Review: The Deeptrax series has so far turned out many delightfully head techno sounds for those who like to have their brains as busy as their heels when in the club. This one Deep Series 1.3, kicks off with Caim's impossibly smooth and cool electro-tinged trip 'Straight No Chaser' with its mellifluous pads and deft drums. Mathijs Smit offers a more physical but still warm sound with 'Abducted' and then Joey Anderson shows his class with a grimy and dubby roller, 'All Around Us.' Rich P/Lee's 'Clown Inc' (vocal mix) brings a little playful funk and Pim's 'Somethings On My Mind' is another breezy and cathartic cut.
Santonio Echols - "Piano In The Light" (Emanuell Echols mix)
Brian Kage - "This Saturday Night"
Ryan Sadorus - "Down Below"
Review: Upstairs Asylum is kicking off the year in some style with a couple of killer new EPs. This one is the first in what is presumably a new series to showcase the talents of the Motor City. Mike Clark & Marcus Harris get things underway with 'Hey' which has a subtly uplifting feel thanks to the bright, sustained chords and cuddly drums. Santonio Echols's 'Piano In The Light' (DJ Emanuell Echols mix) is laidback, playful deep house with magical chord work and Brian Kage brings his classy depths to the smooth grooves of 'This Saturday Night.' Ryan Sadorus brings things to a close with the smoky 'Down Below.'
Review: Rambadu's self-titled label is young but already onto a good thing with a distinctly deep brand of techno. This time out the boss is back once more but in cahoots with Italian techno legend Claudio PRC. They cook up a trio of mind melters starting with 'Sai.' Warped lines menacingly roam about the stereo field over sparse kicks and deep abs. 'Matika' is just as paired back and atmospheric in a deep, dark way with slowly churning drums taking you deeper down the rabbit hole. 'Aqua' is a meatless blend of distant groans and wispy pads that keeps you in suspense.
Review: Once again, Malor Records purvey the groove with, yes, 'Purveyors Of The Groove', enlisting the help of four of the foremost techno artists out today for help on this latest 12" EP comp. Weighty Berlin techno makes up its core concept, with Cravo's 'Sem Chance' opening up the thing with its sudden vocal shouts, huge kick womps and cantankerous melodic bubblings, before Chontane's 'Septario' and Regent's 'Satin' elevate the listener to a continually wafting stasis. Finally, Vil's 'Bret' closes things off with an intense kick-led wompy-chord-sidechainer, seeming to emphasise the madness of it all.
Review: The fourth of a series of reissues from Network 23 - which focuses on classic tracks by and adjacent to R-ZAC (Crystal Distortion and 69db) of Spiral Tribe, and which made up the bulk of the OG rave collective's live sets - the 'NET23 04' EP is a mesmerising sauna of tekno entrainments and mental sonic mares. Starting with a subtle mind-melter from Crystal Distortion, 'ESV', we move into increasingly propagandistic vibes from R-Zac - whose 'LSP23' sounds like a numbers station stuck on loop and set to a technoization - and then followed by 69db and Meltdown Mickey's 'Drivin', which returns things to their initial minimal but maddening state.
Review: Cyclic and Random combine their creative forces on what is a deeply atmospheric new EP of club-ready techno for Notta. 'I Am Happy, As Am I' gets underway with celestial synths up top and more rugged rhythms down low while the mid-section is defined by sustained drones.'Speak Dirty' sinks it grainy, smoky dub techno territory and if it rolled for days you wouldn't mind such is its depth. 'DddSP' keeps things airy with more optimistic chords floating over another set of grainy dub drums with tons of reverb. A Tm Shuffle dub shuts down with a more upright groove that hints at something playful is to come.
Review: Notta's fifth deep dive in moody techno underworlds is a coming together of Cyclic and Random and they both marvel in the details. 'I Am Happy, As I Am' is super cavernous but has rays of synth light and distant microbials glowing bright to keep you attention. 'Speak Dirty' is a more traditional dub in the Berlin style and 'DddSP' then get all liquid and watery as it ripples out to infinity all around you. 'DddSP' (Tm Shuffle dub) hits heavy and rocks back and forth on its heels to mind-melting effect.
Review: Eduardo de La Calle has always excelled at crafting economical yet impactful techno. It is often long and settled in its groove, dubbed out to the max and sprinkled with grainy chords. That simple MO has kept him at the forefront for years and here he hooks up with Reeko to serve up four more tracks of his distinctive techno gold to get 2025 underway on a fine footing. 'Track 1' is a real pressure builder with waves of synth and icy hi-hats washing over you, 'Track 2' then pulls back into murky minimalism and 'Track 3' brings the brain-melting bells. All that leaves is t cast you off into the deepest corners of the cosmos with 'Track 4' full of celestial wonderment.
Review: Hard techno is very much back in vogue right now, all across Europe and beyond. Sacred Court taps into that demand with various artists EP that is edgy, raw and effective. It is Dexphase that kicks off with 'Stay True To Yourself' layering up wooden hits, icy hi hats and slamming drums. KOZLOV's 'Darkness' has real dystopian menace to it with the wiry pads that bring unsettling energy to the distorted basslines and hammering drums. Raxeller's 'Corrupted' is hyperderiven with kicks stacked up almost on top of each other as moody trance pads light up the backdrop. Tham's 'Never The Right Time' is a fourth and final highly destructive weapon to keep the rave kids marching.
Review: DJ Plead & rRoxymore make for a fascinating duo and take aim squarely at the floor on this new outing, Read Round City, for Smalltown Supersound. Opener 'Celestial' is a loose-limbed rhythmic jumble with hand claps, trippy xylophone patterns and deep bass that lulls you into a trance while 'Read Wrong' is a more reggaeton-inspired sound with snappy snares and warped synth sounds. It's gluey and gloopy and subtly colourful. 'Round Echoes' is a third and final cross blend of techno, dub and house that picks up the pace and heads off into the cosmos but retains an organic feel thanks to the marvellous wet hand claps.
Review: WSNWG visits the ongoing musical love affair between label head Rodhad and upcoming artist Ignez here. The assured studio wizards serve up some hefty techno that is rooted in rolling, drum-led funk and coloured with some edgy and emotive synth work. These four V'ermillion' tunes were recorded in February 2022 during a marathon week of studio sessions and after this first part there will be a second EP to follow it up later in the year. They are bulky cuts with rumbling low ends and sufficient details up top to keep the mind locked.
Review: 'BOOOoo! VA2' delivers a four-track EP packed with otherworldly techno that's as imaginative as it is intense. Krijka kicks off with 'Kronos', a high-energy, sci-fi-infused techno journey that's both lively and atmospheric. Next, Lamalice's 'Ti Tac Trip Trap!' plunges into darker territory, with its creative vocal manipulation, growling bassline, and menacing vibesiperfect for late-night, sinister sets. On Side-2, Ludovic's 'Qosqo Time' brings a nostalgic 90s flair, mixing catchy techno rhythms with acid trance elements for an infectious groove. Rambal Cochet's 'Hot Chills', featuring Marzipan, closes the EP with addictive space techno, offering a blend of cosmic soundscapes and driving beats that pull you into another dimension. Altogether, this EP is a stellar example of futuristic, experimental techno.
Review: Killowat Hour is a collection of 90s-inspired gems that seamlessly blend new and old influences. On Side-1, LP Rhythm's 'Want Your Love' kicks things off with a nostalgic nod to prog and euro house, delivering a distinctly 90s vibe. Aida's title track, 'Killowat Hour,' ventures into futuristic techno territory, incorporating elements of new beat for a modern twist. Mance's 'Cross Reference' follows with bouncy techno rhythms, smooth melodies, and trance influences that keep the energy flowing. Other highlights include Hottpretty's 'Make Me Yours,' which takes listeners on a trancey, heady journey through early 90s techno, offering a vibrant and energetic experience. Mad Again's 'The Night' closes the collection with deep euro house vibes, adding a layer of sophistication to the nostalgic set. This compilation is idea for those who like deep house and those who appreciate the balance of classic and contemporary sounds.
Richard Rozen - "The Legend Of The Son Of The Perlman" (7:07)
Review: Carnedd Llewelyn (Llewelyn's Cairn) by Luis Luchetti and Richard Rozen is a compelling 12" release on translucent violet vinyl that offers a refined blend of techno with a late-night appeal. Side-1 begins with Luis Luchetti's 'Jeilalou,' a deep late-night groove that gradually introduces soft, beautiful chords, adding a layer of warmth to the track's atmosphere. 'Encantado En Conocerlas' follows with a smooth and airy techno vibe, characterised by its atmospheric and flighty blend. On Side-2, Richard Rozen delivers 'Spell Two Fifty Four,' a track that combines melodic tones with a high-tech rhythm, creating a hypnotic and engaging sound. The EP concludes with 'The Legend Of The Son Of The Perlman,' a catchy, late-night house track that merges subtle energy with an alluring groove. Carnedd Llewelyn is a another excellent record out from this strong label.
Hertz Collision X Programma 101 - "Concrete Skin" (5:03)
Rebecca Delle Piane - "Ten Dosis Of Melatonin" (4:11)
Disguised - "Kaki" (5:12)
Temudo - "In Chains" (Cleric 2/10 remix) (5:45)
Review: British label Clergy marks a decade in the game with a special 12" featuring a range of artists who have ties to the imprint. Stef Mendesidis comes with the trance tinged overtones of 'Hydra' and its slamming drums and bass blend. Regent's 'Decoder' is a more minimal sound but unfurls high speed with a deep vibe and Hertz Collision/Programma 101's 'Concrete Skin' is all about masterful loops and eerie synths. On the flip, 'Rebecca Delle Piane stands out with the heady minimalism and 90s techno vibes of 'Ten Doses Of Melatonin'.
Review: London label Fourier Transform welcome back Rekab (James Baker) and label debuter Mre for 'Ace High'. 'Armadillos' rolls up its chassis for a serious exercise in minimal weight, reconstituting tuned percussions as it trundles along, while Rekab's 'Always Having Fun' posits an ideal life-mode: a steady, direct current of enjoyment, set to hedonically calculated beats. 'Climbing High' rebates the percussions for a subtle lark's ascent in deep acid, while 'Ace' complementarily descends across cross-rhythmic breaks and harmonies.
Review: SIKU's various artists offerings always result in a nice and varied sound across two sides of vinyl and the sixth such drop is another one worth of attention for techno heads. Onoffon opens with 'Matter What' which rides on raw drums with slapping hits and stark synths, while Sebastian's 'Dreams Metaphors' has a ghoulish energy and dark, twisted synth menace. Rufo brings some cosmic wonder and bleeping melodic sequences to 'Mr Wonderful' and Brian Topham's 'Expressive Dimension' is a straight up tool with burrowing leads.
Review: It's time to strap in for another episode of Anaoh Invites, which is always a great way to lose your mind to some tripped out techno. Gaetano Parisio is the first one to boggle the brain with 'Human Ratio' layering up twisted synths and drums. Dig It's 'When I Get Home' is another mad melange of smeared and stretched synths, stabs and thunderous kicks that tugs you in many different directions at once. Raffaele Attanasio kees it straight up and funky with 'Ulisse' and Fixon taps into high speed dub and percussive rawness on 'Clinging To The Roots.'
Review: Luigi Madonna returns to Contempo with Sons of Napoli, a release that unites Naples' techno luminaries in a vibrant auditory homage to their city. Gaetano Parisio kicks off with 'Orbita' which blends pulsating rhythms and hypnotic synths into a cosmic journey. Luigi Madonna follows with 'One Coffee,' with its robust basslines and energising synths. Raffaele Attanasio's 'Arenhell' merges punchy beats with ominous synths and dynamic percussion, Markantonio's 'Funk It' infuses tight rhythms with groovy basslines and Manuel Di Martino's 'Take a Break' defies its title with relentless energy amongst many other DJ weapons.
Review: 'NET 23EP5' on Network 23 Records sees more lost classics from the Spiral Tribe production squad getting a reissue. On Side-1, Crystal Distortion's 'Beat Frequency' (2nd mix) wastes no time in establishing its dominance with a fast loop that's both banging and driving. Pushing the boundaries of intensity and percussion, this track is sinister in its execution, dumbfounding listeners with its relentless energy. Following suit, 'Drumkode' delves into heavy bass territory, infusing techno with elements of EBM, resulting in a raw and powerful sonic experience. Flipping to Side 2, 69db's "The Tunnel (Kgb 001)" offers up precise techno craftsmanship, characterised by mechanical sounds layered intricately to create a hypnotic atmosphere. Closing the EP, 'Trip-Le Time' takes listeners on a sci-fi journey, with broken beats and intriguing rhythms that defy convention.
Review: Fresh from collaborating with fellow Dutch techno legend Speedy J, man-of-many-aliases Steve Rachmad (AKA Sterac, Sterac Electronics, Rachmad Project, Tons of Tones etc) makes his bow on Synchrophone. The French label has taken a deep dive into his catalogue and picked a couple of genuine gems to reissue. Both tracks originally appeared on the same Rotation Records release way back in 2000. On side A you'll find 'Tir Na Nog', a deliciously raw, jacking and crunchy workout in which stomping techno drums are peppered with hissing cymbal patterns and spacey stabs. Those stabs reappear on the more musically expansive 'Divide & Conquer', where warming deep house chords, clonking bass and sweat-soaked drums catch the ear.
Radical Chic - "In Da Shadows" (Terry Francis remix) (7:31)
Space Bunny - "The Key" (Wax Trax remix) (6:37)
Review: Gems, a new label with a nose for unearthing dusty relics of the UK tech-house scene, kicks off with a double shot of pure 90s dynamite. Label boss Paul Still, Croydon luminary and veteran crate-digger, has dusted off these two bangers, ready to reignite dancefloors. First up, Terry Francis unleashes a remix of Radical Chic's 'In Da Shadows' that'll have you reaching for the lasers and sweating buckets. This ain't no polite shuffle - it's a full-on assault of pulsating basslines, swirling synths and big energy. Francis, a master of his craft, layers textures and effects like a sonic sorcerer, conjuring a tapestry of sound that's both intricate and exhilarating. Flip the wax and Space Bunny's 'The Key' unlocks a different kind of chaos. This infectious groove, built on chunky drums and a hypnotic bassline, is pure, unadulterated dancefloor hedonism. But it's the vocal snippets and playful synth stabs that truly elevate it to legendary status. The Wax Trax remix adds a contemporary twist, injecting a fresh dose of energy while retaining the original's undeniable swagger. If you're craving the authentic sounds of early tech-house, Gems is your new dealer. These aren't just reissues; they're sonic time capsules, transporting you back to a time when the dancefloor was a sweaty, euphoric escape from reality.
Review: Rain & White Transit Van kick off a new collaborative project with this first EP on Damo B's Emotec label, and what an inspired cosmic trip it is. 'Cliffdive' is a subtle opener with thinking cosmic leads and lazy mid-tempo groves sweeping you up and depositing you amongst the stars. 'Castaway' then puts crunchy drum breaks front and centre, waiting around the edges with mystic chords and melancholic emotions. There is high-speed electro slickness to 'Park' complete with flashes of acid and 'Sin' closes with a mix of muted synth modulations, warped metal surfaces and bumping electro beats.
Review: Kulture Galerie is back with more wax and the third time proves a charm here with Doc Sleep, Rambal Cochet, The Jaffa Kid, Mesmerist, Jack Bags and Undsidedly all coming correct under the stewardship of label head Filippo MSM of Metropolitan Soul Museum. Cochet kicks off with some trance-infused prog techno, Doc Sleep offers jacked-up and analogue house, there is lithe cosmic tech from The Jaffa Kid and twisted machine sounds from Jack Bags, while Undsidedly's dreamy electro and The Mesmerist's peak time synth techno close down in style.
Review: Disco-techno-house with a headily experimental palette from Puerto-Rican favourite Juan Ramos, an artist already well known and established for his many an off-kilter mix and OG production. Now on his second release for Bless You following 'Pulse', also released this year, this phallically titled record hears the stalwart continue to offer the best in the business, serving a further two rather long 'D's on top of a third rendezvous entitled 'Collision'. The former double-serving amounts to a twin stupefaction in sensuality and roughage, unusually spanning both the top and bottom sides of the record (plenty implied). 'Collide' leans further into the record's already asserted, yet evermore primeval logical ends, following up with a hardcore experiment in retching acid and woofing kettle drums.
Review: If you've ever wondered what Breakfast In Mars might sound like, wonder no more. This excellently entitled label has another soundtrack to your fantasy morning eats, this time courtesy of Random Alias, which is a moniker so post-modern it hurts. The sounds are electro-based and uncompromising from the off: 'Keep Me High' hits harder than a quadruple espresso with its thumping kicks and squirreling synths. 'Fast Rate' is another slamming, tightly programmed electro workout and 'Solo In Space' will twist your mind inside out with its warped bass before 'Restless' is a glitchy and expressive monster.
Review: Left-of-centre electronic maverick Randomer returns with a new EP on Anetha's label, Mama Told Ya. After what we're told was something of a reflective hiatus, the UK artist delivers five emotionally charged tracks, all bar one of which are solo cuts with the other being one co-produced with Anetha. Thematically these cuts explore life's unpredictability and encourage embracing chaos and randomness. Drawing from his deep study of melodies, Randomer blends techno, trance, techstep and sacred choral music to create a cathartic journey across several different sound worlds here and it all adds up to a powerful, introspective listening experience.
Review: This electrifying release offers a compelling journey through futuristic and otherworldly soundscapes. Side-1 opens with 'Yeli Mtkiva', a demented, sci-fi-inspired blend of techno and electro, pulsating with eerie textures and mechanical rhythms. It's a track that feels ripped from a cyberpunk dystopia. Following it, 'Triponfish' shifts the tone with celestial melodies and shimmering chimes, underpinned by an acid-tinged groove reminiscent of The Exaltics' atmospheric craftsmanship. On Side-2, 'Derealize' introduces crisp production with subtle trance elements, creating a hypnotic flow that's both driving and ethereal. The closing track, 'Story About The Murderer', stands out with its narrative-like progression. It's a dark, cinematic piece, evoking the tension of a sci-fi thriller. Each track offers a unique layer to the record's overarching futuristic vibe, making this an enjoyable trek into outerspace.
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