Back catalogue:

Review: Charlie Charlie's 'Save Us' is a track brimming with raw emotion, and Mondag's remix feels like a perfect counterpart, bringing a subtle touch of melancholy with its soft saxophone solo. The track maintains its weight, but Mondag's approach gives it a dream-like quality, coaxing out the depths of its aching beauty. Bella Boo's edit brings a noticeable shift, tightening the rhythms and infusing the track with a sharper energy, but it never loses the soul of the original. Gerd Janson, meanwhile, offers an ambient version that feels like an entirely different experience - less immediate, but no less absorbing. On the other side, Hypernatural's remixes expand on the dreamlike, almost otherworldly feeling of the originals. Knightlife's take on 'Spirit Walk' stretches the song's already fluid nature, making it feel weightless, while Gerd Janson's remix of 'Stormfront' adds a darker, more reflective mood.

Review: Mr Bongo are enacting a thorough revisiting of some of the very best soul, funk, MPB and boogie gems to stud their catalogue over the years; at this rate, the tagline "back by popular demand" has become a motto. This careful pairing of mutually constitutive Hanna and Almir Ricardi tunes made up the label's 54th release. 'Daixa Radar' comes first as the initial "rediscovery" of DJ Koco, whose Brazil 45's mix was the functional tipoff. Ricardi's 'To Parado Na Tua' is a similar midtempo boogie cut, produced by the legendary duo of Lincoln Olivetti and Robson Jorge, whose singularly timbral slap-drums are to die for.

Review: It's not a scam... it's Skam! To the Skam sister label Kasm comes Russell Haswell with a mitre-sawing electro release, veering toward brash abstraction. A gobby intonation is wrought from the distortion send here, where drums near-vocally poke through the muck, like rambunctious talking ghosts in machines. Warring allusions to lost humanity take shape on titles like 'Fractured Bones' and 'Tournament Species', where cyborg gladiators rise from their catacomb internments to face off against each other again and again, in haunted perpetuity. 'Different Takes' is the best example of the record's at times tempoless ferocity, scattering what remains as an intuitive pulse across phase-distorted gargles and made-wonky beat hydraulics.

Review: Former Soup Dragons man Hifi Sean (real name Sean Dickson) seems to have found a musical soulmate in David McAlmont. The pair have already impressed via a pair of well-regarded albums and here drop a third collaborative full-length - barely six months after its predecessor, Daylight, appeared in stores. Designed as a kind of flip side to that set - a loosely conceptual musical night drive from dusk 'til dawn - Twilight cannily combines slow, soft-touch grooves, dreamy textures, bubbly electronics, strobe-lit synths and McAlmont's honeyed vocals to great effect. The plentiful highlights include Blessed Madonna collaboration 'The Comedown', the tactile bliss of 'Goodbye Drama Queen', the huggable wooziness of 'High With You' and the heartfelt sweep of 'Star'.

Review: Six months after dropping their second collaborative full-length excursion, Daylight, HiFi Sean and David McAlmont deliver the yang to that set's ying - the loosely conceptual dusk-til-dawn night drive that is Twilight. More synth-heavy and strobe-lit than its predecessor, the album sees the effortlessly soulful McAlmont add his honeyed vocals to backing tracks rich in soft-touch grooves, dreamy textures, bubbly electronics and strobe-lit melodic motifs. This limited, deluxe edition is the one to grab if you can; aside from being pressed to colourful purple vinyl, it also comes bundled with a single-track seven-inch flexi-disc (containing a fine alternate dub mix of 'Driftaway') and an autographed art print.

Review: Brazilian artist Hyldon's 1981 album 'Sabor De Amor' is a Latin classic that is well overdue this reissue by Jazzybelle Records. It was the fourth from the soul man, singer and instrumentalist who was, with equally celebrated peers Tim Maia and Cassiano, at the very heart of the Brazilian soul revolution of 70s. This may be his most consistent album with its more than accomplished backing by Azymuth musicians including Alexandre Malheiros on bass, drums from Ivan "Mamao" Conti and Hammond jams from Sergio Carvalho amongst others. The bass is funky, the arrangements are sophisticated and full of sun with noodling jazz melodies and Portuguese vocals all oozing summer magic. From mellow moments like the title cut to more dazzling and upbeat dancers like 'Amor Na Terra Do Berimbau' this isa joyous listen.