Back catalogue: Trance

Review: Lyon-based Brazilian Pedro Bertho is an accomplished producer who now steps out with his own label, fittingly enough called Chez Pedro. It kicks off with a new EP 'Starlit Crates' which has already been teased by the well-received 'Have You Ever Played in Abidjan' (exclusive aired on Juno Daily), which paid tribute to that vibrant city and the Ivory Coast. 'Have You....' is a collaboration with percussionist Tutsy N'Zore, who adds great layers to Bertho's deep grooves, but there's loads going onelsewhere too.. 'Let Me Show You' has what sound like ambient recordings from a bustling market over bass-driven beats. 'Blue Hot Monday' is another humid and muggy deep techno mind melter and 'Shaved' is a crisp, tech-edged cut with frazzled synth work for peal time deployment. A great example of making functional, floor-pleasing grooves that have oodles of personality and character at the same time.

Review: Paul Mahoux's BuLu was a groundbreaking project when it was originally released 30 years ago on the French label Virtual. The Parisian, who is now based in Okinawa, crafted 'Silicon-Shepherd' and 'Senegalese-Sharpshooter' as defining tracks of the early trance scene and both of them transcended techno and house boundaries in all new ways. Side A features chopped vocals, trippy synths and M1 slap bass for some peak-time euphoria with a mind-expanding edge. On the flip, things slow down with a mix of traditional instruments and mystical choirs for a meditative journey. Remixes round out this great revising of a 90s free-spirited sound.

Review: Grown-up techno label Kompkat has always served up its most dancefloor ready sounds as part of the Speicher series and it is now up to an impressive 129 installments. This one kicks off with Hunter/Game & U S H N U's collaboration 'Reload' which is an electric cut with bright synth lines shimmering about the mix next to thunderous claps and dark future vocals. On the flip, Bawrut cuts loose with rave stabs over dense percussive grooves with vocal snatches adding to the unsettling and boisterous mood of 'Clapa', which does indeed also have plenty of claps.

Review: In short, anyone and everyone's idea of a feel-good chart topper. Synth brasses, piano weaponry and finger clicking pulses are all ingredients in its stew; Babert's Italo Disco mix, meanwhile, is a subtle departure from the original, but proves summerier and groovier, perfect for your next rooftop rave or beachside bash.

Review: With its fractal-sporting artwork, psychedelic electronics, bold melodies and thrusting grooves, France's 39 label feels like it is rooted in another, earlier time - one where progressive house, trance and techno were still evolving. This collaborative EP from Wigs and Body Clinic fits neatly in its catalogue. They begin with 'Into The Void', a spiralling slab of uplifting 90s progressive house/trance fusion, before unveiling 'Lost Souls', where spacey headiness rubs shoulders with thunderous beats, restless bass and trippy TB-303 motifs. They plump for a darker and more intense, acid-fired techno sound on 'Tuna Bap, while 'NK Prog' sounds like a long-lost progressive house gem from 1995 (bonus points awarded for their use of MK style organ stabs).

Review: Boys Noize has been tearing up dance floors and serving up arresting electronic assaults for ages, often on his own self-titled label. He branches out here though with a new one, Ones & Zeros, which he has said is a "concept label reflecting new modes of creative and subcultural circulation". it launches with a bumper compilation featuring 22 blistering sounds across six sides of wax. Two of them come from the bas himself, one is a collar with Locked Club, and elsewhere new school and more established names like Skee Mask, Safety Trance and Manni Dee all offer up the sort of high impact tracks that will always be useful to have at your disposal for when the rave really is ready to peak.