Back catalogue: All genres

Review: Lou Donaldson's Say It Loud! is a classic of the late 60s soul-jazz movement, combining infectious grooves with a lineup of skilled musicians. Released in 1969 on Blue Note, this album highlights California-based Donaldson's expertise on the alto saxophone, blending hard-swinging bebop roots with a funkier, dance-driven approach. The title track, inspired by James Brown's anthem, is a cool, laid-back rendition that shows his nuanced playing alongside the solid rhythms of trumpeter Blue Mitchell, guitarist Jimmy Ponder, organist Charles Earland, and drummer Leo Morris. The album shines with its extended tracks like 'Snake Bone' and 'Brother Soul', where the soloists stretch out, creating moments of tension and release. Ponder's blues-infused guitar solos and Earland's dramatic organ builds are standouts. While the bossa nova rendition of 'Summertime' and the swinging 'Caravan' bring a more traditional jazz feel, the album is most vibrant when it grooves hard. Despite being somewhat overshadowed by Donaldson's earlier work, Say It Loud! remains a highly enjoyable and essential part of his legacy. It may not carry the same weight as Midnight Creeper, but its infectious rhythms and tasteful solos ensure its place as a classic in soul-jazz, deserving of a greater appreciation which this reissue celebrates.

Review: Blue Note Records continue to top up their Classic Vinyl reissues series, this time homing in on Lou Donaldson's sixth album for the label 'Blues Walk' (he never swayed from Blue Note). The legendary jazz saxophonist and bandleader intended the LP to be his magnum opus at the time, and as history slowly ingested its influence, it became as such. Six rain-drizzled original pieces span two sides, with Donaldson joined by Herman Foster, Peck Morrison, Dave Bailey and Ray Barretto for an unusual jazz combo involving congas, and a unique mood that epitomised his own brand of cool jazz-blues.

Review: The Tone Poet series, from esteemed jazz emigres Blue Note Records, is produced by our favourite Tone Poet Joe Harley and features definitive all-analogue 180g audiophile vinyl reissues mastered from the original master tapes by Kevin Gray of Cohearent Audio. The firstmost, early bird in the Tone Poet series is none other than Lou Donaldson's Midnight Creeper; the third in a series of stellar soul jazz outings by the saxophonist, made for Blue Note in the late-1960s, with key players including Hammond B3 virtuoso Lonnie Smith, young guitar star George Benson, funky drummer Idris Muhammad and the bluesy trumpeter Blue Mitchell.