Back catalogue: All genres

Review: Lempuyang is a label you will know and respect for its high quality stream of immersive dub techno and now the man behind it, Alastair Kelly, debuts a new label with none other than revered UK techno mainstay Ibrahim Alfa Jnr. He opens up with 'Component A' which is a moody melange of slow, broken dub beats and fizzing synths. There is further experimentation on 'Untitled B2 1' which pairs a churning dub rhythm with naive and innocent melodies and lots of li-fi static. 'Entangled' ups the ante with the suggestion of a fast paced rhythm through a skeletal groove and the flip brings broken beat dub weight, meaning and percussive bass with a 2-step swagger then deep introspection on the closer. A classy EP that suggests this label is one well worth watching.

Review: Given his long-held love of fusing elements of different musical cultures from around the world, Auntie Flo (real name Brian D'Souza) is almost the perfect Multi-Culti artist. It's something of a surprise then to find that this is only his second outing on the label. He begins in confident mood with 'Esperanto', a delightfully melodious, bubbly and synth-heavy slab of chugging sonic joy, before wrapping waves of mind-altering electronics and sun-bright synths around a slipped Afro-tech beat on 'Unua Libro'. Over on side two, D'Souza takes us to a deeper and more immersive place on 'El Heine', explores hybrid cosmic/ambient soundscapes on 'Ho Mia Kor', and doffs a cap to the new age ambient pioneers of times gone by on blissful closing cut 'Mia Penso'.

Review: Miami-based label Terrestrial Funk revives the sound of early 90s house with a long-overdue return from Insight, their first new material in over 30 years. Originally emerging from the UK scene and known for their 1993 output on Strictly Rhythm, the group reappear here with three fresh house tracks and one unreleased downtempo dub, all steeped in the warmth and spirit of that golden era. 'Starry Eyed' and 'Spring' combine tactile keys with swinging, classic drums, while Ashaye's vocal lines weave emotional clarity through each groove. The previously unheard 'Na Mix' of 'What Is This World Coming To?' flips the tempo, stretching things into a dubbed-out meditation that slows the pulse without losing intensity. 'Here We Go Again' rounds things off with a shuffling rhythm that lands somewhere between warehouse and sun-drenched terrace. Nostalgic yet agile, this is a quietly triumphant return that reaffirms Insight's place in UK house history.

Review: Broken beat legends Nautilus return with a futuristic teaser for their upcoming 2026 studio album, and on this evidence, it's going to be superb. The first single reimagines a legendary anime soundtrack with their signature groove and features Japanese singer and sanshin virtuoso Anna Sato, whose vocals elevate the track to a new dimension. The release is completed by Berlin-based DJ and producer Delfonic, a well-known disco and house don and label head, renowned for his deep club remixes and praised by Gilles Peterson. Delfonic adds a magical touch with heavy beats that come with plenty of lavish synth work.

Review: Fusion five-piece Aldorande are no fustians when it comes to full-length LPs. These self-styled groove adventurers remain radically open to the sound, thanks to their stylistic touchstone, 70s funk, and its diachronic conduction of future styles. Recorded on tape in a top Parisian studio, their third record Trois brims with trifect textures, bold phrasing, and soaring choral waves. Mathieu Edouard's precise drumming is glued to the spot by Erwan Loeffel's plaited percussion, all the while Laurent Guillet's fingertips and Florian Pellissier's splayed hands make the best uses of Fender Rhodes, axe and Minimoog.