Review: Bjork and Rosalia team up for the limited marble vinyl edition 12" double-sider, 'Oral', now coming packed with a stunning remix by Olof Dreijer from The Knife. The record is described by its releasers OLI as not just a single release but a "call to arms", with 100% of the profits being funnelled directly to AEGIS, the Icelandic charity dedicated to eradicating intensive fish farming in the country. 'Oral' itself is now a staple of the latest incarnation of Bjork's ever-mutant career, consummating her and Rosalia's recent rapport; a sabre-wielding, purblind aesthetic - befitting also of another of Bjork's collaborative contemporaries, Arca - fits seamlessly with the elegiac reggaeton of the song. Dreijer's remix is rabid and wonky by comparison, its draggy, morphemic rhythms belying Bjork and Rosalia's equally wetted vocals, producing a wacky litany of faunal electronics and whizzing FX.
Review: Back by popular demand comes this four track revisitation of the famous 80s synthpop classic, which emerged in December 2024 with the kind of slightly Euro twist in the vocal department you might expect from the Netherlands-based Random Vinyl stable. The Master Mix is perhaos the most poignant, given that its airy, lush pads were put together by the late producer Marc Hartman who very sadly passed away in August 2024 at the far too young age of 58. But all four show due reverence to this monolithic moment in electronic music history, without resisting the temptation to add a little new. Grey-t stuff.
Review: Following 2023's When A Worm Wears A Wig, Robin Stewart returns with Crinkle and delivers a set of warped dub techno tracks that apply advanced dub logic to precise, pointillistic rhythms. Channelling influences like Peder Mannerfelt and Rrose, Stewart revives classic genre tropes with a fresh perspective that dives deeper into the physicality of sound and focuses on bass throbs over aggressive kicks. Standout tracks like 'Stomach' surprise with lolloping off-grid beats soaked in lysergic textures while 'Compact' delivers a more traditional peak-time vibe with innovative processing. The title track brings everything together with mind-bending spectral rhythms.
Review: Chicago-based composer and underground mainstay Rob Mazurek has teamed up with modular synth expert and light artist Alberto Novello for this new collaboration on Hive Mind. The music was recorded in a single afternoon at Dobialab, an experimental artist space in Northern Italy where they cooked up an immersive, improvised journey into uncharted musical dimensions. Across all the coherent pieces, Novello provides a rhythmic and timbral foundation while Mazurek weaves delicate trumpet harmonies, bells and samples to build an atmospheric soundscape. The results veer from new age to psychedelic and are truly mesmerising, like an intense space ritual that explores new realms.
Review: While not as widely known or celebrated as those who came in his wake (and cite his work as an inspiration), Rephlex alumnus Bogdan Raczynski makes music every bit as alluring - and, like one of those he influenced, Richard D James, a fan of playful press releases and eye-catching interview quotes. He's variously described his amusingly new title as an AI-made attempt at EDM, the soundtrack to a rejected Tesla infomercial, a collection of ten-year-old tracks and a bid to crack "the lucrative coffee shop playlist market". Whatever the truth, it's a melodious, warm and ear-catching collection of cuts that flits between cheery electronica, off-kilter IDM, immersive and maximal club cuts, joyful ambient soundscapes and short, sweet numbers that refuse to outstay their welcome. Another winner from a master of his craft.
Review: "And the award for best named album of the month goes to..." No prizes for guessing, Rephlex alumni Bogdan Raczynski delivers yet another record as manifesto. A collection comprising warm melodic 'electronic sketches', to borrow from the official release blurb, You're Only Young Once But You Can Be Stupid Forever is complex lo fi businesses, and immediately engrossing. Short and incredibly sweet, the tracks here are cute and unconcerned with imposing themselves on the listener. Instead, they invite us in from the cold of pretentiousness to play and connect with our inner child. At times, it feels like we're bouncing along the levels of a platform video game. In other moments, it's less, more minimalistic. Those thinking of chip music should move on, though, as this is none of the above.
Review: London promoters Sagome continue their evolution and expansion into an essential label with their third release. This one comes from Italian duo Rain Text which comprises Giuseppe Ielasi, a renowned mastering engineer and one-half of Bellows, and Giovanni Civitenga, who hosts the long-running Skyapnea show on NTS. Their new album III offers sequentially titled, intricately detailed electronic compositions that blend abstract techno, glitchy sound design and experimental electronica. Comparable to Mika Vainio's sonic manipulation yet more densely layered, III nods to the fractured sounds of Actress and the decay-driven textures of late-period Jan Jelinek. It's engaging and unique, to say the least.
Review: Rain and experimental music have long shared an intriguing connection. Hanns Eisler's 1941 work "ierzehn Arten, den Regen zu beschreiben explored rain's musical qualities while later artists like The Beatles and David Toop found inspiration in its rhythms. Today, amidst pressing climate change, rain's once poetic allure has dimmed. However, Razen's album Rain Without Rain, which was recorded in an abandoned Dusseldorf tunnel, revisits rain's musical potential. Blending early electronics and traditional instruments, the Brussels collective led by Brecht Ameel and Kim Delcour captures raw acoustics in unconventional spaces and cook up a unique soundscape that thrives on restraint and silence.
Review: There's been an unexpected revival in Sophie Ellis Bextor's music ever since the success of 'Murder On The Dancefloor' in the closing scene of the Saltburn film. Some lesser-known trivia is that she was in a 90s band with DIY pop hero Billy Reeves called Theaudience, who were like a poppier Stereolab. Reeves being the band's songwriter founder and co-producer. They only ever released one album (their second album was rejected by Mercury Records) and Reeves retrained as a radio producer and broadcaster following a near-fatal car crash in 2001. Reeves, however, has been reasserting himself in music since 2023 and is already onto his third solo album, which is a thrilling, idiosyncratic take on electropop. 'Generation Game' is what you imagine the inside of Hunter S. Thompson's head would have sounded like if he was let loose around a Tokyo gaming arcade around the time he was writing Fear And Loathing... 'Let's Not' is Britain's answer to LCD Soundsystem's 'Daft Punk Is Playing At My House'. Elsewhere, 'Bstrds!' has a groove reminiscent of Alabama 3's Sopranos soundtrack and 'Dear Life' is poignant and emotional, offering a terrific counterpoint to the joyous emotions running through this magnificently compiled album.
Review: Mind Express boss Refracted, AKA Berlin's Alex Moya, emerges from the depths of some murky, oily, opaque lake. A place unsettling and unnerving - the site of some unknown tension - but also wonderfully inimitable and hard to countenance. Powerful stuff, just not really in a way that immediately presents itself as such. Nevertheless, before you know it these tones have enveloped and ensnared. Call it ambient techno, call it ambient, call it pure futurism - parts here almost feel like the ambient noises of familiar things that haven't been invented yet. If that makes sense? A moody precog of a record, it whirs and drones, echoes and dissipates. There are moments when structure become more defined, like the mystery of 'Initiation', but for the most part these are aural infinity loops.
Review: This debut from the mysterious duo Atiq and dreadmaul is an immersive concept album which explores the ancient themes of transformation and initiation by blending mysticism and archaic rituals with modern electronic beats. Each track transports listeners into a haunting soundscape rich in organic elements like bone flutes, throat singing and shamanic invocations, all woven into intricate electronic arrangements. The album strikes a perfect balance between the ancient and contemporary with a feeling of ritual and cermet in the long form and immersive rhythms that are as unforgettable as they are hypotonic.
Review: Rivet's newest album for Editions Mego blends optimism and negation, emerging sanguinely from a period of personal tragedy and disillusionment undergone by the artist. Mika Hallback, a key figure in the Swedish underground, first gained attention with industrial techno as Grovskopa before shifting to experimental work, including On Feather and Wire (2020). After the loss of fellow musician Peter Rehberg and his dog Lilo, Hallback created the somber L+P-2 (2023), and now Peck Glamour marks his return, coming reinfused with hope and exploration. Drawing on punk, industrial, techno, and trauma, the album combines synthetic and organic elements, with 'Orbiting Empty Cocoon', with its tugging, metal ballistic sound-rooms sounding like an Au-technic, cybernetic ritual, a dance anthem 'Patitur Butcher' and 'We Left Before We Came' concluding on comparatively layered zoonotic notes; posthuman synthesis backed by birdsong.
Review: It's hard to believe that Steve Roach's landmark space ambient exploration is now four decades young. Emphasis on the young, considering we're getting new releases through that sound pretty similar. No disrespect to those that do - the point is Structures From Silence was so massively ahead of its time it still feels like the rest of us are catching up. Floating on a dust ring somewhere close to Saturn, maybe, this is lush, dreamy, cosmic synth stuff to lose yourself in. Just be sure there's a yurt close by, because this one's all about lying down and staring into your own thoughts. An exercise in escapism, without needing to move a muscle. In 2025, there's plenty of off-world talk as Earth buckles under the weight of capitalism. Little do they know some of us left that place behind decades ago.
Australian Dawn - The Quiet Earth Cries Inside (6:00)
Looking For Safety (10:46)
The Ancient Day (5:58)
Red Twilight With The Old Ones (9:32)
The Return (7:59)
Review: Space ambient stalwart Steve Roach first released Dreamtime Return in 1988, seemingly a long time ago, yet in a galaxy not so far away. It's since earned its reputation as a genuine classic; the two-CD magnum opus is one of the most important, widely known and highly respected releases in Steve Roach's vast body of work. Emergent from Roach's travels in the Australian outback, along with studies of the Aboriginal dreamtime, and his desert walkabouts in California, all such influences were the key threshers of this recording, which even today sounds like a transmission from both the near future and the very distant past. A fortnight's worth of tracks hear Roach hankering after a rhythmick, spatio-temporal everywhen, musing on suspended time and desert wanderings through scape-spanning chords and boundlessly exponential decays via a distinctly 80s drum bank. He takes only a few relatively muted, percussive and turbid detours on redoubts like 'Songline' and 'Red Twilight With The Old Ones'.
Review: Robert Rental is back on the mighty Dark Entries as the cult label reissues his Mental Detentions album as an expanded double pack. Rental is a Scottish pioneer of DIY electronic music who played a key role in shaping the UK's countercultural sound alongside collaborators like Thomas Leer and Daniel Miller. Though he released little solo music, his 1979 cassette Mental Detentions was a standout of the era that featured raw demos made with budget equipment like a Roland drum machine and Stylophone keyboard. Tracks like 'Stuck' offer a distorted take on the classic motorik sound, while 'Vox' delivers an 18-minute ambient journey in which it is easy to get lost. Rental's work captures the spirit of experimentation and innovation in the face of limited resources.
Review: Samuel Rohrer's stylish new solo album is a fine advert for his expertise as a multi-instrumentalist as it blends percussion, modular synths and keys into lovely downtempo grooves. The title may suggest romantic simplicity, but the music delivers nuanced emotional and tonal complexity and is dedicated to "brave lovers" seeking truth. Tracks like 'The Parish Bell' reveal Rohrer's focused, unhurried style with ephemeral sounds emerging and fading gracefully and guest contributions like Nils Petter Molvaer's muted horn on 'The Gift' add layers of warmth at a record which rewards attentive listening.
Review: Rosetta Stone, one of the most enduring bands from the influential second wave of gothic rock, returns with a brand-new studio album called Under the Weather. Known for their dark romance and chiming guitars, the new album stays true to form with lush keyboards and an undercurrent of sinister nostalgia, thanks to bandleader Karl North. Fans can look forward to pre-release singles and a significant media blitz to accompany this album, their first in 4 years. Formed in the 1980s by Porl King and Karl North, Rosetta Stone initially captured the jangly-guitar sounds of gothic rock. Their big break came after supporting The Mission on tour. The band later transitioned to a more electronic sound before disbanding in 1998. Now, gothic mastermind Porl King is back with an album that promises to transport fans back to goth's heyday. Like their namesake, British goth legends Rosetta Stone were pivotal in bridging the gap between the first wave of gothic rock and the emerging underground scene. Their music brought a romantic element to a dynamic era of black fashion and experimental freak culture.
Review: Rosetta Stone's latest studio album, Under The Weather, continues their legacy as gothic rock pioneers. Returning with their signature dark romance, the album features chiming guitars, lush keyboards, and a hint of sinister nostalgia. Karl North, the band's key figure, guides this new release with a refined blend of their classic sound and modern touches. Since their 2020 comeback with Cryptology, fans have eagerly awaited new material, and Under The Weather promises to exceed expectations. This album is set to impress longtime followers and new listeners both with its evocative melodies and hauntingly atmospheric tracks. Available on coloured vinyl, it's ideal for collectors and fans of the gothic rock genre.
… Read more
in stock$36.31
Artikel 1 bis 50 von 58 auf Seite 1 von 2 anzeigen
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.