Back catalogue: Deep House

Review: Soul Supreme is a master keyboardist best known for his covers of classic hip-hop songs by the likes of Mos Def, MF Doom and A Tribe Called Quest. Here side-steps his covers duties to handle remix productions for two of his contemporaries in the Netherlands neo-soul scene - Gallowstreet, LYMA, Shamis and Rebiere. The A side lends a wonky future house feel (a-la GoldLink, Crackazat) to '52 North', Gallowstreet's ode to the city of Amsterdam. The B tune strips it back to a lo-fi soul bapper, fleshing out its theme of loneliness in parenting.

Review: It's difficult to imagine an entire genre of music taking revenge, not least since it begs the question as to what object or upon whom vengeance is being taken. Confusingly but endearingly still, Gusto's 'Disco's Revenge' from 1995 is actually more caught between UK funky house and speed garage than anything resembling disco. But we could happily entertain the idea that the former two genres are simply more strident variations on the many-faced humours of 4x4 dance music. It makes sense, since it's hard to imagine any essential disco song soundtracking a brawl or secret vindictive plot. First released on Bumble Beats Records, 'Disco's Revenge' was funky enough to attract multiple reworks even back then, and this is apparently still going strong, with Kiss Klassics' new reissue apposing the original revenge plot with one rework and one original from producer Sam Tweaks. Whatever kind of revenge Gusto initially hoped to enact, we can say with certainty that it's not the best, cold kind; since both renditions by Tweaks are hot as hell.

Review: New Omar S on FXHE this week and it's the deep, super sultry basement jam that is 'Evergreen' featuring some irresistible vocals again by fellow Detoiter Supercoolwicked, who you may remember from last year's 'What's Good For The Goose'. They increase the pressure a bit more on the B side cut 'Heaven Knows', a late night dub that's perfect for those heads down moments on the dancefloor.

Review: BBE is the kind of label you can trust with any kind of reissue project, and when they call upon DJ Spinna and Kai Alce to look back over the foundations of house music, you know you're about to get a masterclass. This intermittent series has seen the two US DJ/producers picking through seminal house joints, editing the most crucial mixes to fit on a 7" as a neatly presented series for anyone wanting to point out exactly what house music really is. This time around they've turned to Sandee's 'Notice Me' - a Latin house joint from 1988 which rocked clubs like Tunnel and Palladium in NYC and Riviera in Chicago upon its original release.

Review: Serge Funk lies on the intersection of ironic future funk and straight-up clean disco edits, having made a recent name for himself as a wonderkid for disco- and funky-house versions. A re-editor for the diggers as opposed to the bait heads, 'You & I' and 'Yeah Yeah' are utter bangers devoid of much relation to their originals (indeed, there's no way of telling what the samples are without a record buyers' knowledge), in large part thanks to their working into beat-centric structures that drown out the vocals in favour of kick slappage and gut-punchage. Rhythm over theme; keeping things vibey, felt.

Review: This 7" record from SNIPS delivers two summer dancefloor gems perfect for hip-hop heads. On Side-1.
'A Spread Called Quest' is a downtempo, jazz-fused instrumental packed with great samples from the legendary A Tribe Called Quest, creating a nostalgic yet fresh vibe. For Side-2, 'Kool Summer' offers a house track featuring the classic 'Summertime' sample, famously popularised by Will Smith's 1991 hit of the same name. This track brings a smooth, laid-back groove, making it an essential addition to any summer playlist. With its blend of jazz, hip-hop and house, A Spread Called Quest is a great example of the 45 community thriving with rare and classy urban gems.

Review: Snips is back with a bang on his own label Barbershop Records. This time out he offers up the fresh Nebuer EP which is a project undertaken in which he mixes up sample-heavy house and hip-hop sounds, all in a style with which he has become closely associated. The artist has recently become a father for the first time and so that life event was a big influence on this studio work and each makes a specific reference to the different steps on his journey into fatherhood. That makes this a truly personal work but also one that never forgets the club and so the beats remain heavy, compelling, and packed with soulful flourishes.

Review: The visionary electronic explorer that is Steve Spacek returns with a limited edition 7" release on his new label, SPA. It gets the full treatment with a full picture sleeve and he says there are no plans for a repress so this is your one and only chance to own SPA001. Opener 'Could It Be Your Luv' offers a gentle, soothing half-time rhythm that evokes a love bruk vibe that he says was inspired by the ethereal nights at the legendary Plastic People. The B-side cut 'Dancing In The Light' features a unique clippety-clop, horse-step rhythm that blends a futuristic lovers' rock style with bright synths and bold bass topped with a heartfelt vocal. It's designed for dancefloors that appreciate a one-foot skank.

Review: Yet another record in our recent deluge of Italian disco rarities, this one comes from the trusted tastemakers over at Disco Segreta. Spazio Vitale, an 8-piece band from Genoa, originally released this space-age split single to flaunt their instrumental and synth chops in the realm of disco, making heavy use of niche gear like th Eminent 210 Unique and Clavinet Hohner D6. This 7" reissue shines a light on the Genoa scene at the time, important as a bastion of experimental disco.

Review: JKriv's classic Bukom Mashie Rework gets a deluxe revival in a delectable 7-inch package having long been hard to find if not out of print entirely. And now what's more it also features a fresh acid dub. The original eight minute opus has been expertly trimmed for a streamlined A-side stomper, while the B-side showcases a brand-new version with a reimagined arrangement. This edition is embellished with vibrant 303 acid lines and live flute by the talented Domenica from Underground System all of which ensure that it is sure to become a big summer anthem once more in 2024.