Review: Following 2014's When The World Was One, Halsall and the Gondwana collective continue their spiritual jazz adventure with another immaculate narrative. Now with much more vocal prowess, singer Josephine Oniyama plays a lead role in the story, adding consistency and personality to the Halsall's swooning, cinematic odysseys. Highlights include the Hathaway-style half spoken/half sung "Badder Weather", the frenetic double bass and brushed drum crescendos of "The Land Of", the (lark) ascending strings and oriental scales of "Cushendun" and the smoky, faraway Coltraneisms of the title track. Modern jazz doesn't get any more authentic than this.
Review: Matthew Halsall is one of a few key UK artists who helped make jazz cool again over the last decade. His magnificent trumpet skills and ability to tap into plenty of orchestral talent has resulted in plenty of vital albums on his Gondwana label and one of the best, if you ask us, is When The World Was One. It's a spiritual and joyous mix of contemporary and classic styles in the view of your Alice Coltrane types and now gets reissued across double vinyl. Whether it's soaring brass, heart-melting piano playing, soaring crescendos or more quiet and intimate moments you seek, this an essential jazz album whether you're a wisened old cat or a younger newcomer.
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