Review: Jazz multi-instrumentalist Eric Dolphy's Out To Lunch is the latest in the on going Blue Note Reissue series, Tone Poet. It was his only recording for the seminal label and is often said to be one of the best they ever put out, as well as one of Dolphy's own personal highlights. Certainly fans of 1960s avant-garde jazz will agree. Dolphy was joined by trumpeter Freddie Hubbard and bassist Richard Davis amongst others, and told all players that there was no leader in the recording sessions that made up the album. That makes for a dense, busy and freeform record filled with wild playing and super musical ideas.
Pilot (feat Snoop Dogg, Busta Rhymes, Anderson Paak) (4:06)
Whoa (feat Kurt Rosenwinkel) (3:14)
Sniff (4:27)
Thank U (0:46)
Review: Domi and JD Beck are already taking the world by storm - just clock the irreverent but oh-so-sweet video to 'Smile', directed by Anderson .Paak and featuring cameos from the likes of Thundercat. The duo met by chance jamming at a NAMM convention and soon struck upon a partnership which took their serious musical skills and injected them with the kind of flippant, fun-seeking attitude that breathes new life into traditional music. They've sat in with Herbie Hancock and backed Ariana Grande, Mac Demarco and more, and now their debut album lands on Paak's Apeshit label in conjunction with Blue Note. Not Tight is cool down to the very last drop, but crucially it doesn't take itself too seriously. Domi and Beck know they've got the skills, and you can tell they're having an absolute blast messing with the jazz rulebook while delivering some impossibly sweet grooves.
Review: Blue Note Records continue to top up their Classic Vinyl reissues series, this time homing in on Lou Donaldson's sixth album for the label 'Blues Walk' (he never swayed from Blue Note). The legendary jazz saxophonist and bandleader intended the LP to be his magnum opus at the time, and as history slowly ingested its influence, it became as such. Six rain-drizzled original pieces span two sides, with Donaldson joined by Herman Foster, Peck Morrison, Dave Bailey and Ray Barretto for an unusual jazz combo involving congas, and a unique mood that epitomised his own brand of cool jazz-blues.
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