Back catalogue: All genres

Review: Few electronic music producers can claim to have made quite as big an impact as Arthur Baker. During the 1980s the New Yorker was involved in creating (or mixing) a string of ground-breaking electro, freestyle and proto-house records, before becoming one of the most in-demand remixers on the planet. This vast box set, which includes six weighty slabs of vinyl and an informative insert, celebrates his legacy, offering up a mixture of pioneering productions (Afrika Bambaata and Soulsonic Force's 'Planet Rock', 'Walking On Sunshine' by Rockers Revenge, 'Confusion' by New Order), dancefloor anthems (Freez's 'I.O.U', his enormous rework of Fleetwood Mac's 'Big Love') and a string of essential but lesser-celebrated revisions - all presented in full-length, DJ-friendly form. In a word: essential.

Review: The reissue of Cagnet's Love Generation soundtrack is a nostalgic treasure for fans of 90s Japanese drama music. Originally composed for the hit series Love Generation (1997), starring Takuya Kimura and Takako Matsu, this soundtrack beautifully captures the show's emotional depth. Cagnet. led by Daisuke Hinata, crafted a unique blend of smooth jazz, pop, and wistful melodies that perfectly mirror the highs and lows of the drama's love story. Ahead of the time for then, now fits well with the Japanese reissue focus on smooth City Pop sounds. What sets this soundtrack apart is its balance between atmospheric background music and catchy, memorable tunes, which play an integral role in heightening the emotional resonance of key scenes. These tracks show Cagnet's ability to weave together soulful rhythms with melodic sophistication, making this reissue a perfect trip down memory lane. Now available on clear red double vinyl, Love Generation is an ideal piece to fit in with the classic Japanese drama soundtracks.

Review: Iconic movie classic Beetlejuice is back and we for one have enjoyed its return. Tim Burton's 1988 cult classic has been reimagined for modern audiences in 2014 and came complete with a new soundtrack. The original score, composed by the legendary Danny Elfman, blends whimsical melodies with eerie undertones, perfectly capturing the film's quirky and haunting vibe. Highlights of the original include Elfman's iconic main titles, which have become synonymous with Burton's gothic style. The new soundtrack also features standout tracks like Alfie Davis & The Sylvia Young Theatre School Choir's rendition of 'Day-O' and Richard Marx's "Right Here Waiting," adding fresh dimensions to this timeless, offbeat classic.

Review: "Besides selling 40 million albums and winning 9 Grammys in less than
10 years, over the years Norah Jones has collaborated with dozens and
dozens of artists from across the spectrum of music. This album collects
Norah's favorite collaborations from 2001-2010 into one amazing
collection: legends like Ray Charles, Willie Nelson and Herbie Hancock,
rock artists ranging from Foo Fighters to Ryan Adams to Belle and
Sebastian, hip hop luminaries OutKast, Q-Tip and Talib Kweli. No
matter the genre however, Norah's enchanting voice is the common
denominator and while the partners are varied, she ends up owning
every song and this album is a wonderful collection that holds together
brilliantly. The album is a testament to Norah's status as one of the most
in-demand and tasteful musical connectors in music. This album will
be an amazing gift item for any Norah fan and will be hard to miss this
holiday season and then again for Valentine's Day.

TRACK LISTING:
1. Love Me - The Little Willies
2. Virginia Moon - The Foo Fighters featuring Norah Jones
3. Turn Them - Sean Bones featuring Norah Jones
4. Baby It's Cold Outside - Willie Nelson featuring Norah Jones
5. Bull Rider - Norah Jones and Sasha Dobson
6. Ruler Of My Heart - Dirty Dozen Brass Band featuring Norah Jones
7. The Best Part - El Madmo
8. Take Off Your Cool - OutKast featuring Norah Jones
9. Life Is Better - Q-Tip featuring Norah Jones
10. Soon The New Day - Talib Kweli featuring Norah Jones
11. Little Lou, Prophet Jack, Ugly John - Belle & Sebastian featuring Norah Jones
12. Here We Go Again - Ray Charles featuring Norah Jones
13. Loretta - Norah Jones featuring Gillian Welch and David Rawlings
14. Dear John - Ryan Adams featuring Norah Jones
15. Creepin' In - Norah Jones featuring Dolly Parton
16. Court & Spark - Herbie Hancock featuring Norah Jones
17. More Than This - Charlie Hunter featuring Norah Jones
18. Blue Bayou - Norah Jones featuring M. Ward"

Review: With a superhero like Spiderman being recognised the world over by those who've legitimately never even held a comic book, it makes sense that any film adaption should rely on the current sounds of the modern era to deliver an entertaining and reliably engaging soundtrack. Where 2002's game-changing Sam Raimi adaptation boasted a retrospectively cheesy bevvy of nu-metal adjacent radio rock with the film's lead single even being penned by Nickelback frontman Chad Kroeger, the music selection on this latest experimental animated series of films; Across The Spider Verse, turns to the current realms of radio dominating pop-rap. Overseen by acclaimed trap producer Metro Boomin and enlisting a who's who of modern artists such as Don Toliver, Lil Uzi Vert, Future, Nas and A$AP Rocky to name just a small handful, the collection serves equally as an of the time and on the pulse soundtrack, but also as a banging collaborative compilation of some of the best hip-hop acts in the scene today.

Review: Light In The Attic teams up with Laurie Anderson and the Lou Reed Archive for a thrilling retrospective, Why Don't You Smile Now: Lou Reed At Pickwick Records 1964-65. An expansive selection of songs all written by Lou Reed, during his mid-60s stint as the staff songwriter for the long-defunct label Pickwick Records, this is a rare glimpse of a master rock musician stepping out of the limelight over the course of 25 songs, yet still letting the form and contour of his voice and sensibility be heard. All this was achieved before Reed had at all launched his career with the Velvets; it may indeed be said that this pubescent 60s period was the firelighter to Reed's flame, as the label specialised in soundalike records that emulated the major pop hits of the day - it's no wonder Reed would absorb such emulations and take them in as his own, albeit with a Century-defining twist. Channelling everything from teenybopper pop to soul-inflected garage rock, whether byJeannie Larimore, The Hi-Lifes or The Hollywoods, we get a thorough look-in here as to what made Reed and his contemporaries tick, and what Reed made tick in turn, before the fame.

Review: Fierce, fabulous and more than a little fancy, Box Of Sin takes an exhaustive look at 80s gay nightlife as the driver for the evolution of dance music. Spread over five CDs, we're taken on a sweat-slicked thrill ride through hi-nrg, disco, proto house and synth-pop taking in seminal classics and deep cuts alike. There are plenty of perennial favourites contained within, from The Pointer Sisters' 'Jump (For My Love)' and Soft Cell's 'Memorabilia' through to S'Express' massive chart dance banger 'Theme From S'Express', and you can be sure the compilers have taken care to source the real deal 12" mixes that bring out the best in a track. With plenty of lesser known surprises and a frankly head-spinning amount of knockout tracks, this is an essential document of the outsized impact queer club culture had on electronic music in the 80s and early 90s.

Review: NOW Presents... The 80s delivers a vibrant celebration of one of pop music's most iconic decades, beautifully packaged in a five album boxset. Featuring 78 massive hits, including 40 chart-toppers, this collection spans ten sides of vinyl, each pressed in a different colour and containing pop classics like The Police's 'Every Breath You Take' and Eurythmics' 'Sweet Dreams (Are Made Of This), number ones from Dead Or Alive and Soft Cell to dancefloor staples like Whitney Houston's 'I Wanna Dance With Somebody' and Chaka Khan's 'I Feel For You.' The infectious 'Ghostbusters' theme song adds a playful touch and as the set continues, legends like Billy Joel, Dolly Parton and Paul Simon shine, alongside reggae and ska flavours from UB40 and The Specials. LP3 highlights the synth-driven pop of the era with New Order's 'Blue Monday' and Pet Shop Boys' 'Heart', while the final records feature timeless anthems from Bruce Springsteen, Tears For Fears and Frankie Goes To Hollywood, concluding with Band Aid's inspirational 'Do They Know It's Christmas.' NOW Presents... The 80s encapsulates the spirit and diversity of an unforgettable musical era.

Review: NOW Presents...12" 80s: Part One - 1980-1982 is perfect for fans of the era and collectors who like the best bang for the buck in a great package. This stunning 5xLP box set features 44 iconic 12", extended, and remixed versions of classic tracks from the early 80s, each pressed on a different vibrant transparent vinyl: red, yellow, green, blue and purple. Kicking off with Blondie's infectious 'Call Me', the collection encapsulates the essence of 1980-1982 with tracks that defined dancefloors, including Grace Jones' sultry 'Love Is The Drug' and Loleatta Holloway's 'Love Sensation'. The set also showcases beloved hits from artists like Olivia Newton-John, Earth, Wind & Fire and The Specials, alongside synth-pop staples from Soft Cell and Duran Duran. Each side of vinyl brings warmth and depth to these timeless tracks, the packaging is elegant, ideal for both display and enjoyment and with its limited edition status and a wealth of classic tracks, this box set is a serious celebration of 80s music. Getting these extended versions separate on vinyl would be quite a task to take on, but thankfully, NOW has done the hard work for us.

Review: Tim Burton's films offer a one-of-a-kind experience, creating vivid, macabre universes where outsiders and gothic elements reign supreme. The original Beetlejuice stands as one of the defining films in this universe and set high expectations for the sequel. Without spoilers, we can confirm that Danny Elfman's iconic theme remains as evocative as ever, while the soundtrack is a standout. Featuring artists like Donna Summer, Sigur Ros, and Scott Weiland, the collection also includes Pino Donaggio's deceptively serene Main Title from Carrie-a brilliant and unexpected nod to the 1976 Carrie all adding a perfect touch of comedic darkness.

Review: The Princess Diaries soundtracks composed by John Debney perfectly capture the charm and whimsy of the beloved film. Debney's orchestral score blends lighthearted, playful melodies with sweeping romantic themes that reflect Mia's transformation from an awkward teenager to a poised princess. Complementing the score, the soundtracks also feature pop hits from artists like Mandy Moore and Backstreet Boys which add a youthful and contemporary vibe. Together, the music enhances the film's heartfelt moments and comedic escapades, making it an essential listen that now comes pressed on vinyl.

Review: The Beetlejuice is back! The whimsical and eerie energy of Tim Burton's 1988 cult classic has been remade for modern audiences and comes with a new soundtrack. The original was composed by the legendary Danny Elfman and the score masterfully blends mischievous melodies with haunting undertones that encapsulate the film's offbeat charm. Highlights include Elfman's iconic main titles, which have become synonymous with Burton's gothic aesthetic, and the likes of Alfie Davis & The Sylvia Young Theatre School Choir's 'Day-O' and Richard Marx's 'Right Here Waiting.'

Review: Reissued for the first time via Atlantic Records comes the official soundtrack to Twilight: New Moon, the second instalment in the Twilight film franchise, which is in turn based on the novel of the same name. With the OST component of the score again handled by Alexandre Desplat, and its curated remainder selected by music supervisor Alexandra Patsavas, New Moon is a compelling fusion of classical filmic orchestral music and brooding emo indie rock: the perfect combo to nail the affective headspace of both Edward and Jacob campers.