Review: It may have taken the best part of six months, but Glenn Underground has finally delivered his first new music of 2020. The Chicago house legend is in fine form on "Shake That Body", a warm and jazzy chunk of deep house/disco fusion rich in tasty instrumentation and topped off by a fine female lead vocal courtesy of newcomer T.H.I.C.K. It's accompanied on the A-side by the superb "Dubbl" version, which sees Glenn Underground strip the track back to a killer dub disco groove before bringing back the keys, acoustic guitars, spacey synths and snippets of T.H.I.C.K's vocal. Over on the flip you'll find a seductive "Remix" that subtly moves the track closer to deep, soulful house territory.
Now That I Got To Know You (instrumental dub) (8:22)
Review: The honeyed, effortlessly soulful vocals of Reggie Hall have been a feature of Chicago house since the late 1980s, when he appeared on a Dance Mania release by Victor Romeo. He's released plenty of music since then, though this hook-up with Glenn Underground - who produced the music - and fellow house veteran Byron Stingily (who provided backing vocals) is still his first outing for almost 12 years. The A-side full vocal version is simply superb, with Hall's superb, impassioned, gospel-inspired vocals riding a bouncy, Osunlade style groove, jazzy guitars, sustained church organ chords and all manner of intricate musical details. Glenn Underground dons the CVO alias to deliver a slightly tougher, more groove-driven B-side "Dub" that nevertheless includes plenty of sun-bright musical warmth.
Review: Boo Williams may release far less music than he once did, but every 12" he releases retains the same high quality threshold that has long marked out the Chicagoan's work. This two-tracker is a brilliant example. Both tracks are ear pleasing, musically rich and dancefloor focused, offering a near perfect balance between club-ready grunt and emotion-rich tunefulness. A-side "Out of the Gate" sets the tone, with Williams' layering chiming melodies lines and dreamy chord progressions atop a near techno tempo, bass-heavy house groove. On the B-side, he pays tribute to long time pal and occasional studio buddy Glenn Underground via the tumbling synthesizer chords, bubby acid lines, melancholic flourishes and jacking drums of "Reckless Ending".
Review: Chicago veteran Boo Williams made his first appearance on Glenn Underground's Strictly Jaz Unit Muzic label way back in 2008. Surprisingly, this is the prolific producer's first appearance on the imprint since 2009. "The Big Score" was worth waiting for. The track, nestled on the A-side, sees Williams lace a snaking saxophone line and "Inner City Blues" style pianos over a bongo-rich, densely layered deep house drums. It subtly builds throughout, with the thrilling sax solo increasing in intensity as the track progresses. On the flip, Glenn Underground offers his own 'Reprise' interpretation, ratcheting each of the elements up a notch and putting further emphasis on the piano parts.