Back catalogue: Techno (Alles)

Review: Binar's fifth outing looks to a selection of talented remixers to add their own spin to some stylish techno originals. First, it is Decka's 'Alignment' that gets reworked by Efdemin, who we haven't heard from for a while but are glad to do so now. He flips it into a straight-up and smooth techno pumper with fuzzy pads softening the edges. Next, Amotik brings some urgent synth pulses and hunched-up drum funk to 'Remains Mystery' and The Lady Machine remix of 'Run' is all fat, drunken synths tumbling about with jacked-up drums and analogue hits. Jeroen Search brings some signature future cosmic energy to his take on Border One's 'Organoid.'

Review: Shalom Aber's Be As One label has done a one job of evolving from its earliest sounds in the tech house realm into a place for more refined and sophisticated techno. Kashpitzky's new offering very much fits in with that MO and opens with 'Elevate' which is a trip minimal cut with rising synths that make it feel as if you are forever speeding up. 'Silver Ball' is like a hall of mirrors with synth reflections everywhere and the Phase remix lays it down with a more rooted low end. 'For The Vision' is an unpredicted but brilliant jungle closer.

Review: Kerrie's latest proprietorship is the Dark Machine Funk label, to which the Irish DJ and producer brings the weirder ends of techno. Proudly presenting the new K-llab series, Kerrie is here heard partnering with some of her favourite ever artists, offering a fresh take on the sounds and creative processes of each collaboration. Here the collab of choice is Italian duo Dynamic Forces, known for their heavy, old-school-leaning, industrial-influenced techno. The latter artist's 'Moralism' leads the charge with an unsettlingly slippery wonky techno tune agog with stinger plucks resembling horror movie pizzicati, while Kerrie's own 'Good Intentions' betrays perhaps less felicitous outcomes, utilising consequent, spirally leads and all-encompassing synth buzzes of the sinister variety.

Review: Returning with their second EP on their self-named label, the Kilotoni series is said to be the work of renowned techno artists, plucked from the archives, but whatever, it's a a fierce resurgence of headstrong acid techno that feels both classic and vital. Side-A opens with 'Track , a minimal yet powerful stormer driven by a thick, rolling acid bassline that commands the floor. 'Track 2' follows up with a heavier, more stomping affair i a dangerous, sci-fi-inflected ride where the acid line buzzes with an incessant, hypnotic edge, pushing the energy to the brink. Turn to Side-B and 'Track 3' hits with alien sound design and raw 90s acid techno energy. It's a slice of nostalgia, yet the strong modern production keeps it razor sharp and club-ready. Closing things out, 'Track 4' shifts gears into a groovy, fun techno jam that retains the otherworldly atmosphere but brings a lighter, more playful bounce to the mix. A heavyweight EP that perfectly captures acid techno's gritty essence while pushing it into new, futuristic spaces.

Review: Kr!z from Ghent, Belgium wastes no time getting to the pointihis latest batch of heavyweight club tools is built for impact and every track hits with precision. Opener 'Defeat The Purpose' kicks things off with a writhing, acidic synth line that coils around thundering drum machine work, setting a relentless tone. It's stripped-back but deadly, fine-tuned for peak-time hypnosis. 'Chrome Dust' takes a funkier turn, its rolling groove and tightly wound percussion making it a surefire body-mover. Playful yet commanding, it balances raw intensity with just enough fluidity to keep dancers locked in. The title track, 'Ipso Facto,' is all about movement, its low-end bounce and sharp drum transitions reflecting Kr!z's DJ instinctsieverything lands exactly where it needs to. Closer 'Equilibrium' ups the energy one last time, filters opening wide over a punchy, rolling rhythm. It's no-nonsense, high-grade techno from a producer who knows exactly how to work a system.

Review: Continuing the 'Limited As F***' series, fiercely independent Scottish techno label RIOT Radio unleashes a relentless release from Ohio based Kukri. Packed with more explosive energy than a dozen grenades detonated at once, this release features three original jams starting with the intense, unrelenting, frosty techno of 'Deadly Swam', panel-beaten loops of 'Dual Wield' and wonky, unwilling bleep madness of 'Stasis'. This 12" also marks Lee Holman's RIOT Radio Records debut. His remix delivers an aggressively merciless Detroit-inspired twist to close out with a bang.