Back catalogue: All genres

Review: Remixes of iconic New York no wave act Ike Yard by Regis and Konrad Becker's Monoton project feature on this joint release from Blackest Ever Black and Desire. Technically a complementary release to Desire's soon to drop reissue of Ike Yard's eponymous debut set from 1982, this 12" has the Downwards boss and Becker tackling tracks from that album. Led by Stuart Argabright, Ike Yard's brand of avant garde electro minimalism is not something you can easily digest, but both remixes here work as fine complements to the source material. Regis' take on "Loss" is a pattering, skeletal affair that develops ripples of uneasy analogue pulses without ever forgoing Ike Yard's paranoia inducing intentions, while Becker's Monoton Dub take on "NCR" is equally respectful, if much more foreboding in execution.

Review: A standout slice of modern soul and disco straight from NYC, penned by producer Alan Jones. This release switches things up from the original by offering a unique B-side with a lower vocal mix, crafted for DJs who want a fresh take for their sets. With a groovy, infectious energy, this updated version is perfect for the dancefloor. A must-have for collectors and DJs alike, this 45 is guaranteed to get the crowd moving.

Review: Here's some fresh techno from Intercepts, a new project dropping three slabs of hi-def, immersive club material from three different un-named artists for adventurous souls. 'Track 1' moves at a slower tempo and deals in fractured rhythms, all the better to carry the huge swathes of atmospheric sound design. 'Track 2' rolls with a deceptive discoid funk which contrasts neatly with the looped up Berlin techno-friendly elements. 'Track 3' takes things even further out into experimental - but still rhythmical - territory, marking Intercepts out as a label with a strong sense of adventure and their own distinctive way of merging influences into something which may well tickle your ear drums.

Review: We were blown away by Albeit Records' first release, a killer EP of previously unheard archive cuts from long serving machine abusers Activ-Analog. For release number two, the Bristol-based label has decided to flip the script, offering up a three-track salvo from up-and-coming producer Ismael Zouaoui. The Berlin artist goes straight for the jugular with "No Mercy", wrapping chilling melodies, booming sub-bass and drunken deep space chords around a kick-drum dominated rhythm track, before successfully breaking up the beats on the wonderfully deep-but-punchy "Cheaper". Arguably best of all, though, is B-side "Point Reyes", an impeccable exercise in intergalactic IDM that's blessed with some deliciously jazzy hybrid electro/broken techno beats.

Review: Originally from France and now based in Berlin, Isolated Material has dropped a steady run of heavy hitting releases on labels including; Brokntoys, Haws, Ukonx, 909 Connection and Mind Controlled Rectifier before joining us for his debut EP on 20/20 Vision.

'Hidden Node' kicks off the wax with a jarring excursion of futuristic breaks and abrasive sound design firing on all cylinders with complex drum patterns, bleeps and glitches. 'Asynchronous Funk' sees Isolated Material serve up an abstract slice of electro funk with a solid broken beat groove peppered with unexpected moments of off-kilter magic.

On the flip side - title track 'Hidden Node' offers up a dose of Drexciyan inspired funk primed for a set on the dark side of the moon with; high octane breaks, quick fire drum programming, intricate synth patterns and ominous undertones. Wrapping up the EP 'Unmarked Sequence' is an equally potent chaser for the wide eyed deep space traveller in need of body jerking breaks.

Review: A top value for money opportunity here, as Moiss Music deliver the latest in their sweet and sticky Jam series of various artist 12" line ups, bringing you no less than six bubbling, vivacious disco triumphs from six artists. Khemir's 'Disco Bandit' kicks off proceedings, a production that sounds like it was made by a band of around 45 musicians, a proper cavalcade of strings, brass, brazen disco thump and beautifully bold vocals. Wurzelholz's 'Prince' goes for a bit more economy but with a slinky funk bassline like that - not to mention the occasional exclamation from the purple overlord himself - it's equally devastating in dancefloor terms. Among the other highlights, 'Golden' by I Gemin has the feel of a lost Daft Punk flip tune and Cosmocomics' 'Glamorous Garcon', boasting 70s-style synth bubbles that are as cute as they are retro. Tasty as ever.

Review: Bitterfeld continues to blaze its own electro trail with a seventh outing that again its top draw. This one is a various artistic collection under the title For A Bitter Tomorrow: Band 2 and opens up with Salomo's 'Bodytalk', a crisp and ice cold electro rhythm before Interviews bathe you in gloriously deft sci-fi melodies on 'Let Go' and Qwerty's 'Kisela Neman' then brings some madness with crashing hits and molten acid lines. Jonbjorn's 'Chica' closes with similarly high impact electro sounds and raw textures.

Review: Correcciones Calypso returns from a generous hiatus with the fourth edition of its acclaimed edit series, replete with four re-edits that veer from the subtle to the downright brazen. Thomass Jackson and INigo Vontier invite the French duo Youkounkoun to open proceedings with an insane early 80s edit full of big drums and exotic touches that's been blowing dancefloors all around the world for the past years - and definitely resides in the brazen category, despite a lot of work having gone into it. Olta Karawame make their debut on the series with a powerful, compact edit full of ballsy keyboard riffing and a military-sized kick drum that is guaranteed to have heads banging . To complete the release label bosses Thomass and INigo deliver edits of their own with their characteristic sound, giving this EP maximum a value for money factor and entertainment from start to finish.