The Fantastic Life Of Mr Adonis The Peacock (3:04)
The Wheels Are Spinning (5:36)
Review: In a first-time collaboration, psychedelic trance godhead Simon Posford (best known as Hallucinogen and a founding member of Shpongle) teams up with fellow hippie and flutist Raja Ram (Ronald Rothfield) on a welling improvisatory record, Improvisations For Piano And Flute. Though both are highly esteemed artists in their respective micro-corners of the electronic music scene, Posford and Rothfield both depart significantly from their usually danceable ends for a living-room recorded set of ambiences. With a synth placed atop an antique Bluthner piano, Raj and Simon would join in after the other first begun playing, delivering a 44-minute effluence for the spontaneous soul.
Review: POSY's full-length debut The Garden is such a lush and organised soundscape that it really lives up to its tranquil title. Emerging from the Pacific Northwest, POSY is a multi-instrumentalist who crafted the album using analogue gear and traditional studio setups to create a warm, rich sound. The album's title is inspired by a real garden - a place of solace where the artist overcame writer's block by recording voice notes that they later refined in the studio. Influenced by artists like Yuseff Dayes and KIEFER, The Garden blends jazz, funk and downtempo with gems like 'All The Time' and collaborations with vocalists SAiGO and Jennyfire helping it to really stand out.
Review: Since he first emerged on Diagonal a decade ago, Powell has been associated with abstract rhythms, hard-edged electronics, modular madness and fearsome experimentation. Piano Music 1-7, then, is something of a departure: a set that's as equally as inspired by piano jazz and neo-classical musical movements as fractured electronica and the Radiophonic Workshop. Of course, this is not piano music in the Nils Frahm sense - much of the actual piano motifs are delivered on lo-fi keyboards and synthesizers, while his fluid, attractive and ultra-melodic refrains come wrapped in studio effects and occasional electronic textures. A great example of this hybrid sound is 'Piano Music 4' - all alien electronics, woozy piano riffs and unsettling experimental intent, while the raw beauty of shimmering ambient number 'Piano Music 7' is simply sublime.
Review: Bebop piano genius Bud Powell made his most enduring recordings as a leader for Blue Note, and was a catalyst for moving the label from the hot jazz on which it was founded, into the modern music made by Powell, Thelonious Monk, Fats Navarro, and others. Powell's 1949 and 1951 quintet & trio sessions were first released in 1952, in the form of the 10" LP The Amazing Bud Powell, and later expanded as The Amazing Bud Powell, Vol. 1, when Blue Note moved to the 12" LP and launched the 1500 series in 1955. The quintet date featured the pianist with the likes of trumpeter Fats Navarro, tenor saxophonist Sonny Rollins, bassist Tommy Potter, and drummer Roy Haynes performing Powell originals such as 'Dance of the Infidels,' 'Wail,' and 'Bouncing with Bud.' The trio date featured bassist Curly Russell and drummer Max Roach joining Powell on the jaunty classic 'Un Poco Loco,' presented here in three evolving takes, along with timeless versions of Powell's 'Parisian Thoroughfare' and Dizzy Gillespie's 'A Night In Tunisia,' as well as showstopping solo piano performance of 'It Could Happen To You.'
Review: Jonathan Powell's Mambo Jazz Party is an electrifying blend of Latin and modern electric jazz that draws from his 20 years of experience playing with legends like Eddie Palmieri and Tito Puente Jr.. It finds Powell assembling an 18-piece ensemble to bring the infectious rhythms of mambo to life and mix traditional Latin jazz with influences from electric pioneers like Chick Corea and Weather Report. He adds in layers of tabla textures and crossover jazz harmonies across a series of both original compositions and reimagined classics. Mambo Jazz Party captures the essence of joyous, groove-driven music and creates an irresistible party atmosphere throughout.
Review: Roy Powell's piano trio is set to enchant listeners once again with their new album, The Italian Songbook, a sequel to their acclaimed 2009 release, Napoli, which has graced Terashima Records compilations multiple times. This latest collection features seven beloved Italian compositions alongside two original pieces, showcasing Powell's masterful lyrical expression. The album transports listeners through Italy's picturesque landscapes with its rich melodies and heartfelt performances. Powell has emotional depth, particularly evident in the slower pieces where his artistry shines. Known for his background in avant-garde composition and jazz, Powell's journey began with his debut album, A Big Sky, recognised as a significant contribution to British contemporary jazz. In The Italian Songbook, Powell and his trio create a vibrant soundscape that captures the essence of Italian city life, inviting audiences to experience the beauty and charm of Italy through music. This release is poised to be a delightful addition to any jazz lover's collection.
B-STOCK: Sleeve damaged but otherwise in excellent condition
Overture (5:45)
Feed The Fire (4:18)
Sleep (2:59)
Interlude 1 (2:13)
Indigo (3:38)
Survive (4:29)
Interlude 2 (0:37)
From The Fire (4:04)
Souled Out (6:34)
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
From The Fire is a superb new album from Audrey Powne that is about as accomplished as any debut could be. The young auteur herself has composed all nine cuts, wrote all the lyrics, plays all the piano, organ and Rhodes, does all the singing, arranged all the strings and produced everything herself as she set out to have complete creative control. It is a rich and rewarding listen with some soaring solos and meticulously crafted grooves that have already won her high praise from those in the know such as Gilles Peterson.
Review: From The Fire is a superb new album from Audrey Powne that is about as accomplished as any debut could be. The young auteur herself has composed all nine cuts, wrote all the lyrics, plays all the piano, organ and Rhodes, does all the singing, arranged all the strings and produced everything herself as she set out to have complete creative control. It is a rich and rewarding listen with some soaring solos and meticulously crafted grooves that have already won her high praise from those in the know such as Gilles Peterson.
Review: Munich-based trio Prepared craft a hypnotic and high-energy journey that blurs the lines between chamber music, jazz and minimal dance. The trio i Chris Gall on prepared piano, Flo Riedl on bass clarinet and Christoph Holzhauser on drums i merges cyclical motifs and layered patterns into a trance-inducing soundscape. Drawing comparisons to Steve Reich, Jonny Greenwood and Dawn of Midi, their music pulses with rhythm and repetition, creating a hypnotic Gesamtkunstwerk that feels both innovative and timeless. Recorded live in a single room without overdubs, Module is a state-of-the-art production. Utilizing advanced 3D miking techniques for Dolby Atmos, the recording captures the raw interplay between instruments with breathtaking clarity. Across four expansive tracks divided into ten parts, the album flows through moods and textures. 'Modul Eins' opens with a downtempo introduction before evolving into an upbeat, swinging groove. 'Modul Zwei' offers a cinematic, film noir feel, while 'Modul Drei' dips into hip-hop beats with introspective breaks. The 15-minute opus 'Modul Vier' swells through four sections like changing seasons, showcasing the trio's virtuosity and cohesion. With Module, Prepared prove that repetition can be a riveting genre-defying experience that's impossible to forget.
Review: Kolony Gorky is back with a third EP in less than a year that once again offers some stylish and artful rhythmic interpretations. DDrhode is behind this one in collaboration with Sohrab and it opens with the airy percussive pattern and suspensory loops of deep and deft jam 'Ghoroob' (Kryptic Rhythm) which becomes dusty downbeat and late-night jaunt when served up as the Buggin Beat. 'Azadi' has the feel of a 60s spy thriller with its mysterious leads and 'Distant Sun'shuts down with some zoned out and loved-up deep house romance. Another hard-to-define but easy-to-love EP from the already vital Kolony Gorky.
Review: Originally released in 1963 under the Contemporary Records label, The Cry! still stands tall as a hallmark of free jazz by saxophonists Prince Lasha and Sonny Simmons. The timeless album which is now reissued on the Craft label, also showcases the talents of Gary Peacock and Mark Proctor on bass, and Gene Stone on drums. This Acoustic Sounds Series edition boasts AAA lacquers cut from the original master tapes by Bernie Grundman, pressed onto 180-gram vinyl at QRP and housed in a tip-on jacket for a deluxe presentation, making it a fantastic-sounding record.
Review: Originally released in 1973, Prof James Benson's seminal album, The Gow Dow Experience is a project that has an amazing story accompanying it. An entirely self-released project, Prof Benson's intention was to record these sessions so that his students at Cal Poly in California would have a special memento of what they had achieved together. Taking inspiration from their recent trip to Africa and blended with the radical jazz emerging from Black American artist's in the 70s, it was a momentous achievement for him and his young protegees. Jazzman's re-release also includes four tracks from the recording session that, until now, have never been released - they're well worth the wait, we promise!
Review: Professor Creepshow is back with another of his immersive and innovative new albums on SIC Records. The wonderful Dreamcast is a 17-track soundscape that blurry the lines between dreams and reality and invites you to embark on a journey that the artist has defined as 'Playawave'. It's silky smooth and lo-fi hip-hop with balmy pads and soulful hooks, some cosmic moods and plenty of nods to niche genres like vapourjazz, jazz wave, mallsoft, chill wave and plenty of other in-between sounds that blend moods and grooves from jazz, hip hop and downtempo into something superbly cathartic and escapist.
Review: Coming just after this seminal recording celebrated its 50th anniversary, Craft Recordings presents a carefully handled reissue of Tito Puente's Para Los Rumberos. Puente remains one of the all time greats of Afro-Cuban percussion, and he recorded this definitive set in New York in 1972, whipping through mambo, guaracha and cha-cha-cha with his trademark explosive drumming front and centre and backed up by some sharp-shooting players. Cut all-analogue from the original tapes and pressed in audiophile quality, this is a much-deserved revisit to one of the most iconic recordings in Puente's accomplished career.
Review: Having provided the beats for an estimated 3000 plus albums, many of them by legendary artists like Aretha Franklin and Steely Dan, Bernard Purdie's reputation as a drummer was significant enough for him to assemble his own ensemble at WDR Studios in Cologne, Germany in March 1996. The idea for this album was to take soul classics like Stevie Wonder's 'Superstition' and 'When A Made Loves A Woman', initially made famous by Percy Sledge, and kick them around the improvisation room. Although the arrangements are tight and economic, there's plenty of life to the playing, and of course, the drumming is just about as good as it gets.
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