Review: Antonio Ocasio is a spiritual house veteran truly embedded in the story of NYC house music since he minted the Tribal Winds label in 1998. There were a few years where things went quiet, but Ocasio has been back in action in 2023 and swiftly following up the Soulciety Music Series release with this stunning 12". On the A-side we get Sugah Lyrics offering her hushed, poetic vocal tones amidst the rolling percussion and dreamlike synth work of 'Sacred Tones'. The flip takes a different path as a mellow, soulful composition lays the groundwork for Nina Hadz Antich's sweet singing on 'That Something', once again affirming Ocasio's gifts as a songwriter and producer as well as an NYC deep house staple.
Antonio Ocasio & Coflo - "Protecting My Peace" (7:44)
Antonio Ocasio & Cee Elasssaad - "Agbara" (6:44)
Review: Although nowhere near as celebrated has his New York contemporary Joaquin "Joe" Clausell, Antonio Ocasio has been offering up spiritually enriching house music on the Tribal Winds label since the late 1990s. Here he debuts the Soulciety Music Series via a 12" containing two ear-catching collaborations. COFLO lends a hand on A-side 'Protecting My Piece', a fine slab of synth bass-propelled spiritual house piled high with Latin percussion, elongated synth solos, dreamy pads and addictive piano hooks. Cee Elesssad joins Ocasio in the studio for B-side 'Agbara', a deliciously positive, sun-soaked number that adds excitable, jammed-out organ solos to a rubbery and life-affirming piano-house groove
Review: Chicago duo The O'My's return with Trust The Stars, their latest album on HiyaSelf Recordings, the label launched by Nightmares On Wax. Blending soul, hip-hop, alt-r&b and jazz, Nick Hennessey and Maceo Vidal-Haymes craft a richly textured sound shaped by collaborations with artists like Jamila Woods, Konny Kon, and Pink Siifu. This album reflects themes of love, loss and self-discovery, showcasing the duo's evolved sound and their unique position within Chicago's vibrant music scene.
Review: London-based New Zealander Arjuna Oakes impresses hugely with this debut album, a contemporary soul and jazz fusion, global folk, electronica and post-rock motifs all woven in. Like any good LP, While I'm Distracted is a deeply personal journey exploring common themes of vulnerability, identity and hope in a world shaped by ever-more existential angst and social media stress. We're told that Arjuna approached this full-length album like a filmmaker crafting a feature and aiming to evoke emotion over concept. Performing vocals, piano, synths and arranging strings himself, he also leads a talented ensemble of collaborators who help him on this emotional odyssey.
Review: Antonio launched his own label Tribal Winds all the way back in 1998 so big up to him for still serving up new releases over a quarter of a century later. This one is a killer, too - a worldly melange of influences from house to Afro, disco to funk. 'Nibakhulu' kicks off with a hefty tribal feel then 'Ashe' (feat Morris Revy) gets more percussive. 'The Old Ones' (feat Taola) rides on funky drum patterns with lush string sounds and big claps powering it along and last of all 'Africa Me Llama' (feat Ziphezinhle Celeste) comes with fresh percussive patter and jumbled drum funk. Each of the tunes gets a side each to play out and really make its mark.
Who Chooses The Seasons (feat Carleen Anderson) (4:59)
Best By Far (4:00)
Winner (3:39)
Be Thankful (feat Erykah Badu) (4:04)
Tell Me (4:00)
Syleste (Lounge Lizzard mix) (3:54)
Feeling You (feat Stevie Wonder) (4:43)
It's So (4:32)
Come On (feat Kele LeRoc) (4:50)
Treat You (feat Caron Wheeler) (3:34)
The Man (4:15)
Fuck War, Make Love (3:24)
Bully (feat The Scratch Professer) (3:56)
I Love Being With You (3:34)
Simplify (3:18)
Gave My Heart (feat Leon Ware) (3:36)
Doobie Doobie Doo (4:02)
Insatiable (feat Natasha Watts) (5:16)
De Ja Vu (feat Mayra Andrade) (3:25)
I Want It To Be (3:44)
This Is Not A Love Song (4:47)
Outside (5:42)
Review: Much loved and influential UK soul legend Omar Lyefook - who has been awarded an MBE for his contributions to the music world - put out his seminal 33 track anthology back in 2020. It came on Freestyle Records and now makes it to wax, with all of his classic collaborations incuded as well as his most notable hit, 'There's Nothing Like This,' as well as 'It's So,' the big, floor facing cut that always amps up any club with its bristling drum work taking cues from the sounds Omar heard at The Notting Hill Carnival. There are plenty of lesser known gems form the evergreen star, too, plus exclusive and previously unheard tracks 'Pass It On' ft Terri Walker and 'Long Time Coming.'
Review: On-Ly is the creative persona of Joshua Smeltink, a pianist-producer who merges diverse influences and mixes sup aspects of sounds like house, hip-hop, and the hard-hitting post-bop jazz-rock of the 60s and 70s. He also takes inspiration from greats of the jazz world such as cats like Weather Report and Miles Davis Group. Wonderlust is his debut album and one that finds him introduce a fresh sound with a band alongside him. Aspects of great works like Santana's Moonflower, bands like The Mars Volta, and piano master Herbie Hancock all can be heard across a kaleidoscopic journey reminiscent of classic psychedelic records. With through-composed passages, heartfelt melodies, and vibrant arrangements, Wonderlust is a fine debut.
Review: Reel People Music expands the fizzing dynamic between highly accomplished label associates Opolopo (AKA Peter Major) and Angela Johnson with the release of their brand new album Best of Both Worlds. The nine-track record is an impressive merging of soulful souls, building on the pair's previous 'track-by-track' collaborative approach, and calling on influences from Quincy Jones to The Isley Brothers. From the twizzling decrescendos of Buffalo, which hears the pair summon the bruk maestro Kaidi Tatham on recording and co-prod duties, to the sparkly, sparky whetstone electro-disco track 'The Ones You Love', we really do get the best of both worlds here; we get nine worlds, in fact.
Review: Orlas, a father-son duo consisting of Victor Chicri and Vic Delnur, offers a vibrant blend of Brazilian musical traditions on their debut album Viver o Mar. Named after the Portuguese word for "shores," the project is a heartfelt tribute to the ocean, weaving together elements of samba-jazz, bossa nova, fusion, and disco-funk. Victor Chicri, a seasoned maestro and pianist with deep roots in Rio de Janeiro's 70s music scene, has collaborated with legends like Gal Costa and Seu Jorge. His extensive experience, including performances with the Quincy Jones Orchestra at Montreux Jazz Festival and a Latin Grammy win, shines through in the album's sophisticated arrangements. Vic Delnur, a versatile multi-instrumentalist and producer, brings a modern touch to their sound, drawing on his global experiences playing with artists like Sessa and Mahmundi. The result is a dynamic fusion of old and new, enriched by an eight-piece orchestra that adds lush textures to the grooves. The title track, 'Viver o Mar,' is a smooth, breezy fusion of samba-jazz and disco-funk that captures the spirit of the sea. 'Alagoas,' the second single, is a soulful tribute to Delnur's grandmother, celebrating the simple joys of life in the tropical paradise of her homeland. Viver o Mar is a celebration of Brazilian music's rich heritage, delivered with a modern flair.
Review: Marysia Osu's debut album, harp, beats & dreams, is a stunning example of her musical evolution and innovative spirit. Known for her role in Levitation Orchestra and as a Brownswood 'Bubblers' graduate, Marysia blends her classical roots with contemporary exploration in this enchanting release. Originating from Poland and enriched by her musical education in London, she has embraced the harp with profound artistry, now intertwining it with electronic elements and personal introspection. The album opens with the hypnotic 'seatime,' a journey through coastal reverie that celebrates self-acceptance and inner harmony. It continues with 'care to care,' where Levitation Orchestra's Plumm adds ethereal vocals, advocating for self-care and personal space. The track 'memento mori' features YUIS's illuminating flute, echoing stoic reflections on life's impermanence. Marysia's return to the piano and spontaneous clarinet experiments, inspired by a vivid dream, add depth to her soundscape. The clarinet's breath symbolises life's essence, bridging body and mind, enhancing the album's introspective quality. Marysia Osu's debut is a an exciting debut, offering a serene escape thanks to her talent and unique vision.
Review: Drummer Berke Can Ozcan and baritone saxophonist Jonah Parzen-Johnson present an album that stretches the boundaries of modern jazz. The compositions blend acoustic percussion with saxophone melodies, enriched by subtle electronic elements that create a lush, atmospheric backdrop. Tracks like 'Portrait of a Brick' and 'A Cloud' reveal the duo's improvisational skill, weaving intricate rhythms and melodies that seem to constantly evolve. There's a rawness and depth to the music that pulls you in, while 'Sao Paulo' offers a refreshing, energetic shift in mood. The album's blend of world influences with jazz tradition ensures it's both adventurous and captivating.
Black Is (feat DSTL Sareem Poems & Rich Medina) (3:57)
Review: Here comes an instrumental version of this killer record, where golden era boom-bap and modern hip-hop sounds are fused to perfection from the big dogs Tall Black Guy and Ozay Moore who team up with guests including KUMBAYA, Malaya and more on this fresh new gatefold LP. 'Viberite' is one of this pair's best collars - a smooth and celebratory track with mellow vibes and soulfully atmospheric textures. 'Make It Like This' rides a nice loose, tumbling beat with warming chords heating it up from below and seductive flows up top. 'Does Anybody Care?' is not only a great title but a string-laced, soul-enriching gem of a tune, too,
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