Review: That man Glenn Underground is back with more of his masterful melodic house workouts as GU aka CVO. 'Jack & The Madman' goes super deep with moody drums wired up with burrowing, melancholic synths and time-keeping hi-hats. 'Nutso Jack' lands with some tribal drum heft and a melange of percussive details and wispy synths while 'Acid Disco (Supadisco)' is a woozy ste night exploration of jazzy keys and solar pads with soft cid lines weaving their way in and out of the beats. It's timeless and fresh once again from this Chicago mainstay.
Review: Glenn Underground has been living and breathing and shaping Chicago house music for as long as we can remember. His GU Classics label is a place where he drops his own edits of special talks from across the years and many different styles. This latest edition starts with him playing keys on Ingram's starring jazz-funk-disco banger 'Music Has The Power.' After that comes James Brown's 'Take Me Higher' with some club-ready drums extended for modern floors. Last of all is a subtle rework of Meco's super vibey and percussive, chord-laced and swinging 'Cantina Boogie.'
Review: It's worth noting this is a pretty impressive 125th EP from the Bristol label Shall Not Fade. The shine has not come off this always eclectic label in that time and next up to move things on is the dream team pairing of Lawrence J and J Peacock. 'Too Far To Come Back' opens up with some celebratory Daft Punk-style, hands-in-the-air and festival-sized house. 'Everything I've Got' keeps it a little deeper but filter synths still take centre stage with a balmy twist and 'Brother John' slows to heavy beatdown house with rapturous chords and vocals all swirling around to great and uplifting effect.
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