Back catalogue: All genres

Review: Back by popular demand comes this four track revisitation of the famous 80s synthpop classic, which emerged in December 2024 with the kind of slightly Euro twist in the vocal department you might expect from the Netherlands-based Random Vinyl stable. The Master Mix is perhaos the most poignant, given that its airy, lush pads were put together by the late producer Marc Hartman who very sadly passed away in August 2024 at the far too young age of 58. But all four show due reverence to this monolithic moment in electronic music history, without resisting the temptation to add a little new. Grey-t stuff.

Review: Following 2023's When A Worm Wears A Wig, Robin Stewart returns with Crinkle and delivers a set of warped dub techno tracks that apply advanced dub logic to precise, pointillistic rhythms. Channelling influences like Peder Mannerfelt and Rrose, Stewart revives classic genre tropes with a fresh perspective that dives deeper into the physicality of sound and focuses on bass throbs over aggressive kicks. Standout tracks like 'Stomach' surprise with lolloping off-grid beats soaked in lysergic textures while 'Compact' delivers a more traditional peak-time vibe with innovative processing. The title track brings everything together with mind-bending spectral rhythms.

Review: Chicago-based composer and underground mainstay Rob Mazurek has teamed up with modular synth expert and light artist Alberto Novello for this new collaboration on Hive Mind. The music was recorded in a single afternoon at Dobialab, an experimental artist space in Northern Italy where they cooked up an immersive, improvised journey into uncharted musical dimensions. Across all the coherent pieces, Novello provides a rhythmic and timbral foundation while Mazurek weaves delicate trumpet harmonies, bells and samples to build an atmospheric soundscape. The results veer from new age to psychedelic and are truly mesmerising, like an intense space ritual that explores new realms.

Review: Rivet's newest album for Editions Mego blends optimism and negation, emerging sanguinely from a period of personal tragedy and disillusionment undergone by the artist. Mika Hallback, a key figure in the Swedish underground, first gained attention with industrial techno as Grovskopa before shifting to experimental work, including On Feather and Wire (2020). After the loss of fellow musician Peter Rehberg and his dog Lilo, Hallback created the somber L+P-2 (2023), and now Peck Glamour marks his return, coming reinfused with hope and exploration. Drawing on punk, industrial, techno, and trauma, the album combines synthetic and organic elements, with 'Orbiting Empty Cocoon', with its tugging, metal ballistic sound-rooms sounding like an Au-technic, cybernetic ritual, a dance anthem 'Patitur Butcher' and 'We Left Before We Came' concluding on comparatively layered zoonotic notes; posthuman synthesis backed by birdsong.

Review: It's hard to believe that Steve Roach's landmark space ambient exploration is now four decades young. Emphasis on the young, considering we're getting new releases through that sound pretty similar. No disrespect to those that do - the point is Structures From Silence was so massively ahead of its time it still feels like the rest of us are catching up. Floating on a dust ring somewhere close to Saturn, maybe, this is lush, dreamy, cosmic synth stuff to lose yourself in. Just be sure there's a yurt close by, because this one's all about lying down and staring into your own thoughts. An exercise in escapism, without needing to move a muscle. In 2025, there's plenty of off-world talk as Earth buckles under the weight of capitalism. Little do they know some of us left that place behind decades ago.