Nathan Haines - "U See That" (feat Vanessa Freeman & Marcus Begg - Atjazz Love Soul mix) (5:12)
The Realm x Atjazz x Kelli Sae - "On The Road" (vocal mix) (7:58)
Review: Back ion 2021, the relaunched Foliage Records imprint offered up a killer mix from NYC house legends Mood II Swing, the must-check Deep Rooted. Soon, the revitalised label will release a sequel, with long-serving British deep house don Atjazz at the helm. This sampler EP boasts six of the highlights from that set - all remixed and reworked by Atjazz himself. There's much to enjoy throughout, from the tense, slowly building deep-tech shuffle of Halo''s 'Glorty (Atjazz Galaxy Art Remix)'and the sun-splashed 6am bounce of Atjazz's remix of Dominique Fils-Aime's gorgeous 'Sun Rise', to the dreamy dancefloor wooziness of Ralf GUM's 'AWA' (re-imagined by Atjazz as an Osunlade-esque spiritual house workout) and the jazzy, bass-guitar-propelled broken house excellence of 'On The Road (Vocal Mix)', a three-way collab between Atjazz, Kelli Sae and The Realm.
Crackazat - "Can't Blame A Soul" (Mana dub) (5:51)
Beatsbyhand - "SARS" (6:24)
Review: Kid Fonque presents the sixth instalment of his label Stay True Sounds' compilation series. Showcasing the best of South Africa's dynamic musical talents, this 15-track volume of intense deep house and Afro house cuts is not to be passed over. Highlights on this 12" sampler edition of the wider comp include 'We R 1', a technologically driven, syncopated, trippy Kalahari jam by China Charmeleon and Hypaphonik; and 'SARS' by Beatsbyhand, a hollering ambient amapiano mystery.
Review: The third edition in Ten Lovers' Coin series hears Marcello Cassanelli, Caruso and Helen McCormack fuse churnout disco, chicken pickin' guitar and Rhodes solos, in an extravaganza of fresh, sartorial dance music. Never pressing too hard, Cassenelli's 'Starlight' and 'Tropical Breeze' go easy on the master channel, with unhurried pan flutes, roiling strings and twizzling G-synths stuck loosely to a soft but firm electro-tropical backbeat. 'Dream Horizon' is a brilliant outerlude on which to close the side. On the flip, Caruso & Helen McCormack allude equally to the Manchester Street Soul scene of the late 80s with 'Have & Hold', whose razor-edge r&b vocals and low-slung progression lend the record a surprise twist. Their 'Love You More', meanwhile is lushness personified, before Caruso's 'Central' chugs magnficently towards the run out groove with oozing synths and glitterball glamour.
Review: Charlie Charlie's 'Save Us' is a track brimming with raw emotion, and Mondag's remix feels like a perfect counterpart, bringing a subtle touch of melancholy with its soft saxophone solo. The track maintains its weight, but Mondag's approach gives it a dream-like quality, coaxing out the depths of its aching beauty. Bella Boo's edit brings a noticeable shift, tightening the rhythms and infusing the track with a sharper energy, but it never loses the soul of the original. Gerd Janson, meanwhile, offers an ambient version that feels like an entirely different experience - less immediate, but no less absorbing. On the other side, Hypernatural's remixes expand on the dreamlike, almost otherworldly feeling of the originals. Knightlife's take on 'Spirit Walk' stretches the song's already fluid nature, making it feel weightless, while Gerd Janson's remix of 'Stormfront' adds a darker, more reflective mood.
Review: The Distorsion camp offers up its first sampler as a way of teasing you with the sort of quality sounds and artists it has on its roster. First up is a three-way collab between Citybox, Hankook & Orebeat whose 'Dangerous Changes' is an intense breakbeat workout for the peak time. Orebeat & Alex Clubbers keep the energy levels high and inject early 00s video-game style synths, Orebeat & Citybox keep it dark and raw with 'Gangsta' and Orebeat & JottaFrank laced up their thrilling breaks with acid lines and sleazy vocals on "Noche De Paris.' This is potent stuff for strobe-lit floors.
Review: The debut release in a new EP series from Bordeaux's Monomoods label, ordained for nu-disco and Italo disco lovers. The label call on four resident producers - Doctr, Brian Ring, Astore, and Hysteric - to each deploy their very own dancefloor finesser here. Ensuring maximum satisfaction at a near constant drip-fed rate, 'Boxer' and 'Open Secret' bring us nonstop synthy, glam-glittered gusto; the latter track is special indeed, and a highlight of ours. The feeling of pure glee is tossed asunder by the B-side, however, with 'Mandarin Energy' bringing profound chord-data to an anomalistically expansive mood, and 'Adventure' fitting perfectly as the lighter, but still heavy, gated-snared Italowave number of eclectic choice.
Review: Fabio Caria launches his new label, Hoops, as a means to explore the intersection of house and techno through a minimalist lens. The debut release is a collaboration with Hubble under the moniker Fabble and it's a fine one with three meticulously crafted tracks that manage to perfectly balance compelling rhythms with plenty of synth-based introspection. 'Catharsis' introduces a three-note Rhodes piano sequence with flowing pads and psychedelic synths and 'Donald' offers a steady 4/4 beat with sombre pads and powerful sub-bass. 'Persignis' with Italian legend Claudio PRC is the most dancefloor-driven with processed pianos creating an emotional mood and in all, this EP sets a nice high watermark for the Hoops label.
Review: Corsican label Isula Science drop a fresh brooder of previously unknown electro knowns, this time from label founder Flash FM alongside HDV, Sweely and Man/ipulate. Spanning vertiginous dark acid, then moving on through to dreamatic neon breakbeat and expedient Italo - 'Vol de nuit' especially makes signature use of a classic slap bass synth - they've got us entirely covered here. Enticing bumps in the night from the exquisitors.
Review: Grenoble DJ and producer The Hacker, known for his dataphile dark trance excursions, teams up with newcomer Endrik Schroeder for a full-blown creative grand slam, 'Puissance 4', betraying decades' worth learnedness in the knob-twiddling manual arts. The title track here builds from a classic beat into a euphoric hoover-rave crescendo - luring dancers in with hypnotic acid textural decoys - but then finds mercy on said prey, giving the dance what it needs: a rave riff on loan from heaven. 'The Voyagers' contrasts with an 808 soul slapper, its sensuality and understated heavenliness recalling obscure 7th Plain releases.
Review: Big Love's popular compilation-style A Touch Of Love series returns for a sixth instalment, with boss man Seamus Haji once again showcasing a quartet of tried-and-tested treats. Fittingly, he kicks things off with 'Serious', a kind of hbrid heavy garage-house/disco house affair featuring organ solos aplenty and vocals from Chicago legend Mike Dunn, before Moon Boots joins the dots between sweet 80s soul and nu-disco on the synth-powered vocal number 'In My Life'. Heavy, French Touch-inspired disco-house vibes are provided by DJ Fudge ('Escapade'), before Dutch rising star Danou P - with a little help from pal Jamie 3:26 on vocals - delivers the organ rich deep house/garage-house fusion of 'Fly'.
Review: After a low-key but high-quality outing on a white label project via Delsin, Spanish artist Annie Hall now makes a full appearance on the legendary Dutch label. This EP reflects her eclectic take on electronica, IDM and electro, as well as betraying a love of Detroit-inspired atmospheres. 'Divergent Thinker' journeys at pace on jittery broken beats with reflective cosmic keys and balmy pads. 'Managing Nothing' is a little more anxious and unsettling, but with lovely bendy synth lines and intricate drum programming and 'Ability To Multitask' then ups the ante with some snappy broken beats and gorgeous melodies. 'Practical Optimism' shuts down with rubbery, elastic bass and future-facing vibes.
Makez - "Train To Saturn" (feat Dwayne Franklin & NPO303) (6:41)
Basic Soul Unit - "Souljourn" (7:23)
Hubie Davsion - "Entno" (4:23)
Review: On Demuja's label Blueprint comes an milestone six-track EP made up of breezy, ultraviolet house tunes, celebrating the imprint's tenth anniversary in the form of a bite-sized sampler referencing a wider compliation LP. With both familiar and fresh faces in tow, we're gripped by the selection on offer: Hall's synthetic glam-funk jam opens proceedings with whistly synths, while Makez' 'Train To Saturn' accelerates towards ever-faster ends, and Basic Soul Unit's 'Souljourn' takes the B's cake with knocky, tactile *perpetuum mobile*.
Review: Yaleesa Hall wastes no time setting the tone on this Timedance release, delivering a weighty fusion of UKG, electro and sub-heavy pressure. Opener 'Halfway Gone' lurches forward with a heady mix of swung percussion and cavernous bass, its tension building like a slow-motion collision. 'Light Headed' dials up the energy, its restless breakbeat patterns and distorted low-end hitting with unrelenting force. On the flip, 'Voices' leans into dubbed-out textures, letting ghostly vocal snippets drift through the haze as tightly coiled rhythms keep the pulse locked. Closer 'Still Here' brings the release full circle, with fractured beats and rumbling sub-bass weaving together in a hypnotic finale. It's a bold statement from Yaleesa Hallione that feels tailor-made for dancefloors that thrive on weight and space in equal measure.
Review: Zurich's Project Indigo imprint has admirable aims, with the proceeds from the sales of all its singles going to reforestation initiatives around the world. It helps, of course, that the material they release is usually on-point and undeniably enjoyable. That's certainly the case with this four-tracker, a label-debut from rising star Hame. The producer's previous releases have frequently blurred the boundaries between electronic and acoustic sounds, as well as tech-house, deep house and more besides. There's a similar approach here, with the spacey, loose-limbed deep tech-house dreaminess of 'Everyday' being joined by the ethereal deep house melancholia of 'Hope', the enveloping, lo-fi electro beauty of 'Lo-Fi' and the bona fide early morning deep dancefloor hypnotism of 'Stick Together'.
Review: New York label HandsOnWax are said to confer to the digging DJ strange bouts of alien hand syndrome: when confronted with any one release, we simply cannot keep our hands off, no matter how much conscious control is exercised! Here the label clutches its fourth release with a tightly honed set of four house tracks built for peak functionality; each cut on number four is manually engineered for clean arrangements, tough low-end and sharp rhythmic details calibrated for optimum mix pressure. No pressure! That being said, we don't know the artist behind this one, only that 'Rumor Mill' and 'What A Dayb' are creamy, broken jazz come post-bassy club incursions, well worthy of consideration in themselves, not for the charismatic aura of person that made them.
Review: Handsonwax top up their esteemed repertoire with another four tracks added to their anonymous white labels series. 'Volume 3' continues the elusive label's preference for cheesy breaks lent to classic dance music motifs, leading the charge with a whomping breakstep version of Max Romeo's 'Chase The Devil', followed by a blissful dub techno excursion. The B-side rerubs Moodymann to delicious ends, while the star of the bunch reworks a rework; that is, Herbert's snappy version of Louie Austen's 'Hoping', except this time it's lent a swath of extra soulful house ornamentations.
Review: If we had a pound for every hush-hush Sade remix or re-edit we'd heard over the years, we'd likely have enough to fund a night out - or at least a light lunch at an overpriced London restaurant. This one comes from - surprise, surprise - a mystery artist, on the freshly minted Illegal Paris rework imprint. It sees our shadowy hero give his, her or their take on 1984's 'Hang On To Your Love', re-framing the classic cut as a smooth, subtly nu-disco tinged slab of warming deep house excellence built around a rising and falling bassline, crunchy drums and tech-house tinged electronic flourishes. The superb full vocal A-side version comes accompanied by a dancefloor dub style 'instrumental'. This features occasional vocal snippets and loads more spacey synth sounds.
Review: Warren 'Hanna' Harris, the multi-talented producer and instrumentalist from Cleveland, returns to Vibes And Pepper with a five-track EP of sophisticated and soulful sounds. The A-side features two previously released gems, 'Omnipotence' and 'The Dark', both timeless examples of Harris's ability to craft intricate arrangements that meld future jazz, broken beat and deep house influences, while the B-side unveils three previously unreleased tracks, highlighting his deft hand in manipulating sound, creating a landscape of unconventional sounds and structures. 'His Eyes (Detroit Remix)' is a standout, its mesmerising groove and soulful melodies take us to the heart of Motor City, while 'Menace' takes a darker turn, its brooding bassline and haunting chords evoking a disquieting aura of suspense and mystery. 'Spirit Logical' closes the EP with a flourish, its uplifting melodies and intricate rhythms again highlighting Harris's masterful production skills.
Review: Dark Knite renegade Hannibal Selector returns with a broad bounty of militant steppery. 'What A Shame' is a gritty tech step number that's reminiscent of Dom & Roland around the 'Cant Punish Me' era. 'End Of All' meanwhile is more a whole warehouse of chainsaws being let off at the same time, then sped up by some type of dark d&b sorcery. Finally 'Necrodancer' closes on more of a sinister bone rattler flex. Hard, acidic but still bouncy. What an EP.
Review: Venerated veteran Len Faki is the man behind the Hardspace alias and label and it is one he uses to serve up personal edits of his own cuts and favourite classics, all for use in his own DJ sets. This time out he exhibits his meticulous approach by re-tooling two Dubspeeka cuts into pulsing, linear yet atmospheric weapons. On the flip come two different versions of Fanon Flowers's 'Chicago-Detroit' and both are acidic, jacked-up tools for locking floors into a late-night march.
Review: At the start of the COVID-19 shutdown, Rob Hart and David A. Tobin were writing music for an artist's project. When the artist left, they found themselves reflecting not on lost work but on their shared love for music. Their conversation turned to the 90s-a time when hip-hop fused with funk and soul, promoting fun, parties and unity. Inspired by this, Rob created a sound palette echoing the hits of the early 80s and 90s, while David envisioned a local club vibe. In one day, they crafted this song with infectious hooks, nostalgic beats and joyful energy. Rob's production polished the track into a "hands-in-the-air" anthem-a tribute to good times and a beacon of positivity in dark times.
Review: A record that explores deep, hypnotic rhythms with a strong tribal and mystical undercurrent, the latest Siamese Twins records pushes the boundaries of what is possibly in eastern influences underground techno. Side-1 opens with 'The Golden Triangle', an atmospheric introduction that feels cinematic, setting the stage with ambient textures before giving way to movement. 'Lens of Time' follows, locking into a deep, primal groove where rolling percussion and rich low-end create an entrancing effect. On Side-2 'Mekong' leans into tribal mysticism, blending ancient rhythmic patterns with a modern pulse. The production is detailed yet raw, drawing from rich percussive layers. 'Ruak' closes the EP with pulsating bass and deep, rolling rhythms, channeling Eastern influences into a hypnotic techno flow. A powerful release from Siamese Twins Records, driven by Sunju Hargun's distinct vision.
Review: Deep Jungle has always dealt in sounds that hark back to the golden era of the mid 90s, whether they are carefully chosen reissues, forgotten rarities or new releases. This time it is bossman Harmony who steps out with his version of things starting with the epic 'Now Massive' which is a hefty amen number with ragga vocals and love retro Reese bass. Flo over this one and you will find 'Ohh Baby' which although is decidedly more laid back, the heavy rolling breaks never let up and keep you moving physically and emotionally. Two more essential and timeless sounds from this jungle powerhouse.
Review: Deep Jungle bossman Harmony gets busy once again and it's a tale of two bangers. 'Hold It' goes in with the swagger and a hardcore energy. There's a big drive to the breakdown where everything melts into bliss. Need something deep for the weekend? Get your listening gear around 'Star Chaser'. Twinkling flutes, shimming synths, gentle vocal textures. Think Seba and you're in the right cosmos.
Review: Pow! Here's that quadruple espresso shot you wanted to kickstart your 2025 with. High energy, full tension drummage from Deep Jungle bossman Harmony, each of these cuts is guaranteed to wake you up. 'You Got' smacks hard with heavy hitting break wallops and classic vocal samples, 'You Got It hits with more rolling intensity and more iconic vocal textures while 'Transit' is more of a steppy, Krust-flavoured bumper. Keep it moving.
Review: Brighton-based producer Pierson brings a refreshing diversity to his deep house and disco house offerings, blending multiple influences with an ease that keeps his tracks exciting and unpredictable. 'Forget It Mate' starts off with a slow groove that feels like a nostalgic nod to vintage deep house, but it's much moreithis track is a skillful blend of old-school vibes and modern energy. It seamlessly moves between different styles, creating a dynamic and infectious vibe. 'Mr Miami' follows with a lively piano-driven melody, uplifting the listener with its ambient house feel, where lush chords and smooth transitions create a feel-good atmosphere. On Side-2, 'Spank Dat' is a funky standout. With its rich groove and rare disco aura, it's a killer track for any dancefloor, offering a unique fusion of genres. Finally, 'Just No!' dives into a tribal, electro-driven territory. Its organic yet robotic funk takes on an 80s electro feel, offering a quirky, dynamic sound that pushes boundaries. This EP delivers something for everyone, effortlessly blending styles while staying rooted in deep, groove-driven house. A true example of the producer's range and creativity.
Review: How is it that this EP from Warren Harris, aka the deep house maestro Hanna, is now 20 years old but still sounds like tomorrow music? Such is the vision of Harris that his off-grid grooves and sparkling cosmic melodies have aged to perfection. The pads weave in and out of the wonky kicks on 'Metropolitan' to make for an outlier soul sound. 'Cottage' pairs more wispy melodies with cool-as-you-like drums and on 'Healing' there is a sunny day feel with glistening and golden keys and louche drums persuading you to sway. 'Afternoon In Paris (NY mix)' brings some swaggering jazzy swing and busy keys work that again transcends space and time. This is one of the many classics on Theo Parrish's Soul Signature label.
Review: Den Harrow is famed amongst the heads for his Italo disco classics like 'Overpower,' 'Future Brain' and 'Bad Boy' and he recently returned with the new release 'Always.' Frontman Stefano Zandri, whose charisma and dance moves helped propel Den Harrow to chart-topping fame, once again takes centre stage in the original, and this waxy instalment sees producers Eddy Mi Ami and Mark Hoogkamer deliver their unique remix styles. They both breathe fresh life into the iconic project and offer cuts packed with dancefloor-ready energy and undeniable Italo charm. As such, 'Always' is one of those you are going to be reaching for time and time again.
Review: Casper Hastings is neither a ghost nor from Hastings. He is an electronic innovator from Ireland who has built up a fine catalogue on the likes of TXTRL and Sticky Ground. He is back on the Yin Yang label here with another high class assault that draws on electro, jungle and techno. Opener 'Tangerine Meme' sets the scene with crisp drum programming and snappy drum breaks underpinned by warped acid. 'Reaper' is as menacing as the title suggests with more direct, punchy electro and Peder Mannerfelt flips it into a surging wall of techno. 'Ruthless Romance's a devastating edge of breaks-driven jungle and 'Good Medicine' has bleeping synths over wobbly low ends and caustic drum funk.
Review: Hauff's highly anticipated debut on Tresor, and it's as strikingly original as you'd expect. The title track, 'Multiplying My Absurdities', opens with a slow build of magnetic synths and acid drops that seem to pulsate with playful skepticism. It's simple yet gripping, pulling you into a dark, hypnotic space where the unexpected becomes beautiful. 'Punks in the Gym' takes the energy up a notch, drawing inspiration from a notorious Australian climbing route. The track climbs relentlessly, each bar steeper than the last, with 303-driven tremors building into a volcanic eruption of sound. It's a relentless ride that doesn't let up, pushing you to the limits. Closing out the release, 'Humanoid Fruit' ventures even deeper into the unknown. Its prehistoric soundscape, full of sharp synth bursts, feels like a chaotic journey through ancient lands where acid rain falls from the sky. Dark, eerie and transporting, this track leaves a lasting impression.
Review: Purple Print Records Compilation 3 is a rich exploration of minimal and tech house, bringing unique textures and groovy rhythms to the forefront. Side-1 opens with He Did's 'Mientras Tanto', a fun and infectious groove. The track's deep, rolling bassline and lively percussion make it an instant mood-setter. Following is DeWaal's 'Iceshade', a bouncy, upbeat track that balances playful energy with a steady, deep tech groove. Side-2 moves further into introspective territory with Raz's 'Rora', a smooth and melodic track that drifts along effortlessly, blending subtle harmony with a deeper bassline. Yama Music's 'In My Space' rounds out the collection with a broken beat approach, delivering techy, spacious vibes that add depth and variety to the mix. Altogether, this compilation is a refined showcase of tech house cuts that'll resonate with dancefloor times.
Review: SQNC's debut release on Sequence Records delivers an electrifying clash of styles. Hearthug's playful energy opens the A-side with 'Beep Blump Beep (Sex Mix)', a bouncy track that effortlessly commands the dancefloor. 'Moonrush (Original Mix)' follows, taking a more acidic approach while maintaining that signature groove that's undeniably infectious. On the B-side, Cybercafe - Adam Dirk'heim's brainchild - establishes its cybernetic identity. 'Hyperdrive' is an immersive experience with deep kicks and distorted synths, creating a pulsating rhythm that draws listeners in. 'Katorza' takes things further with a retro-futuristic edge, adding a hypnotic energy that makes it perfect for late-night sets. It's a dynamic fusion of playfulness and intensity, showcasing the unique approaches of both artists while setting the tone for Sequence Records' future. This release is full of depth and dancefloor potential, marking the start of something exciting for the label.
Review: Milton Henry was a key figure at Wackie's in the early 80s and he left behind a legacy anchored by his acclaimed album Who Do You Think I Am?. Now, a long-overdue single release celebrates his work anew for both those who have always known and fresher ears keen to get a taste of his early authenticity. The A-side features a standout track from the album in its previously unreleased single mix and it is paired with a never-before-heard dub version. On the B-side, a fresh 2024 remix of Henry's mid-80s tune 'Make It Right' makes its mark, having originally featured on the Digital Dawn compilation. Wackie's producer Lloyd Barnes revisited the track and added a powerful horn line from Jerry Johnson, who also shines in the instrumental dub that follows.
Review: A five-track EP of pure dancefloor bangers from Hermeth, the enigmatic Valencian-raised, Swiss-based artist. It's a potent blend of breakbeat, techno, house and dubstep, showcasing Hermeth's signature sound - a dynamic fusion of styles that defies categorisation. Tracks like 'Bababoy' and 'Fvck War' are guaranteed to ignite dancefloors with their infectious energy and pulsating rhythms, while '10Min' and 'P*ta Que Pariu' delve into deeper, more hypnotic territories. The EP also features a remix from Ben Pest, adding another dimension to Hermeth's already captivating sound, and with its blend of saturated breaks and ghetto vibes, this release is a must-have for those who like their music raw, energetic and undeniably funky.
Review: After a top first appearance in the series, Dutchman Tammo Hesselink returns to the Mantis project with another deep, immersive release full of his signature hi-fidelity sound design and meticulous drum patterns. Blending dub's echo-laden atmospheres with industrial percussion and the sparse textures of minimalism, his sound design is as distinctive as ever as once again, rather than relying on melody, he sculpts emotion and intensity through texture, space and rhythm. Metallic hits and reverberant effects create a physical, tactile experience that is both abstract and structured, designed for powerful sound system delivery while rewarding close listening. Hesselink offers a cerebral yet visceral trip here.
Review: HI-LO, the darker techno alias of Oliver Heldens, is no stranger to the techno world, having already established himself on Adam Beyer's Drumcode label. His latest collaboration with LUSU on the track 'DIZZY' is an electrifying take on hyperactive techno, blending frenetic percussion with driving synths. The track's use of a pitch-shifted vocal sample from Game's 'U Turn Me On' adds an extra layer of playfulness, yet the bassline ensures it stays grounded. The EP's second track, 'Mesmerize', offers a more emotional depth, with its Moroder-inspired bass and jazzy melodies carrying the track forward while keeping it high-energy.
Funk O Mart (feat Chubb Rock - Smoove remix) (4:25)
B Boy Document 25 (Suckaside remix) (4:02)
Review: Operant since 2006 as wonder-purveyors of everything funk and soul come battle breaks, Wack Records share their latest 7", a smattering of hip-hop flips met by the heated hands of resident producers Smoove and Suckaside. This time brought to two Philly-to-NYC hip-hop originals first laid down by the top-reg duo The High & Mighty (Mr. Eon and DJ Mighty Mi), Smoove and Suckaside first let the crackles and licks hang loose for a debauched drama on the A, before a tighter groove opens up further on the B-side's 'B Boy Document 25'.
Review: Some labels deal only in pristine soul legitness - and Celestial Echo are one such set of aesthetes. A reissues label, Celestial Echo focuses on modern soul and boogie, and is curated by Miche (Michael Davies) and Stu Clark. Following three impressively chosen sonic chrisms, all reissued in 2024 - releases by Glenda McLeod, Brutal Force and Winfield Parker - comes this fourth foray into one of the best-loved and perhaps only publicly known tunes by the obscure boogie singer Lisa Hill: 'I Am On The Real Side'. New York's Qit Records were the original purveyors of this track, though its initial obscurity is so baffling to us that we'd guess some case of derelict nobility was at play here; either that, or there was just this much amazing soul music being made in the big city at the time! Here, Hill proclaims her place on the right side of love, with a lyrical emphasis on the object of her passions proving themself to her before she submits.
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