Back catalogue: All genres

Review: It's not often we pass on much trappy EDM to listeners at Juno, but Eprom is a special case, having made a name for himself for pushing the glossy post-dubstep trap style that made many artists like him famous. At the same time, Barclay Crenshaw (Claude VonStroke) is another name in the EDM world whose direction isn't quite the same as Eprom's, but nevertheless shares a space with the former artist for having also remixed Yung Skrrt's wilfully trashy hit 'McDonalds' of late. As both artists have dropped their respective cuts in many a DJ set all over the world, Skrrt's label DIRTYBIRD have now orchestrated a meeting of the two minds - not least to mention this juicy vinyl compilation of the two remixes.

Review: YUNGBLUD's hook-up with Lil Yachty is renowned amongst fans for its trippy production and tight, evocative, mind-melting bars. It has never before been on vinyl but this year's Record Store Day rights that wrong while serving it up with a superb, exclusive, introspective in-studio acoustic performance of the track. 'When We Die (Can We Still Get High?)' was first released on January 26, 2024 by Locomotion Recordings and Geffen Records and is a new school mix of alternative rock, psychedelia and hip-hop that explores themes of mortality and escapism with production by YUNGBLUD plus Matt Schwartz and Paul Meany. It's an introspective gem.

Review: Your Old Droog emerges with Movie, an introspective exploration that marks a significant evolution in his career. Cloaked in anonymity a decade ago, the Ukraine-born rapper has since carved a niche for himself in hip-hop, showcasing his sharp lyricism and distinctive style. The album's title derives from a nostalgic phrase from his childhood, symbolising moments of unexpected joy. With features from Method Man and Denzel Curry, alongside production from industry heavyweights like Madlib and Just Blaze, Movie is both engaging and emotionally resonant. Tracks like 'A Damn Shame' highlight his vulnerability, while 'Mantra' delves into his immigrant experience. Droog balances introspection with a playful edge, as seen in the catchy 'Yodi Dodi'. His storytelling shines on 'The Sandbox', addressing poignant themes of struggle. Ultimately, Movie stands as a layered masterpiece, affirming Droog's status as a thoughtful artist ready to embrace the spotlight.