Back catalogue: All genres

Review: Developed as off-the-cuff cassette overdubs, work taking place in Manchester and Massachusetts, combined with syncopated vocals, Human Engineering very much lives up to its name. Narrated by Rick Myers, with long-time collaborators Andy Votel and Sean Canty in charge of the noises, it's a strange place to spend some time but it's also oddly beautiful. At first ear, the aesthetic feels rough and mechanical, definitely anything but human. But as things draw us further in to whatever this plain is, the organic at the root of everything rises to the surface. Suddenly, the obtuse noises no longer sound alien, and instead have taken on their true form - products of people, perhaps artefacts from a time we're about to forget. One in which machines were ours, not their own.

Review: Machine Girl's debut album celebrates its tenth anniversary with a long-awaited reissue, which marks the first time it arrives on CD as well as vinyl. Originally released in 2014, WLFGRL fused footwork, jungle, digital hardcore and rave into a chaotic, euphoric sound that helped launch a global underground movement. The album's packed with raw intensity and plenty of breakcore influence so it introduced a new generation to extreme electronic music and to celebrate its return, a one-off livestreamed show at Brooklyn's Trans-Pecos accompanied the release. As we are reminded listening back now, WLFGRL is a real high-water mark in outsider music culture.

Review: Italian-born but longtime Brooklyn-based Madteo stands at the crossroads of gritty, industrial grooves and experimental sound exploration, continuously challenging the boundaries of electronic music with his genre-defying work. Known for his love of cheap vinyl and uniquely odd records, Madteo's production style mirrors this raw, unfiltered approach i like sketching sound on a dirty napkin. Just as he seeks out imperfect, worn-out records, his music embraces the rough edges and unpredictable textures, creating a sound that's as spontaneous and unrefined as a hurried, chaotic doodle.Tracks like 'Cans People' tap into an archaic rave energy, while 'To Know Those Who' delves deep into fragmented dub techno, its non-linear structure a testament to his ability to twist familiar forms into something completely new. As the album progresses, 'Nocturnal Palates' expands the filter house universe with deep, evolving textures, and 'Rave Nite Itz Alright' surprises with its subtle yet intense chaos. The closing tracks, including 'Luglio Ottantotto' and the 15-minute odyssey 'Emo G (Sticky Wicket)', showcase Madteo's knack for manipulating time, space, and sound, offering a disorienting yet mesmerising journey into the unknown. As an artist and conversationalist, Madteo's work remains bold, unpredictable, and captivating, further cementing his place as one of the most inventive voices in modern electronic music.

Review: Monolake's defining third LP Gravity was the second album to be released through the artist's own Imbalance Computer Music, as well as the first to feature Robert Henke predominately, as his former partner Gerhard Behles became increasingly consumed by the foundations of what become the Abelton Live empire. Tense, percussive digital minimal techno ensues, setting steady beats against rattling, materially modelled sound design - the record's resonant overtones sound like sprockets undergoing tidal to-and-fros of suspension and release - this record sought thematic refuge in a universal force of natural law: gravity itself. After a recent reissue of Monolake's first album Hongkong, this turn-of-the-century affair - appearing on vinyl for the very first time - offers a shattered, breathy brand of minimalism, perfect for shrunken heads and demanding DJs alike.