Coleridge-Taylor Perkinson: Louisiana Blues Strut: A Cakwalk (2:26)
Charles Ives: Violin Sonata No 4 Children's Day At The Camp Meeting I Allegro (1:55)
Charles Ives: Violin Sonata No 4 Children's Day At The Camp Meeting II Largo - Allegro (Con Slugarocko) (5:21)
Charles Ives: Violin Sonata No 4 Children's Day At The Camp Meeting III Allegro (1:41)
Aaron Copland: Hoe-down (2:55)
William Kroll: Banjo & Fiddle (2:56)
Eddie South: Black & Gypsy (2:48)
John Adams: Road Movies: I Relaxed Groove (4:56)
John Adams: Road Movies: II Meditative (5:23)
John Adams: Road Movies III 40% Swing (5:08)
Manuel Ponce: Estrellita (Arranged By Jascha Hifetz) (2:41)
Howdy Forrester: Wild Fiddler's Rag (2:07)
Leonard Bernsein: Somewhere From West Side Story Suite (Arranged By Raimundo Penaforte) (1:31)
Review: Violinist Augustin Hadelich's American Road Trip is an attempt to explore the musical landscape of his adoptive homeland with pianist Orion Weiss. The duo performs works by American composers spanning the 19th to 21st centuries and in doing so blends diverse influences such as European Romanticism, revivalist hymns, blues, jazz, and bluegrass. The album features pieces by Aaron Copland, Leonard Bernstein, Charles Ives, John Adams, Amy Beach, Coleridge-Taylor Perkinson and others, all of whom highlight the rich tapestry of American music. Hadelich, who moved to the U.S. at 19 and became a citizen in 2014, combines American passion with European nuance in his acclaimed performances.
Review: O Terno's evolution from 60s-inspired rock to their latest album shows a bold departure from mainstream expectations. While their earlier work hinted at potential commercial success akin to Los Hermanos, the band chose a path less traveled, embracing subversive melodies and instrumentation. Their latest offering is a perfect example to this artistic evolution. seamlessly blends intimate arrangements with a full-band approach, resulting in a captivating sonic experience. Tracks like 'O Bilhete' exude a raw, close-up intimacy, while 'E no Final' delivers cinematic grandeur. Lyrically, the album navigates diverse themes, from sociopolitical commentary to introspective musings. A standout collaboration with Devendra Banhart and Shintaro Sakamoto on 'Volta E Meia' adds depth, exploring themes of romance and self-discovery. Overall, is a beautifully crafted record that defies genre conventions, cementing O Terno's status as innovative trailblazers in the Brazilian music scene.
Review: Daniel O Sullivan, known as a producer for the likes of Tim Burgess and for his astounding art pop band Grumbling Fur, makes his first foray into classically informed chamber music. With some sort of superhuman genius mind, the unassuming Mancunian wrote these arrangements for a 14-piece ensemble and nailed it. 'Golden Verses' is stately, pastoral, yet menacing. Another highlight, 'Painting Rose' is some of the most psychedelic classical music you'll ever hear. So, if you're looking for chamber music that spans eras, genres and takes you on a transcendent journey, then look no further.
Review: The brainchild of Olli-Pekka Laine (Amorphis, Barren Earth, Mannhai), Beyond The Aeons marks the debut full-length from psych-death-prog entity Octoploid. Rounding out the line-up with several long-time collaborators including vocalist Mikko Kotamaki (Swallow The Sun) and keyboardist Kim Rantala (formerly of Amorphis), the collective live up to their namesake by pulling from several eras of rock simultaneously with a sonic bedrock built upon 70s prog and psychedelia, 90s death and black metal, as well as the myriad Venn Diagram-like intersections where these styles have crossed paths over the decades. Equal parts King Crimson, Pink Floyd and Opeth, on their debut statement Octoploid deliver a fuzzy, bombastic ode to all things heaving, hypnotising, hefty and hallucinogenic.
Review: Osamu Okuno's first album Osamu Okuno, which was independently produced by Himico Record in 1972 in a limited edition of 100 copies, is now available on LP for the first time in 52 years, cut from 6mm open tapes owned by Mr. Okuno himself. Capturing the impact of alternative rock in Kyoto in the early 70s, Osamu Okuno was quickly hailed as a modern classic in the veins of psychedelic folk and rock music, though it nonetheless did not lead to any further career developments for Okuno until much later in 1980. Infused throughout with tape hiss and bare recordings, this is an honest and reflective album, received best in the form of a single listen-through; the highlight for us has to be the penultimate ballad 'B?3????', whose arresting four chords and quivering playing and delivery, are gripping.
Review: Album number 17 for Oneida began life as basic song structures in the home of frontman Bobby Matador, in Boston, USA. Demos were then sent to New York, where members Kid Millions, Hanoi Jane, Shahin Motia, and Barry London could get to work on them. "We were working out the songs in New York without Bobby. We would start out riding the riffs, and then Shahin and Jane would add wild, out-of-tune licks," said Millions. "It seemed so perfect." The result certainly sounds close to perfection. The true reflection of a band who call gritty underground punk and psyche venues home, alongside high cultural instutitons like ICA London, Guggenheim, MassMOCA and Knoxville Museum of Art. On record, that sounds like huge walls of sound and blood-on-dance floor juggernauts, soaring discordance and hypnotic hooks, frenetic hard rock and noises between the lot.
Pieces: Tombo/La Escuela/Tombo/The Last Goodbye (5:17)
Groove (6:06)
Review: Opa's Goldenwings returns to vinyl after 50 years, offering a remastered take on the 1976 fusion masterpiece that has long been a coveted gem among jazz-funk collectors. Released by Craft Recordings via Jazz Dispensary's Top Shelf series, this album showcases the legendary collaboration between the Fattoruso Brothers, Airto Moreira, and Hermeto Pascoal. Goldenwings blends Latin rhythms, intricate synth work, and lush vocal harmonies into an exhilarating fusion experience. Tracks like the funk-forward title track and the cosmic 'Totem' highlight Hugo Fattoruso's mastery of layered keyboards, while 'Corre NiNa' and 'African Bird' bring a joyful and folk-inspired energy. The album's centerpiece, 'Tombo,' features an impressive suite that leads into the dancefloor-ready closer, 'Groove.' With all-analogue mastering by Kevin Gray and pressed on 180-gram vinyl, this reissue offers a pristine listening experience, complete with the original album art. Goldenwings is a fresh discovery for a new generation of listeners so this reissue will be a much needed one.
Review: Life Go's On's reissue of Organisation's Tone Float sheds light on a pivotal moment in music history. Known as the precursor to Kraftwerk, Organisation's debut album offers a blend of avant-garde experimentation and early German prog. Featuring Ralf Hutter, Florian Schneider, and Klaus Dinger among others, the album combines acoustic instruments with bold electronic elements, creating a cerebral yet immersive sonic experience. Tracks like 'Vor Dem Blauen Bock' showcase the band's innovative approach, bridging natural and synthetic textures with ethereal flutes, majestic organ and varied percussions. Tone Float remains a gem of musical innovation, capturing a moment when boundaries between genres blurred, setting the stage for Kraftwerk's iconic future.
Review: Colemine Records is reissuing Orgone's 2008 classic Bacano on vinyl for the first time, here exclusively for Black Friday RSD 2024. Known for their raw, organic California soul, Orgone's music grabs you by the collar and pulls you to the dance floor. The band's journey began in the San Fernando Valley, where two friends, united by their love for gritty 60s and 70s soul, drew inspiration from the vibrant music scene in Los Angeles during the late 90s. This collaboration ignited a movement, and Orgone has since become a key player in delivering timeless funk for music lovers.
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