Review: Heavyweight quattro-techno from A Paul, DJ Dextro, Red Rooms, Ramon Tapia and Arkvs for Planet Rhythm. Each track serving as merciless hoisters in the vein of 'Rough' techno, the A1 is deserving of the name, bringing scraping hi-hat blurs and gulping knocks to a mean mix. Deadened, unfeeling, callous calculation follows on the follower 'Binary Codes', while Tapia tabulates a 'Ratio' on the algo-rhythmic bleeper that ensues on the B1. Finally, 'Decoration Drugs' brings a prime movement, its facelessly numbered breakdowns and shuffles assuring us that there is indeed no end to off-planet production processes such as these.
Review: Techno powerhouse Planet Rhythm is back with more vital transmissions, this time thanks to Aero. Up first is the no-messing, direct-to-dance-floor banger that is Straight From The Shoulder' with its scintillating percussion and driving kicks. 'Come Again' is even more high octane with taught bass and thundering kicks. 'Lurching' keeps it a little more funky with glitchy sounds and broken beat patterns and 'Crutch' is a final assault that is minimal in design but maximal in effect.
Review: Planet Rhythm's back with its special series and the third instalment is another techno trip into another dimension. Toni Alvarez is the man on the buttons and for the opener 'The Renegade' he pairs panel-beating 90s techno drum loops with classic 90s dance samples to make for something equally intense, nostalgic and futuristic. 'The Jam' is expertly designed techno with pristine hi-hats and hurried kicks all superbly well defined, smooth yet powerful, with another 90s vocal dropped in for some extra throwback fun up top. Two brilliant bangers.
Review: With over half a dozen releases on the techno instituion that is this label, Spanish producer Toni Alvarez continues to perfect his ability to craft tracks that resonate with both energy and depth that are ideal to represent the label. The title track, 'Groove System', kicks off with looped melodic chords and immaculate production, creating an irresistible rhythm that captures the essence of modern techno. 'Jingo' follows with a pounding beat, tribal undertones and a primal energy that veers into sci-fi territory, making it perfect for adventurous DJs. On Side-2, 'Magalenha' dives deeper into tribal elements, delivering a thunderous groove that commands the dancefloor. Closing the release, 'Land Of Nowhere' offers hypnotic loops and hard-hitting percussion, seamlessly blending upbeat energy with an entrancing rhythm. With this EP, Alvarez not only reinforces his status as a Planet Rhythm mainstay but also continues to push boundaries, delivering tracks that are as functional as they are engaging.
Review: You always know what you're gunna get with Planet Rhythm and that is classically inclined techno that is economical in design but never less than high impact. Antic Soul contributes to that fine legacy with this new EP which opens with the high speed and dubby techno lushness of 'Crd Expression' before 'Borderlands' gets more raved up and injected with some raw textures and wobbly stabs. 'Fallout' is wall-rattling, panel-beating dub techno and 'Serenity' is more icy and nimbler, with bouncy drums and stabs all making you move your body at the whim of the machines.
Review: Purposeful and fad-free techno troubadours Planet Rhythm welcome aboard Antic Soul here for a quartet of sleek, minimal, effective cuts. 'Utapau' is super fast and layers up pulsing synths with wavy pads and driving drums. 'Asukara is even more urgent but this time feels anxious in its raw percussion and for the way the drums are almost stacked on top of one another. 'Transmutation' brings plenty of dub synth work and far-sighted Detroit melodies and 'Just A Dream' rides on shimmering synths and gliding hits that pack a punch both spiritually and emotionally.
Review: Arkvs presents his latest record for Planet Rhythm, 'Moment To Breath', capturing the essence of the function of the human lungs in a short, waxen pulmonary burst. The emotive range of techno lends it many capabilities: for example, it can either provide the sense of filling the space, or it can provide a kind affective vacuum in which people might chill; Arkvs knows this instinctively to be the case, fusing the titular breathing room with a nonetheless extended motive to dance. 'Moment To Breath' (not breathe, apparently) plays up the purely roomy under-movements of techno, leaving much headroom for our excesses of somatic energies to fill the gaps; 'Conditions' carries out some of this work, working in a comparatively percussive modular drum sequence; 'Exodus' is the most jam-packed, but still conserves its 'breathing room' with thoracic stabs and bronchitic bursts. Is it possible to relax while dancing? Yes. Take a breather, but don't stop moving.
Review: Planet Rhythm is back once again, this time with a wicked split EP featuring two top techno talents. ARKVS takes care of the A-side with the low-key and deep techno buzz of 'Endorphine' and then the floating drum loops and minimal sound designs of 'Forever Is Never'. Edit Select keeps similar quiet but potent styles alive with his sparse and moody techno roller 'Quatro' while last of all is 'Loophole'. This one has rattling train-on-track style percussive sounds and deeply buried sub-bass all making for a journey as heady as it is physical.
Review: Planet Rhythm bring a high-energy, percussion-driven EP from this hot new Brazilian producer. Side-1 launches with 'Latin Hot Sauce', a tribal-infused, mysterious techno cut that rides on rolling drums and deep, hypnotic grooves. 'Small Talk' follows with relentless, loopy energyidriving, hard-hitting and built for peak-time chaos. On Side-2, 'Locking Collar' dives into darker territory with subterranean bass and pounding beats, creating some heady atmosphere. Closing things out, 'Overcharged' brings a playful, high-voltage energy, balancing intensity with a sense of movement that keeps dancefloors locked in. A dynamic ride through modern techno's heavier side, built for DJs who thrive on pushing momentum forward.
Review: Brazil's own Gustavo Bassani quiet-drops another EP for Planet Rhythm. The 'Domme Sesh' is a careful rumination on peaktime weight and pressurised trances, bringing four subtle, greyish slow burns to the table. We open with 'Chromatic Therapy', which errs more on hard techno than any other tune on the EP and buzzes with a lead, bright chord; then there's the title track and 'Collision', both of which recall the polyrhythmic experiments of NON legend Psyk; and the closing bleeps, bloops, grunts and whispers of 'Sauna'; we're not sure what kind of saunas Bassani's been visiting, but they sure do sound space-age.
Review: Cave's Street Carnival 2024 EP is a blistering journey through the pulsating realms of techno, offering two original tracks and two stellar remixes. 'Skolopender' kicks off the EP with its relentless bassline and hypnotic percussion, promising to ignite dancefloors with its raw energy. Ben Sims' remix of 'Speleon' injects the track with even more intensity, making it a surefire weapon for peak-time sets. On the flip side, 'Street Carnival 2022' delivers tribal vibes with its intricate rhythms and primal energy, while Carl Falk's remix of 'Tambores' pays homage to classic loop-driven techno, delivering a relentless groove that will keep the crowd locked in. Overall, 'Street Carnival 2024 EP' is guaranteed to leave a lasting impression on any dancefloor.
Review: Netherlands outfit Planet Rhythm continues to fulfil their stated mission to explore the boundaries of dance music, and to 'design the future', with releases from talents whose music testifies the idea that techno is too big of a concept to be limited to a single idea. Yan Cook is one such talent in their eyes; his latest for PR's limited black labels series hears four laconic, calculative and dark techno numbers play back in cold step, like a one-track space probe feeling its way through a planetary ring of ice. Cook's sci-fi theme is inhospitable, with his take on the presence of 'Antimatter' in the universe amounting to a kind of fearful metallic object grating away in an echoic chamber; and 'Exomoon', which conjures the image of said celestial anomaly via frigidly bleak pads and starkly reverberative yawps and drum machines. A chilling vision of an exodic space-faring future, perhaps once in which we've been stripped of our humanities entirely.
Review: Yan Cook's 1310 EP takes listeners on an adventure through four intense and atmospheric techno tracks that delve into the depths of the genre. On Side-1, 'Rose' sets the tone with its deep techno vibes infused with a sci-fi mood, delivering a powerful and riveting experience. 'Freak Show' follows suit with its heavy, subterranean groove, immersing listeners in a cavernous sonic landscape that's both ominous and enthralling. Flipping over to Side-2, 'Quatro' introduces an alien tribal groove accompanied by eerie bells and accents, creating a beat with relentless energy. Closing out the EP is 'Loophole,' which delivers hard-hitting grooves that demand attention and leave a lasting impact. Each track on 1310 showcases Yan Cook's ability to craft serious techno that not only moves the body but also engages the mind.
Review: Techno doesn't come much more pure and effective than when it is served up by the Planet Rhythm label. At the helm of this fresh serving is Creznight. He goes straight in at the deep end with the muscular drum funk and tightly lopped vocal fragments of 'With You' which soon get you banging the walls. 'March on Mars' is just as direct but funky with warm and punchy kicks triggering percussive rolls and smeared synths. 'Backstab' shows no let up in the drum pressure but does have a more deft melodic touch that allows in some light and 'Instinct' shuts down with more well designed loops, a hint of 90s minimalism and a taught bassline that keeps things moving at pace.
Review: The Crime Partners duo from Nantes, French, are no strangers to this label, having dropped plenty of heat here before. This new EP is another one primed and ready for the club: 'Pumping Bush' bursts out of the blocks with musical drum funk and classic dub chords smeared over the top. 'Raindrops' is a grainy and monochrome dub techno driver with endless reverb to get lost in and 'Deep Cover' is an unsettling pumper that keeps you on edge with its nervy synth loops. There is more upright and punchy techno fun on 'You Got Our Vibe' and 'Keep Pushing' while 'One More' is a great and gritty warehouse banger.
Review: Daisychain's Mamasei EP on Planet Rhythm is a high-energy techno release that pushes boundaries with its use of a famous vocal from a certain late pop star with a fondness for monkeys and fairgroudn rides. Side-1 features a remastered version of 'Mamasei' , a powerful techno track that delivers an intense, full-throttle experience, ideal for peak moments on the dancefloor. On Side-2, the 'Mamasei' (Paula Cazenave remix) offers a different take, with a more stripped-down approach in parts. Despite the minimalism, it builds to a compelling peak, maintaining the track's high energy while providing a fresh perspective.
Review: Planet Rhythm must be one of the hardest-working labels in the game - it seems to drop new music on a nearly daily basis but all of it is essential. Dajusch is the man at the buttons here with 'Gazell'e exploring a techno sound as lithe and quick as the animal it is named after. 'Average Channel' brings some dub chords to the party over cantering drums, and it is to Detroit for the machine soul and serenity of 'Ster One'. 'Beginner' closes down with more minimal stripped-back rhythms but no less impact.
Review: Death, taxes and quality techno from Planet Rhythm are the three sureties of life. The label that maintains a high laity output and never strays from its blueprint is back with more functional and well-formed sounds, this time from Mattia Dambrosio. He opens with a cut doused in static, fizzing synth lines and with a funky, mid-tempo beat on 'Spring.' 'Ossidiana' dials it back to allow the dub chords and deep roaming bassline room to lure you in then 'Domani' mesmerises with silky synth sequences that glow bright above an implied rhythm. 'Stabs' is an upright and warm techno pumper with Detroit chords and 'Warmer' then takes you way down deep into cavernous underground dub worlds.
Review: Dub Wars is a series from the mighty Planet Rhythm label that serves up killer cuts with a dub inflection. This new one comes on flame red vinyl from DBFB and kicks off with the driving dub techno intensity of 'Akord.' The superb 'Reminisce' then has more frosty chords rallying over the face of the track as ticking hi-hats keep time. 'Source' is a bunch one with lithe pads and silky drum loops working you into a hypnotic state and 'Radiant' closes out with some kicking broken beats for a more direct vibe.
Review: Planet Rhythm help lay down 'Catalyst', the latest from producer DBFB. Four ineffable techno cuts are heard in quick synchrony, be they the title track or, yes, 'Ineffable' on the A - both evincing that mercilessly uniform feel of ultra-mechanised, ultra-fantastical, ultra-formal techno - or 'Penumbra' and 'Luminescence' on the B, which open up the floodgates ever so slightly to reveal just a hint of ricocheting light.
Review: We love a trip to Planet Rhythm because it always results in hearing some fad-free, high-quality techno from key players. DBFB is behind this new white slab of wax and it starts with the hammering drum funk and rippling synth lushness of 'Stroke' before progressing into the pulsing late-night sounds of dubby cut 'Rummage'. '91' takes it back to a simpler time when jacked drums and molten dub chords are all you need for a good time and 'Resistance' shuts down with a more raw edge and driving, percussive techno slammer.
Review: Enter The Void's 303 Acid EP is a powerful four-track collection that delivers relentless acid techno energy, perfect for the dancefloor. Released on Planet Rhythm, this EP is an excellent listen for fans of the genre. Side-1 kicks off with 'Track 1,' a heavy techno acid track reminiscent of Hardfloor. It's packed with rave energy and a big club sound that's sure to ignite any set. 'Track 2' follows with sci-fi acid sounds and a liquid 303 workout that's both futuristic and hypnotic. Side-2 opens with 'Track 3,' where acid lines call dancers to the floor like sirens, supported by a bassline-heavy, crushing beat that demands attention. The EP closes with 'Track 4,' an epic track with rising acid notes that pay homage to the pioneers of the past. The intensity and emotion in this track verge on legendary, making it a fitting tribute to the acid techno legacy.
Review: Few labels in techno are as consistent as Planet Rhythm. This latest 12" comes on flame red vinyl and Federico Gandin is the man stoking the fires. There is no messing about here as 'The Storm' soon takes off on classically inclined loopy minimal techno grooves with urgent calls and synth pulses. 'Les Intrepides' then pairs a bendy, elastic baseline with scuttling sound FX and tunnelling beats. 'The Hideout' is more glitchy with broken loops and underlapping drums carrying you away while 'The Arrival' actually marks the end in serene, deeply cosmic techno style.
Review: As always there are no frills, no fads and nothing fancy about this fresh slab of techno goodness from Planet Rhythm, just pure and unadulterated rhythms to lose your shit to. Gunlock is the one firing them out and 'Thorax' sure does come at you like machine gun bullets, while 'Mo' Future' is more metal and trippy with its busy, tight synth loops. '19th & Nicollet' keeps things lively with nimble drums and shot, pithy synth details that ping about the mix. There is more brutalism to the hammering drums of 'Good Droids Gone Bad' and still space for two more techno tools that will rewire any dancefloor.
Review: Gunjack indents a lasting impression with the 'Detroit Tango' EP for Planet Rhythm, taking after the distinct Motor Citied techno style whilst also bringing a supremely balanced and original slant. The producer shows off a clinical, precise, nigh surgical approach to texture, gain staging and mixing, building on a genre that otherwise prides itself on 'rawness' (i.e. gritty street-realist unpolish) and moving further into a direction of serenity and clarity. Take the low end movements of 'Rocket Surgery', on which the track's coltish hook and subnautical kick do not sound separate, but rather one sounds to 'emerge' from the other; and 'The Drumz', which evidently takes after Millsart's 'The Bells' for a more enlivened jamboree, albeit one that still somehow fits in with the softer subtleties of the EP's obverse trax.
Review: JSPRV35 delivers a powerhouse of tribal techno, helping to solidify Planet Rhythm's reputation further for percussive excellence. Side-1 opens with 'Pulse', a high-energy tribal track that masterfully blends addictive loops with relentless beats, perfect for igniting a dancefloor. The title track, 'Robotika,' shifts gears with its alien, sci-fi textures, crafting an otherworldly vibe. Side-2 ups the intensity with 'Madafaka', a wickedly hard techno banger that packs a punch with its raw power and unyielding drive. Closing out the EP, 'Practik' channels the loopy brilliance of icons like Ignition Technician, Glenn Wilson and Hardcell with hypnotic rhythms and expertly layered production. A thrilling journey through the darker, tribal side of techno, offering both technical precision and unrelenting energy.
Review: If there is one planet we would like to spend some time on, it's Planet Rhythm. For techno lovers, it is one of the finest out there thanks to its consistently high quality, fad-free output. Kaiobarssalos is next to add to the cannon with this uptempo and stripped-back EP. 'Fatia' is all twisted and unsettling synth motifs, 'Lupulo' gets glitchy and 'Not About' is packed with unresolved loops that keep you on edge, and last of all some of the pent-up pressure is released through the more smooth but still banging deep techno trip that is closer '80's Moove'.
Review: Louis The 4th made something of a splash in 2024, delivering a string of well-regarded EPs on TH Tar Hollow, Prima Materia and Planet Rhythm. He begins his 2025 release campaign with a typically assured return to the latter label, taking us on an imaginary climb up Mount Agung in Indonesia. Hints of this loose theme can be spotted on opener 'Balinese Morality', a pleasingly melodic (but undeniably tough) techno workout in which rising and falling synth loops dance atop a punchy rhythm track and deep, booming bass. The struggle onwards up the mythical volcano is reflected in the dark, breathless and percussively layered techno stomper 'Drive System'. Elsewhere, 'Memoir' explores similar sonic territory to 'Balinese Morality', while 'End of June' tiptoes a fine line between lo-fi techno hedonism and melody-rich peak-time hypnotism
Review: The Young Hegelians once reparteed that Manchester was the geographical birthing place of the Industrial Revolution. Mysterious Manc monarch Louis The 4th nods at this fact with an express delivery straight from the millworks; even in the most brutal of working conditions, one might find love. 'She's From Manchester' evokes plumes of ashen smog as the waste byproduct of an excessively productive, surplus labourious love affair. Foundries founder, and railway workshops curdle under the weight of mechanical process, as the fast propulsions of 'Sub Genetic' and 'Stuck In The Void' quell the soul as much as they do exhaust the body, outstripping and going beyond the injurious demand to work overtime. 'Suffering Experience' closes on a dulled but continual note, as wan reverberations resound in a now abandoned factory.
Review: Italian DJ and producer Luigi Madonna sources high-technical pressure on his latest release for Planet Rhythm. The Shinto torii on the front cover appears in stark contrast to the EP’s otherwise manic mechanics, with the sonorant ‘Red Gate’ - if it is to reflect any kind of religiosity at all - bringing meaty, dreaded kicks and a reflective lead stab, as of a doomsday techno-cult, not a decentralised polytheism. Hardly the peaceful image we’re met with on the sleeve! ‘Untuned Harmonics’ files back the A1’s textural bark for a more dynamic calculation in sound, while ‘Over The Sky’ ravels automatic growls and yaps around seething hats.
Review: Rotterdam's Planet Ryhtm returns with more music in one of several sub-series it operates. This one finds David Moleon at the buttons and racing out of the blocks with 'Jessica', a big, rusty, unrelenting wall of techno noise. 'Nocontrol' is a similar wall of sound with loopy drum and percussive rotations washing over you time and time again and last of all is 'Oye Bien' which pairs things right back to a lone kick drum before rebuilding with various textural synth lines.
Review: Welcome back to Planet Rhythm where the techno is serious and the grooves compelling. Nachtwaker is behind this one and opens up with the deep and mind-melting 'Post' with its feeling of factory floor automation licking you in. 'Shiver' is another linear and dynamic deep techno cut with synth details peeling off the grooves and static electricity adding some edge. 'Withhold' (Arkvs remix) is more dark and edgy but still stripped back and economical and design and the original rounds out the EP with some nice dubby currents and textural percussion.
Review: The Between Two Seconds EP on Planet Rhythm delivers four dub-heavy techno tracks primed for war on the dancefloor. Side-1 begins with OFF/GRID's 'Between Two Seconds,' a hard-hitting percussive dub techno track that sets a robust tone. Following is Antic Soul's 'Free From You,' a high-energy banger with intense chord work. It's a peak-time track designed to bring down the house. On Side-2, DBFB's 'Murky' embodies its name with an underwater dub groove that delves into deep, subterranean soundscapes. Gockel's 'Night Mute' closes the EP with a powerful chord progression and an old-school piano breakdown that blends seamlessly into a frenzy of techno madness. Between Two Seconds EP is great for those who appreciate the darker, more intense sides of dub and techno.
Review: Planet Rhythm is a highly prolific label whose quality levels never dip, all while staying true to a signature sound that is classical and fad-free. The SP Series has furthered its reputation and now hits a tenth edition with Portuguese legend and 30-year scene veteran A Paul at the helm. His opening gambit is a mental deep techno workout with prying bass precision, 'Utopia' gets more unsettled with twitchy stabs and FX and 'Hardcell' unfolds at warp speed with tightly woven layers of synth and bass. There is no let up on closer 'Constrain' which balances minimalism with sophisticated sound design for a pure deep techno trip.
Review: Frank new techno heatage from label and now, clearly, alias Planet Rhythm. 'Dusk Till Dawn' manifests as a new red marbled 12" from the Rotterdam rollickers and brings four all-night knockers to the techno table. Opener 'Fresh' supplies us with a 4x4 future nourishment on which the food mileage has been kept as low as possible; follow-up 'Dusk Til Dawn' brings supplementary stabs and fluttery layers to the mix, while 'Break' shatters the former two's sense of importunity with a flatter build, and 'Oldschool' drops the steadiness with a 2-stepping breakbeat treat.
Review: Based in the Amsterdam area and banging out his take on techno since around 2016 on some fine labels, Bob Semp is back on previous home Planet Rhythm. His sleek style is classy and sophisticated as shown on 'Dilemma', a pulsing linear roller with plenty of depth and drive. The drums on 'Moisty Mire' get a little more robust and muscular but are still looped to hypnotic effect and 'Fable' brings a drunken synth line to the fore for some nice off-balance funk. A trio of smart, evocative tunes come on the B-side to make this a brilliantly useful and coherent EP.
Review: Planet Rhythm's brand of techno is utterly timeless and always futuristic. The latest trip around the stars is a various artists EP that varies in mood and tempo. Shekon's 'Hypno' (Phara remix) kicks off with big, boisterous drum loops full of bounce and swirled with coarse synths. Gotshell takes a more deep approach with gurgling basslines making for a subterranean sound on 'Sindrome De Volar.' KaioBarssalos's 'Detroit' then taps into a classic 313 techno style with shimmering pads and earth-shattering drums. Netty Hugo's 'Ecxtrem' is a pulsating cosmic closer.
Review: SND & RTN's Stardust EP on Planet Rhythm delivers six exemplary tracks of dub techno with crisp production and deep influenced classic sound. Side-1 opens with 'Stampersgat,' a deep dub techno soundscape featuring wall-shaking bass, crisp percussion, and an island feel that transports listeners to a tropical haven. 'D55' follows with an airy, bright dub groove, blending elements of house and Balearic chill-out, and is characterised by its heavy use of chords. Side-2 offers 'Rhydonium,' showcasing a snappy, clean groove with meandering, metallic chords and heavy echo. Stardust EP highlights SND & RTN's ability to blend deep, resonant basslines with intricate percussion and atmospheric elements, resulting in a well-rounded collection of tracks.
Review: We're always happy to be in the orbit of Planet Rhythm and this time Stipp and Genex lure us in for a dancefloor collision with their macho techno tools. 'Last To Act' is a big old wall of drums and percussive loops with a funky rhythm and 'Overcall' is pure mind music with its twisted, silken synths and ever-present drum pressure. 'Places' keeps things upright and punchy with cantering kicks and whirring machine sounds and 'All In; shuts down with a jacked-up mix of analogue drums and deep-sonar pulses. It makes for quite the thrill.
Review: Gale-force sonic apneas from Planet Rhythm, the label and unstoppable phonic force from Rotterdam. The imprint's latest V/A release in the Dubwars series this time takes on its own name, 'Minerals', and welcomes rambunctious techno troilers from the likes of Unknown Code, OFF / GRID, and Luca Accardi. Rhythmically dragged, diminished stab-chords define the A1 and A2 against metal girdered kick patterns, with 'Moment' especially nailing that ever-sought-after sweet spot of energy and anhedonia, a mixed feeling perhaps only achievable within techno's ambit. Dub techno inflections turn to infarctions, as Accardi's 'Minerals' sucks the sonic substrate dry with ballistic echoes, giving way to Gockel's minimal mountaintop NDE, 'Meditation In Tibet'.
Review: To Rotterdam's Planet Rhythm comes rising producer Vilchezz with a Homeric white label hardcore techno release, one which really pushes the boat out in terms of what could potentially be classified under the name. Hoisting an impossible bridge somewhere between genre peninsulas of speed garage and hard techno, 'Sunken In Robus' and 'Supra' achieve a difficult-to-achieve contrast of light and heavy, one that might otherwise not work without the hyper-minimal textures otherwise indulged. The titular and star track 'Odyssey' marks a return to vibey 4x4 techno form, though it is no less arresting; so does 'Fiebre', concluding the EP on an experimental industri-stratospheric number with which we might start our day right.
… Read more
in stock$14.09
Artikel 1 bis 44 von 44 auf Seite 1 von 1 anzeigen
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.