore, Timetosser can be hooked up to any device, giving you much artistic freedom. From drum machines to modular synthesizers, from a single track on your mixer (e.g. guitar, vocals, drums .. ) to the master output. By adding Timetosser, you instantly gain a unique live effect by adding variety to your tracks and loops.

How does it work?

Standalone - Use the tap-tempo key to tap in sync with the music. From this, Timetosser learns the length of 1/4, 1/8 and 1/16 notes, as well as their triplets.

MIDI IN - Another option is to sync to midi-clock. By connecting the supplied mini-jack to DIN-5 adapter cable to the sync input, Timetosser is able to synchronise to an incoming midi-clock signal.

Analog Gate - The sync input also supports analog gate voltages. To use analog gate sync, just connect a standard mono mini-jack cable to the sync input directly.

MIDI OUT - Having both a MIDI-input and output means these will be usable from within your DAW software when Timetosser is connected to your computer. But the true advantage comes when Timetosser is used in standalone-mode. Since Timetosser detects the tempo of the incoming audio, the MIDI-output can be used to send out that tempo. This means you can synchronise your MIDI-gear and have them play in time with anything you feed into Timetosser. We're very excited about the possibilities this brings: blur the lines between deejaying and live performing by having synths and drum machines play alongside your tracks!

By pressing any of the keys of the upper row, the player basically selects a delay that is a multiple of the selected note length. By playing patterns using the upper keys , we can keep changing the delay time in a way that we can repeat a note, or change the order of the music entirely.

Size & weight

200 x 120 x 25 mm
380 grams

High-quality sound
Digital audio, up to
24-bit / 192 KHz
low noise, high quality codec
2-in / 2-out 1/4" jack connectors

CPU
180 MHz 32-bit ARM

microcontroller for real-time audio analysis and smooth visual feedback

VST plug-in

Use Timetosser as audio interface and plugin controller when connected to a computer

MIDI / Gate IN, MIDI OUT

Sync to MIDI-clock and analog gate voltage. Send detected or external sync as midi clock

Durable & minimal design

Sleek aluminium hardtop casing to withstand severe freestyle sessions
Full color spring loaded key switches for intuitive visual feedback and tactility
Compact (200x120x25mm.) and lightweight (380 gr.) standalone unit, ideal for touring

"Merge live performing with the DJ artform!"
Timetosser enables you to repeat parts and even completely change the order of any connected source. Have the power at your fingertips to instantly add variety to your tracks and loops.

Notes: The third-generation Orba takes this compelling little instrument to the next level. A kind of handheld, gesture-based groovebox and controller, the Orba makes it easy and intuitive to create music.

Supplier's notes:
Orba 3 makes it easy to turn your musical ideas into reality, wherever you are. Its built-in microphone lets you sample any sound and instantly transform it into a playable instrument. With over 300 sample-based sounds and an integrated looper, you can create, layer, and perfect your music effortlessly. Plus, MPE MIDI over USB-C and Bluetooth ensure seamless integration with your favorite music creation software, while its built-in speaker, rechargeable battery, and portability make it perfect for creating music anytime and anywhere.

Sample that.

Watch as five artists get their hands on Orba 3 for the very first time, exploring its latest features, including the brand-new built-in microphone for instant sampling. With just the press of a button, they capture sounds from their surroundings and instantly turn them into playable instruments. Whether capturing everyday noises or musical ideas, Orba 3 transforms it all into a portable, fun, and intuitive music-making experience.

Music on the move.

Designed for portability, Orba 3 features a built-in speaker as loud as an acoustic guitar and a 1/8" headphone jack for private jamming. With over five hours of battery life and a new integrated mic, you can capture sounds from anywhere - at home, in the studio, or on the go. Orba 3 has everything you need for spontaneous creativity.

New to Orba 3

Built-in Microphone

Artiphon have integrated a high-quality, omni-directional microphone into Orba 3, designed to capture clear, vibrant sound. It works seamlessly with Orba 3's upgraded sound engine, allowing for richer, more dynamic sampling.

One-Button Simplicity

Capturing any sound with Orba 3 is as simple as pressing one button. Instantly transform your sample into a playable instrument, automatically tuned to your key- no extra equipment or cables required.

Sounds real good.

Choose from 300+ high-quality sounds, from guitars and pianos to experimental synths. The Artiphon Connect app offers Sound Packs inspired by genres like Hip-Hop, Trap, and Tropical House. With the built-in mic, you can easily sample on the fly or upload your own.

On loop.

With Orba's integrated looper, you can start recording instantly i no extra screens required i by using the 'A' button to toggle through menu functions right on the device itself. Layer and record the four parts: Drum, Bass, Chord, and Lead using the built-in metronome, while Orba 3's quantize feature ensures your notes stay perfectly on beat making complete songs.

Shape your sound.

Modulate sound with nine gestures like Tilt, Shake, Tap, and Bump. Orba's velocity and pressure sensitivity allow expressive control even after striking a chord. Use Radiate (move your finger outward) to adjust volume, Tilt to add effects like pitch bends, or Shake and Bump for percussive sounds like a shaker or tambourine. Orba's capacitive-sensing interface captures every micro-movement, making each performance unique and bringing expression back to electronic instruments.

Let Orba take care of the rest.

Orba handles the technical details, letting you focus purely on creating. It stays locked to your chosen scale and snaps every note to the beat, ensuring you always play the right notes and sound amazing. With Chord Mode, you can play chords with a single touch, and even more settings are customizable through the app for a fully customized tailored to you.

MIDI made easy.

With MIDI Polyphonic Expression (MPE) over USB-C and Bluetooth, Orba 3 seamless integration with music making apps like Ableton Live, GarageBand, and Logic Pro X. Whether in the studio or on the go, you can map Orba's pads and gestures in your DAW for hands-on control, elevating your music production beyond traditional knobs, keys, and buttons.

Tech Specs

What's in the box?

Orba 3
USB-C Cable
Quickstart Guide
Dimensions

3.14" (diameter) x 2" (height)

I/O

USB-C (USB 2.0 Class Compliant Audio/MIDI)
3.5mm (1/8") TRS Analog Headphone Stereo Out

Compatibility

iOS 12+, Android 9+, macOS 10.13+, Windows 10 (64-bit)
Note: Firmware updates and sample transfers require a USB connection

Notes: ***B-STOCK: Box opened, product in perfect working order***


The fastest and most intuitive way to make beats.

A production machine that lets you create using a gigantic array of samples.

The Electribe sampler is a sample-based production machine that lets you construct beats at maximum speed. You can freely edit and resample using waveforms that you've loaded and preset samples. Modulation and effects can be controlled easily just by turning knobs on the top panel. In addition, a variety of input interfaces optimized for inputting rhythm, bass, or melody allow you to smoothly create sequences as fast as you can think.

The sequences that you create can then undergo additional evolution on stage or in your laptop. You can enjoy intuitive live performances that link various devices with the Electribe sampler, or utilize this capability for full-fledged music production by exporting sequence data to Ableton Live for detailed editing and final mixing.

The latest system version 2 adds a much-requested pattern chain function that will be a great asset for live performances or music production. The lineup has also become more colourful with the new metallic red model. And Korg have also provided bonus patterns that reveal even greater sonic potential.

Making your beat-making ideas rapidly take shape. It's the Electribe sampler; a sampler + sequencer that's thoroughly optimized for speed.

The Electribe sampler continues to evolve

A new metallic red model - a nod to the legacy of electribe

Following the dark black unit, the lineup has been joined by a metallic red model that's reminiscent of the previous model, the ELECTRIBE SX. Complemented by the numerous colourfully illuminated LEDs, this unit will energize your playing.

Many new functions added via system update

Updates make the Electribe sampler evolve daily. System version 2 adds support for the much-requested pattern chain function and undo function, as well as support for original value display. Users who already own an Electribe sampler can update their unit and then enjoy playing.

Download over 200 bonus patterns

Electribe artists, sound designers, and beat makers from around the world have created bonus pattern data packed with new sounds, phrases, and sequences. These 237 different patterns are packed with sample sounds, drum kits, and ideas for a wide range of musical styles. They are provided as reference materials for your beat-making or as foundations to give you new inspiration.

Specifications

Sound System
Type: PCM sound engine + Analog modelling sound engine

Maximum Polyphony
24 voices
* The polyphony of the entire pattern varies depending on the Oscillator, Filter, and Insert Fx type.
* Independent parameters for each voice have been simplified; four voices share the parameters of one conventional voice.
Sample: Type (920), Pitch/Glide, Edit
Sample Types: Analog (16), Audio In (2), Kick (37), Snare (44), Clap (12), HiHat (37), Cymbal (8), Hits (33), Shots (44), Voice (31), SE (7), FX (30), Tom (10), Percussion (31), Phrase (15), Loop (22), PCM (31), User Sample (499)
Filter: Filter (Cutoff), Resonance, EG Int, LPF/HPF/BPF (3)
Modulation: Type (72), Depth, Speed
Amp/Envelope Generator: Level, Pan, Attack, Decay/Release, Amp EG On/Off
Scale Types: 35
Gate Arpeggiator Types: 50
Sampling Frequency: 48 kHz
AD/DA Conversion: 24 bit

Sampler
User Samples: Up to 499 samples
Memory
Total maximum approximately 270 seconds (calculated as monaural)
* Regardless of the capacity of the SD card
* Including presets
Edits: Start/End Point, Loop Start Point, Tune, Time Slice, Level, Direction, Resampling

Effect
Insert Effect:One unit (can be used on each of the 16 parts)
Type (38), Edit, Insert FX On/Off

Master Effect:
One unit
Type (32), Touch Pad, Master FX On/Off, Master FX Hold On/Off
Sequencer
Number of Steps: 16 steps x 4
Number of Parts: 16 parts (one part consists of a sound, steps, insert effect, modulation sequence, etc)
Number of Patterns:
250 patterns (150 Presets / 100 Initial)
(one pattern consists of parts, master effect, key, scale setting, etc)
Motion Sequences: Up to 24 motion sequences can be stored (for each pattern)
Groove Types: 25
Pattern Set: Up to 64 patterns can be stored
Pattern Chain: Up to 250 patterns can be chained
Export: Ableton Live project file format, WAV file format (48 kHz, 16 bit)
Event Recording: Up to 100 files can be saved

Trigger Pads
Number of Pads: 16 pads (Velocity sensitive)
Modes: Trigger, Sequencer, Keyboard, Chord, Step Jump, Pattern Set, Touch Pad
Modes: Gate Arp, Touch Scale, Master FX

Connectors

Audio:
L/Mono, R Output (Standard phone jack)
Headphones (Stereo mini jack)
Audio Input (Stereo mini jack)

MIDI: In, Out (Use an included MIDI adapter cable)
USB: Type micro B
Sync:In, Out (Stereo mini jack)

External Storage Device: SD Card (512 MB -- 2 GB), SDHC Card (Up to 32 GB)

Power

Power Supply: AC adapter (DC 9V) or AA battery x 6 (Alkaline battery or Nickel metal hydride battery)
Battery Life: Approximately 5 hours (Power Saving: ON, with Nickel metal hydride battery)
Current Consumption: Less than 500 mA
Chassis: Zinc die cast

Dimensions (W x D x H): 339 x 189 x 45 mm / 13.35" x 7.44" x 1.77"
Weight: 1.6 kg / 3.53 lbs
Colour Variations: Metallic Red (electribe2s-RD), Black (electribe2s)
Included Items: AC adapter (DC9V), MIDI adapter cable x 2, Ableton Live 9 lite (License card included)
Accessories: Sync Cables SQ-CABLE-6, Gig Bag DJ-GB-1

Notes: Black version of this vintage-inspired 12-bit sampler from Sonicware. Inspired by 80s sampling workstations, and including over 2,500 samples to get you started, the Lofi-12 is a creative powerhouse.

Supplier's Notes:
Key Features

1) 12/24kHz Early-Digital Sound Sampling

Experience true 12kHz/24kHz sampling combined with the 12-bit Sampler mode, which transforms any sound into a pleasant Early-Digital sound, much like the legendary 12-bit samplers of yesteryear.

Each sample can be up to 40 seconds in length, and you can store as many samples as your SD card capacity allows. From these, you can load up to 256 samples (64MB) into a single project, seamlessly switching between samples during playback.

Samples can also be played using PAD mode, utilizing all 15 pads as a keyboard for chromatic/scale play. You can also chop samples to create and play individual slices within a single track.

2) Intuitive & Non-stop Beat Making

The powerful 8-track sequencer supports un-quantized recording and non-stop editing, allowing you to create tracks and beats in real-time as you hit the pads.

With parameter locking, dynamic parameter recording is a breeze - simply press the REC button and tweak the knobs. You can also input exact values directly using the step buttons.

Using the D-pad Roll, you can choose between 7 re-trigger divisions from 8th to 64th notes, while controlling velocity by a pad pressure.

A single project consists of 128 patterns and 16 songs. It can be used not only for song production, but also for long live performances by connecting songs with non-stop editing and various MUTE modes.?

3) Powerful Signal Processing & Extensive Sample Libraries

Simultaneously utilize 8 track effects, delay, reverb, and master compressor to craft diverse sounds.

Track effects can be selected from 22 effect types, and the master compressor can be side-chained. (Can be switched to the master filter for performance.)

The included SD card contains 2,500+ samples from legendary drum machines like TR-808/909, LM-1, linndrum, DMX, Drumulator, SP-12, Drumtraks and TOM*, to ready-to-use the Early-Digital Sound samples.

4) Effortless Background Mix-Tape Recording

The Mix-Tape recording feature continuously captures all your performances in the background up to three hours.

Recording quality can be selected from six levels, from the lo-fi recording quality of a micro-cassette tape to high quality recording at 48 kHz-16 bit, the same recording quality as DAT.

Whether you're mixing down tracks, recording live performances in their entirety, or extracting choice beats and phrases from your daily jams, you will have a continually expanding resource of your sounds and music at your fingertips.

5) Versatile Connectivity with Other Devices

Import and export audio files via USB or SD card. The Lofi-12XT's unique file convert feature ensures typical audio files with differing sampling bit/rates are transformed into the signature Lofi-12 Sounds.

Connect a wide variety of audio sources, from dynamic microphones, electric guitars/bass, synthesizers, and even USB audio sources from PC/Mac or Smartphones.

With TRS analogue inputs and outputs, digital outputs via USB, and tempo sync through MIDI or audio sync, the Lofi-12XT seamlessly integrates with DAWs and various other devices.

Specifications

Sampler: 12kHz/24kHz-16bit (mono) with 12bit mode
Recording time per sample: Up to 40 seconds
Max. number of samples: Up to SD card limit (Up to 64MB - 256 samples can be loaded into each project)
Sample editing: Realtime
Sample slicing: User slice markers
Slice choke groups: Yes
Sample file import: Yes (USB and SD card)
Amplitude modulation: ASR/AR envelope
Filter modulation: ASR/AR envelope
Pitch envelope: Sweep envelope
LFOs: 2 per track
Polyphony: 20 voices internal + USB & External audio
Number of tracks: 8
Track types: 1 (various voice modes)
Sequencer: 128 patterns- 16 songs x 256 projects
Note(Step) length: 1/1 to 1/64
Steps per pattern: 128
Non-Quantize recording: Yes (with MicroTiming edit)
Parameter lock recording: Yes
Drum roll/Note repeat: Yes
Effects: 26 types
Simultaneous effects: 11 (1 FX per track + 2 send FX + 1 master FX)
Background mix-tape recording: Yes
Pads/Keys: 15 velocity-sensitive pads with RGB LEDs
Display: 1.5" OLED
Built in mic: Yes
Audio inputs: 6.35mm TRS, USB audio
Audio input types: Line In, Dynamic Mic, Guitar
Audio outputs: 6.35mm
Headphones: 3.5mm
Midi connectivity: DIN MIDI + USB MIDI

Hardware specifications

Pads: 15 velocity-sensitive pads with RGB LEDs

Controllers: Control knob x 5, Directional pad with 2 button controls 1.5 inch OLED display
Mono x 1 (Omni-directional, 94dBSPL)
Display: 1.5 inch OLED display
Built-in Mic: Mono x1 (omnidirectional, 94dBSPL)
Built-in Speaker: Mono x 1 (1.5W 402)

Audio Inputs

INPUT L / Guitar (Switchable 10k and 1MQ impedance)
[LINE Gain] PAD: -20dB
[Hi-Z Gain] LOW: 0dB, NORMAL: +10dB, HI: +20dB
INPUT R / Dynamic Microphone
[LINE Gain] PAD: -20dB
[MIC Gain] LOW: 0dB, NORMAL: +28.8dB, HI: +50dB

Audio Outputs

STEREO LINE OUTPUTS (Max +6.5dBV)
*The above jacks are all balanced 1/4" TRS Jack Connectors
PHONES jack (stereo 3.5mm mini jack type)

USB port: micro USB Type-B

MIDI ports
[USB Audio] USB 2.0 Full Speed, 48kHz-16bit
Input: 2 channels
Output: 2 channels
[USB MIDI]
[Mass Storage Class] USB2.0 High Speed
*For iPhone, Apple Lightning to USB Camera Adapter required separately MIDI IN connector (5-Pin DIN type)

MIDI ports
MIDI IN connector (5-pin DIN type)
MIDI OUT connector (5-Pin DIN type)

Other connectors
SYNC IN jack (mono 3.5mm mini jack type)
SYNC OUT jack (mono 3.5mm mini jack type)
SD card slot (Standard size *Supports SDHC cards up to 32 GB)
DC IN connector

Bottom side hole: 1/4-20UNC screw for tripod mount

Size and weight
Width: 147mm | approx. 5.8 inch
Depth: 175mm | approx. 7.8 inch
Height: 46mm | approx. 1.8 inch
Weight: 550g | approx.1 lbs 3.5 oz

Power supply

DC12V output AC adapter (500mA, Inner Diameter: 2.5mm, Outer Diameter: 5.5mm, Polarity: Center +)
Ni-MH AA SIZE Rechargeable Battery or Alkaline AA SIZE Dry Battery x 6
(Alkaline dry batteries life: approx. 4 hours)
*Batteries sold separately

Accessories
32GB SDHC card incl. 2,500+ samples
Power Supply Unit: Warranty
*USB cable and the other connection cables sold separately

Notes: ***B-STOCK: Box opened, product in perfect working order***


The first release from Teenage Engineering's EP Series. Sample, program, sequence and produce in one compact, retro box. Bundled here with the extremely limited edition EP-133 KO II vinyl volume one.

Supplier's Notes:
Get ready for round 2

Meet the next evolution of the world's most sold sampler. based on the legendary PO-33 K.O!, the new EP-133 K.O. II adds more power, more sampling capabilities, a fully reworked sequencer and brand new punch-in 2.0™ effects. introducing a workflow that lets you go from idea to track faster than ever. it's pocket operators gone pro.

The champ is here

A versatile machine with an impressive set of features, K.O. II is the new champion in and outside the studio. unrivaled by anything in its class, this is the sampler you've always wanted at the incredible price of just $299

Record sounds around you, sample your voice, favorite synths, vinyl records or whatever audio that you've got on your phone.

Sequence your samples and loops. make use of the curated selection of drums, bass and keys that come pre-loaded on your K.O. II.

Tweak and automate things like filter, pitch and more... add stereo effects, compressor and next generation punch-in effects.

The sequencer engine of the K.O. II provides an intuitive, fast way of building up beats and variations using 4 groups x 12 patterns. like most DAWs, you can instantly swap patterns per group, experiment with different combos to find what beat and bass lines work together. the commit button helps you freeze a point in time and move on, adding a verse or a break. it all happens in real time while playing.

One-two punch

vintage style keys with a modern touch, combining tactility with pressure sensitivity.

EP-133 K.O. II vinyl

A 10" record full of sounds for your creative soul to digest. side a contains a mix to make you laugh or love. side b provides you with one-shots and other sounds ready for manipulation. a record to fit every musical preference imaginable. (Two-sided 10" vinyl, weight: 170 g | 6 oz, 45 rpm)

Notes: The first release from Teenage Engineering's EP Series. Sample, program, sequence and produce in one compact, retro box. Bundled here with the extremely limited edition EP-133 KO II vinyl volume one.

Supplier's Notes:
Get ready for round 2

Meet the next evolution of the world's most sold sampler. based on the legendary PO-33 K.O!, the new EP-133 K.O. II adds more power, more sampling capabilities, a fully reworked sequencer and brand new punch-in 2.0™ effects. introducing a workflow that lets you go from idea to track faster than ever. it's pocket operators gone pro.

The champ is here

A versatile machine with an impressive set of features, K.O. II is the new champion in and outside the studio. unrivaled by anything in its class, this is the sampler you've always wanted at the incredible price of just $299

Record sounds around you, sample your voice, favorite synths, vinyl records or whatever audio that you've got on your phone.

Sequence your samples and loops. make use of the curated selection of drums, bass and keys that come pre-loaded on your K.O. II.

Tweak and automate things like filter, pitch and more... add stereo effects, compressor and next generation punch-in effects.

The sequencer engine of the K.O. II provides an intuitive, fast way of building up beats and variations using 4 groups x 12 patterns. like most DAWs, you can instantly swap patterns per group, experiment with different combos to find what beat and bass lines work together. the commit button helps you freeze a point in time and move on, adding a verse or a break. it all happens in real time while playing.

One-two punch

vintage style keys with a modern touch, combining tactility with pressure sensitivity.

EP-133 K.O. II vinyl

A 10" record full of sounds for your creative soul to digest. side a contains a mix to make you laugh or love. side b provides you with one-shots and other sounds ready for manipulation. a record to fit every musical preference imaginable. (Two-sided 10" vinyl, weight: 170 g | 6 oz, 45 rpm)

Notes: Cutting-edge tech meets ancient sounds in this truly original 'instrumentalis electronicum'. Create beats using genuinely old-school drum sounds, lutes, lyres and more, then load or record your own samples to expand your sonic options.

Supplier's Notes:
EP-1320 Medieval

The world's first medieval electronic instrument

Hurdy gurdys, lutes, Gregorian chants, thundering drums and punishing percussive foley FX. The EP-1320 is the first of its kind: featuring a large library of phrases, play ready instruments and one-shot samples from an age where darkness reigned supreme, the instrumentali electronicum is the ultimate, and only, medieval beat machine.

Unlock the magic of medieval sounds

The EP-1320 comes with hundreds of medieval sounds and samples, a redesigned set of send effects and punch-in FX, a brand new arpeggiator and a collection of craftily captured multi-sampled instruments. The line input and the internal microphone allow you to sample your own sounds in just seconds. Whether you're into making sultry serenades or bubonic beats, the EP-1320 has you covered.

Become your own bard

Alongside a bucketful of one-shot samples the instrumentalis electronicum features a number of readily playable medieval instruments - play them on the pads or on an external MIDI keyboard.

Summon your inner troubadour

In Demus mode, choose any of the 9 medieval songs and jam along using the sounds and instruments on the four banks. Add some punch-in FX and you're ready to send any tavern floor into a frenzy! (Also perfect for banquets and fetes).

An unrivalled medieval experience; EP-1320 features a hundreds of built-in medieval sounds for your nostalgic pleasure. Go back in time and play along with the built-in magical melodies, sultry serenades and bubonic beats. Included in the box are 4 knobs, a sticker pack and a quick start guide for you to hit the ground running.

Packaging: 262x262x28mm
Product weight: 0.625 kg
Total weight: 0.750 kg
Power: USB-C (cable not included)
Battery: 4 x AAA (not included)
Start up guide included
Exclusive medieval sticker pack included
Knobs to be affixed by customer (supplied separately, in same box)

Specifications

Sampling frequency: 46 kHz / 16-bit
Internal signal chain: 32-bit
128 MB total memory
96MB ROM SOUNDS
32MB user sample memory
9 built-in demo songs
High resolution sequencer
Built-in pocus
Fader
Pressure sensitive pads
Six stereo voices, or twelve mono
Runs on 4x AAA batteries with the option to be powered via USB-C

inputs and outputs

Stereo output
SYNC IN/OUT
TRS-A MIDI IN/OUT
USB-C

Dimensions and weight
240 mm x 176 mm x 16 mm
9.45 in x 6.93 in x 0.63 in
620 g / 22 oz

Electronic specifications

3.5 mm TRRS jacks
Stereo input: 24 bit
SNR: 96 dBA
Impedance: 6.5 kOhm
Analogue gain: 0 - 12 dBmax level: 8 dBu, 2.0 Vrms
Stereo Headphone/Line Output: 24 bit
SNR: 98 dBA
Max level: 5 dBu, 1.4 Vrms

MIDI input
MMA compliant pinout (type A)
opto-coupled

MIDI output:
MMA compliant pinout (type A)
Voltage: 3.3 V

Sync output
TIP: Sync 8th, 16th, 24 PPQN
RING: Start/Stop
Voltage: 3.3 V

Sync input
TIP: Sync 8th, 16th, 24 PPQN
Ring: Start/Stop
Voltage: 3.3 V
Max level: 10 V

Notes: ***B-STOCK: Box opened, product in perfect working order***


Explore malleable sound. Mold, carve, bend.

The S-4 is a sculpting sampler designed to capture and transform sounds. Merging tape-era workflows with cutting-edge technology, the S-4 redefines sound mangling by providing a futuristic platform for crafting unique soundscapes and compositions, using samples and real-time audio processing.

S-4 is a tool made for sonic explorers. It has four parallel stereo tracks, each with an audio engine featuring a chain of audio devices including samplers, live granular processing, morphing resonators, and a range of audio effects. A novel modulation system allows anything and everything to be modulated with four modulators per track. Capture sounds on the fly with the onboard microphone and stereo line input, or load samples from the 4GB internal flash storage.

Use cases

The S-4 is a versatile powerhouse, capable of serving as an effects processor, transformative sound designer, tape machine, live looper, classic sample player, or textural synthesizer.

Tape machine

Capture your surroundings. Use S-4 as a transformative four-track tape machine.

Effect processor

Manipulate live audio, and add colour and textures to your beats, melodies, and sounds

Midi controlled sampler

Hook up a MIDI keyboard or sequencer and use S-4 as a powerful textural synthesizer and sample player.

Audio engine

Push the creative boundaries and transform audio into uncharted depths. S-4 has four parallel stereo tracks, each of which contains a chain of five audio devices tailored to cover specific sonic areas and applications. Create everything from glittering textures to broken soundscapes or evolving synth sounds.

Together, the devices form a playful toolbox for sculpting sample material and live audio.

Material

Stereo tape and sample players with live audio and looping capabilities.

Granular

Live granular processing with time-warping and pitch-shifting algorithms.

Filter

Morphing resonator: 48-band tuned filter bank with animation, tonal control, and classic filter functions.

Colour

Collection of destructive effects including bit crushing, drive, and compression.

Space

Combined reverb and delay with pitch-shifting and shimmer.

Modulation system

Animate and bring life to any parameter using the rich and unique modulation system. Each track has four configurable modulators that can be mapped to any parameter with unlimited mapping destinations. It is even possible to do cross-modulation between modulators. Choose between a range of different modulators from complex LFOs, and generative sequencers to envelopes.

Capture your surroundings

Utilize the built-in microphone to record sounds, sample and loop your external gear with the stereo line input, resample the internal tracks, or effortlessly load samples from the S-4's flash memory or an external drive.

Versatile powerhouse

The S-4 is designed with durable RGB buttons offering tactile feedback and a high-quality 3.5-inch LCD display ensuring all the visual feedback you need. It features USB connectivity for seamless connection to class-compliant devices and effortless file transfers to and from your laptop. Moreover, it can function as an audio interface when you require a simplified setup. You can also expand the number of inputs and outputs by connecting a class-compliant external USB interface.

Technical specifications

Audio engine features

4 parallel stereo audio tracks
Tape player with live looping capabilities
Polyphonic sample player
Live granular processing with time-warping and pitch-shifting algorithms
Morphing resonator (48-band filter bank)
Bit crushing, drive, and compression
Combined reverb and delay with pitch-shifting and shimmer

Modulation features

4 modulators per track
Modulate any parameter of the audio engine
Modulator types:
- Complex LFOs
- Generative sequencing tools
- Envelopes

Hardware

Quad-core 1.5 GHz processor
4 GB flash memory (sample pool)
24-bit / 48 kHz stereo audio in and out

I/O

2 line-inputs
2 line-outputs
Built-in microphone
Stereo headphone output
MIDI in/out
Analog sync in/out
USB-C

Miscellaneous

WiFi - Ableton Link
Class-compliant USB audio interface
Expandable number of inputs/outputs with class-compliant USB interfaces

User Interface

High-resolution LCD colour display, 3.5 inch
21 tactile RGB buttons
9 high-quality endless encoders

Physical

Matte black aluminium casing
Dimensions: 242 x 156 x 39 mm (9.5" x 6.1" x 1.5")
Weight: 820g (1.8 lbs)

Notes: Explore malleable sound. Mold, carve, bend.

The S-4 is a sculpting sampler designed to capture and transform sounds. Merging tape-era workflows with cutting-edge technology, the S-4 redefines sound mangling by providing a futuristic platform for crafting unique soundscapes and compositions, using samples and real-time audio processing.

S-4 is a tool made for sonic explorers. It has four parallel stereo tracks, each with an audio engine featuring a chain of audio devices including samplers, live granular processing, morphing resonators, and a range of audio effects. A novel modulation system allows anything and everything to be modulated with four modulators per track. Capture sounds on the fly with the onboard microphone and stereo line input, or load samples from the 4GB internal flash storage.

Use cases

The S-4 is a versatile powerhouse, capable of serving as an effects processor, transformative sound designer, tape machine, live looper, classic sample player, or textural synthesizer.

Tape machine

Capture your surroundings. Use S-4 as a transformative four-track tape machine.

Effect processor

Manipulate live audio, and add colour and textures to your beats, melodies, and sounds

Midi controlled sampler

Hook up a MIDI keyboard or sequencer and use S-4 as a powerful textural synthesizer and sample player.

Audio engine

Push the creative boundaries and transform audio into uncharted depths. S-4 has four parallel stereo tracks, each of which contains a chain of five audio devices tailored to cover specific sonic areas and applications. Create everything from glittering textures to broken soundscapes or evolving synth sounds.

Together, the devices form a playful toolbox for sculpting sample material and live audio.

Material

Stereo tape and sample players with live audio and looping capabilities.

Granular

Live granular processing with time-warping and pitch-shifting algorithms.

Filter

Morphing resonator: 48-band tuned filter bank with animation, tonal control, and classic filter functions.

Colour

Collection of destructive effects including bit crushing, drive, and compression.

Space

Combined reverb and delay with pitch-shifting and shimmer.

Modulation system

Animate and bring life to any parameter using the rich and unique modulation system. Each track has four configurable modulators that can be mapped to any parameter with unlimited mapping destinations. It is even possible to do cross-modulation between modulators. Choose between a range of different modulators from complex LFOs, and generative sequencers to envelopes.

Capture your surroundings

Utilize the built-in microphone to record sounds, sample and loop your external gear with the stereo line input, resample the internal tracks, or effortlessly load samples from the S-4's flash memory or an external drive.

Versatile powerhouse

The S-4 is designed with durable RGB buttons offering tactile feedback and a high-quality 3.5-inch LCD display ensuring all the visual feedback you need. It features USB connectivity for seamless connection to class-compliant devices and effortless file transfers to and from your laptop. Moreover, it can function as an audio interface when you require a simplified setup. You can also expand the number of inputs and outputs by connecting a class-compliant external USB interface.

Technical specifications

Audio engine features

4 parallel stereo audio tracks
Tape player with live looping capabilities
Polyphonic sample player
Live granular processing with time-warping and pitch-shifting algorithms
Morphing resonator (48-band filter bank)
Bit crushing, drive, and compression
Combined reverb and delay with pitch-shifting and shimmer

Modulation features

4 modulators per track
Modulate any parameter of the audio engine
Modulator types:
- Complex LFOs
- Generative sequencing tools
- Envelopes

Hardware

Quad-core 1.5 GHz processor
4 GB flash memory (sample pool)
24-bit / 48 kHz stereo audio in and out

I/O

2 line-inputs
2 line-outputs
Built-in microphone
Stereo headphone output
MIDI in/out
Analog sync in/out
USB-C

Miscellaneous

WiFi - Ableton Link
Class-compliant USB audio interface
Expandable number of inputs/outputs with class-compliant USB interfaces

User Interface

High-resolution LCD colour display, 3.5 inch
21 tactile RGB buttons
9 high-quality endless encoders

Physical

Matte black aluminium casing
Dimensions: 242 x 156 x 39 mm (9.5" x 6.1" x 1.5")
Weight: 820g (1.8 lbs)