Review: Africa Seven's A7 Edits offshoot has already proved to be one of the better re-edit series around, primarily because they consistently employ some of the best re-editors in the business, offering them the opportunity to select tracks they want to rework from the parent label's vast catalogue of licensed cuts. This edition - the seventh EP to date - is another action-packed winner. Rising star Alan Dixon delivers a lightly tooled-up, all-action revision of Gyedu Bley Amadou's tropical disco classic 'Highlife', before Barcelona-based John Talabot and Pional re-frame Ekambi Brilliant's 'Afrika Afrika' as a kind of Afro-post-punk/dub disco mash-up. Over on side B, Escapade dances through a bouncy disco-house take on Pasteur Lappe's 'Na Real Sekele Fo Ya', while Jacques Renault expertly rearranges Michael Amara's Afro-disco-funk staple 'New Bell'.
Review: Samosa Records returns with Afrikano Vol. 3 which is a lovely Afro-themed, genre-blending EP featuring four standout tracks from trusted artists. Kicking things off is Vincent Galgo's 'African Rebel,' a 125bpm fusion of horns, driving rhythms, and Afro-pop bass. Frank Virgilio follows with 'Mistress,' a jazz-infused mid-tempo groover, packed with guitar riffs, organ stabs, and hypnotic bongos. Newcomer Casper Leo delivers 'Tom Tom,' a tribal delight featuring Kora guitar and melodic Marimba. Closing the EP is Lego Edit's 'El Safari,' a sultry Afrobeat banger that grabs hold and doesn't let go.
Review: Panorama Records reintroduces Danish pop duo Gitte and Inger's electrifying cover of Creative Source's 'Can't Hide Love' with their reissue of 'Ud Af Buret'. Originally released in 1978, this high-energy rendition captures the soul of the original while infusing it with the duo's unique style. Presented on limited 7", this reissue promises to be a party starter, offering a fresh perspective on a timeless classic. With Panorama Records at the helm, collectors can anticipate a discovery of Gitte and Inger's twist on the hit, establishing the label as a tastemaker in the reissue market. Get ready to groove or miss out on this essential addition to your collection!
Leo Basel - "Quelle Drole De Vie" (Nick The Record & Dan Tyler rework) (7:31)
Love Isaacs - "Surprise Surprise" (Joao Gomes & Dan Tyler Are Predictably Delayed rework) (5:43)
Rick Asikpo & Afro Fusion - "Let's Get High" (Nick The Record re-edit) (12:36)
Review: As Tangent, one of London's cherished underground institutions, marks a decade of unforgettable nights, it does so with a meticulously curated compilation on Mr Bongo. The new release is more than a celebratory gesture; it's a sonic anthology reflecting the essence of a decade spent at the heart of the city's underground scene. Curated by Tangent's own John Gomez and Nick the Record, the compilation presents a blend of rare and dancefloor-ready tracks that have defined their parties over the years. This isn't merely a collection of past hits; it's a celebration of the edits that transformed these tracks into Tangent anthems. Alongside remastered reissues, the CD edition includes three exceptional edits by Nick, John, and Dan Tyler of the Idjut Boys, each crafted with the kind of attention to detail that only years of club experience can bring. Nick's collaboration with Dan Tyler on Leo Basel's 'Quelle Drole De Vie' breathes new life into a 1987 remix, honing in on the standout elements of the original. The result is a vibrant, French boogie-infused track that promises to elevate any dancefloor. John and Dan's rework of Love Isaacs' 'Surprise Surprise' offers a cosmic twist on 80s electro-funk, extending the grooves and adding a highlife touch that enhances the track's dancefloor potential. The compilation's crowning piece is Nick's edit of Rick Asikpo and Afro Fusion's 'Let's Get High'. This 12-minute reimagining takes the energetic climax of the original and expands it into a frenetic, cosmic journey, showcasing synthesised jazz-funk in its most exhilarating form. This release is not just about revisiting old favourites; it's about acknowledging the transformative power of edits and the unique role Tangent has played in shaping London's underground music scene over the past decade.
Review: We finally get treated to this superb 7" from Grupo Majezza on Discos Mas which was due for release late last year. It features one of the band's more fiery dance floor tunes in 'La Chica Pikosita' which is all shuffling rhythms and lush string instrumentals with playful chords, percussion and vocals. It is backed with the just as hot and bhangra-tinged 'Cumbia de los Puchikas' on the reverse. These two glorious cumbia tunes are ripe for DJs and dancers alike and have never before been on wax.
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