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Review: Two years on from the release of her acclaimed mixtape-style full length debut, What We Draw, Kathy Yaeji Lee returns to XL Recordings with her debut studio album With a Hammer. Conceived (lyrically at least) as an examination of the singer-songwriter-producer's relationship with anger, the album sees Lee expand on her house/hyper-pop-influenced trademark sound via nods to trip-hop, rock, drum & bass and more, with the addition of - for the first time in her career - live instrumentation. Of course, amongst the musical tweaks and collaborations (Lorraine James, Nourished By Time, K Wata and Enganet all feature), there are still plenty of nods to her pop-leaning productions of old, not least bi-lingual vocals (she often sings in Korean as well as English) and a sense of sonic style that has always been one of the aural hallmarks of Lee's work.
… Read more in stock $10.17
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Cat: LFMCD 695. Rel: 25 May 23
Rock
Review: It's been 17 years since we were last treated to a live album from Neil Young and Crazy Horse, and that was a recording of a legendary performance at Filimore East from 1970. This set, which features the band's later line-up, was recorded on the main stage at the Phoenix Festival (remember that) back in 1996 and first broadcast on UK radio shortly afterwards. It's a typically dynamic performance, captured with full crowd reaction for added atmosphere, with the legendary Canadian-American musician and his band-mates laying down terrific versions of favourites including 'Heart of Gold', 'Rockin' In The Free World', 'Cinnamon Girl' and 'Like a Hurricane'.
… Read more in stock $10.95
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Review: Brandee Younger has always been a unique artist: a harpist who frequently utilises the instrument in a wide variety of (sometimes surprising) musical contexts and whose impressive CV also includes work with hip-hop luminaries such as Common and Ryan Leslie. On her fifth solo album, and second for Impulse!, Younger continues this adventurous but highly entertaining approach, offering up a mixture of original compositions and Dorothy Ashby covers that frequently draws influence from hip-hop, smooth jazz, modern soul and fusion. Highlights are plentiful, with our picks including the luscious, harp-laden soul head-nod of 'Brand New Life' (where Mumu Fresh delivers a sublime lead vocal), Pete Rock hook-up 'Livin' And Lovin' In My Own Way', and the duelling harp and vibraphone solos of the vintage Roy Ayers-inspired goodness of 'You're a Girl For One Man Only'.
… Read more in stock $11.46
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Cat: WARPCD 354. Rel: 27 Apr 23
Indie/Alternative
Review: Sean Bowie's fifth full-length as Yves Tumor arrives with an epic title (the academically minded will be debating its meaning for years to come), a grandiose electro-rock/post-punk goes-electroclash sound, and a bagful of valedictory reviews. It's basically an extension of Bowie's previous work with a few twists, but that's no bad thing; after all, the artist's distinctive sound and strong songs have always been an impressive calling card. Highlights are plentiful, from the fizzing, 21st century punk-funk of 'Lovely Sewer', and the Prince-does-Nine Inch Nails-flex of 'Parody', to the alternately jangling and sleazy 'Operator', and the post-ESG dancefloor heaviness of 'Fear Evil Like Fire'.
… Read more in stock $8.86
