Review: This latest reissue from Awesome Tapes From Africa is the whole reason for founder Brian Shimkovitz starting the blog and the label that grew out of it. Some 13 years ago, Shimkovitz stumbled across a cassette copy of Obaa Sima whilst travelling Ghana and his love for Ata Kak's music lead to the foundation of the Awesome Tapes From Africa blog and the commencement of a long running effort to track down the Ghanaian musician. Some four years after ATFA became a label, Shimkovitz finally tracked down the musician, real name Yaw Atta-Owusu, and was granted permission to reissue Obaa Sima, using the second hand tape purchased in Ghana as the source. The seven tracks on this LP are a winning tinny combination of highlife, rap, pop, and more with "Daa Nyinaa" sounding like a cover version of William De Vaughn's "Be Thankful For What You've Got".
Review: Philophon is a Berlin-based label run by Max Weissenfeldt. Part of Philophon is the Tonstudio Bluetenring in Kreuzberg, operated by Benjamin 'Stibbo' Spitzmueller. The label's essential motivation is to support any form of local culture with reason, freedom and ludic drive. North-Ghanaian singer Guy One presents his first international release here. He promises what his name is saying: he is the number one artist of Frafra music, named after his people. "Everything You Do, You Do For Yourself" is a driving Highlife rhythm and his only song having a phrase in English. "Estre" features one of the leading voices of Frafra-Gospel named Florence Adooni. She interweaves perfectly with the horn arrangements by Weissenfeldt and the drummer. Washington's Hailu Mergia, San Francisco's Idris Ackamoor and the Pyramids and the legendary Scandinavian producer Jimi Tenor have also released on the label over the last year too.
Review: A unique political story told in 20 chapters, Angola 2 Soundtrack delves deep into the nine year history of recorded music culture that was born out of the live music oppression set in place by Portuguese rule. Between three labels over 800 recordings were released during this fertile period, each one reflecting Angolan folk and distinctive Latin influences. And these are 20 of the most creative highlights. From the frenetic guitar rhythms and harmonic chants of "Mabele" to the psychedelic highlife shimmers of "Avante Juventude" via the insistent, street-bound sermon of "Snipes", this collection is entrenched in a rich musical history. Complete with well researched booklet and powerful imagery, it's an immaculate lesson in modern music history.
Review: Those with a deep knowledge of Berlin's Ghanaian ex-pat "burger-highlife" scene may already be familiar with Lee Dodou, a singer who recorded a number of classic singles and albums during the 1980s as part of bands Georg Darko and Kantata. He retired from music in 1991, but has been persuaded to return to action by the Philophon team. This comeback single is pretty impressive all told, with A-side "Basa Basa" - a triumphantly celebratory chunk of 1960s "concert party" highlife rich in punchy horn lines and Dodou's full-throated vocals - being joined on the flipside by the slower, synth-laden "Sahara Akwantou". Brilliantly, the label describes this as "kraut-life" due to its unique (and rather good) fusion of highlife and German kosmiche.
Review: We love RSD only for one thing, and that's providing us with inaccessible records that have been snapped-up by Discogs sharks over the years. This timely reissue of Pat Thomas second LP from 1976, the wonderful Marijata, is one such record that has become impossible to find in its original format, and one which allows us to have some access to the highlife beat, one of our biggest loves. While much of this album rests in classic soul and funk, Pat Thomas' Ghanaian influences are loud and present, whether through the guitars, the aesthetics of each instrumental and, of course, the quality of the recording itself. Funk out to some ORIGINAL STYLE. Cop it quick!
Alan Cosmos & His Bam-Baara Soundz - "Soca For Your Pleasure" (7:23)
AB Crentsil - "Mama Dwen Meho" (6:16)
DJ Lawyer Okyere - "Ohia KanNye Ya" (Medley) (7:39)
Alan Cosmos & His Bam-Baara Soundz - "Onua Gyae" (6:02)
Pope Flyne Ackah - "I Think You Are Right (Jepense Que Tu A Raison)" (3:20)
Atta Frimpong - "Yaako" (5:20)
Pat Thomas - "Obae" (6:40)
Mawuli Decker - "Mawu Nafako Nam" (6:59)
Nana Aboagye Da-Costa - "Sikyi" (Medley) (7:13)
Alan Cosmos & His Bam-Baara Soundz - "Yebi/Fontonfrom" (11:58)
Review: Kalita's Borga Revolution compilations are pure joy, tapping into the boom in electronic music in Ghana in the 80s and 90s. The first volume came out last year and carried work from the likes of Thomas Frempong and George Darko. On this second instalment we get a whole host of new names to bring us more of that West African heat, and the hits just keep spilling out. Check the urgent stomp of 'Soca For Your Pleasure' by Alan Cosmos & His Bam-Baara Soundz, or the rugged soul and deadly grooves bursting out of Pope Flyne Ackah's 'I Think You Are Right (Jepense Que Tu A Raison)'. If you were into the first edition, this is only going to bring you more delights from an overlooked corner of Africa's musical history.
Susuansu/Nana Bue Me/Yewo Adaagye/Krokrohinko/M'anoma/Moma Yen Sore (15:36)
Review: Essential Hi-Life & Afro-Funk from Ghana! The legendary K. Frimpong's fantastic rare second album recorded in 1975 at Ghana Films Studio. As a prolific songwriter and singer, this is reissue of his 2nd album, a modern fusion of Hi-life and the traditional beat called Ahyewa. The excellent background is given by the Super Complex Sounds band which makes the Ahyewa beat suitable for specialist dancefloors.A must have vinyl of percussive Afro-Funk & modern Hi-life . Remastered by Frank Merritt at The Carvery, pressed on Deluxe Replika format, fully licensed to the Alhadji Kwame Frimpong Family.
Prince Nico Mbarga & Rocafil Jazz - "Sickness" (7:36)
Osayomore Joseph & The Creative 7 - "Obonogbozu" (6:50)
Felixson Ngasia & The Survivals - "Black Precious Colour" (7:12)
Sina Bakare - "Africa" (5:29)
Saxon Lee & The Shadows International - "Special Secret Of Baby" (8:45)
International Brothers Band - "Onuma Dimnobi" (8:19)
Don Bruce & The Angels - "Kinuye" (5:50)
Etubom Rex Williams & His Nigerian Artistes - "Psychedelic Shoes" (6:14)
Rogana Ottah & His Black Heroes Int - "Let Them Say" (8:48)
Sir Victor Uwaifo & His Titibitis - "Iziegbe (Ekassa No 70)" (7:16)
MA Jaiyesimi & His Crescent Bros Band - "Mundiya Loju" (3:04)
Review: As part of their 20th anniversary celebrations, Strut has decided to bring back the compilation series that first put the label on the map: "Nigeria 70". Curated by Duncan Brooker, this latest volume in the series is the first for eight years. It's another history lesson, with Brooker largely focusing on exposing the musical links between the music of Nigeria and Benin. You get a white-hot mixture of Highlife, Afro-Funk and Ju-Ju, mostly hand-picked from albums and singles that are near impossible for mere mortals to find. Interestingly, this edition doesn't just contain heavy cuts from the '70s, but also more synth-powered songs from the 1980s, too. As you'd expect, it makes for terrific listening.
Review: 1975's "Simigwa" album not only launched the career of Afro-funk fusionist and eventual Highlife great Gyedu Blay Ambolley, but also inspired a Ghanaian dance craze. The album was co-produced by another Highlife great, Ebo Taylor, and has long been exceptionally hard to find on vinyl. For this official vinyl reissue on Mr Bongo, Ambolley's landmark set has been fully re-mastered for the very first time. It sounds spectacular, with great clarity on the ear-catching brass solos, serious weight to the bass and superb stereo separation. Highlights include - but certainly aren't limited to - the Afro-blues brilliance of "Toffie", the jaunty dancefloor fuzziness of "This Hustling World" and the heavyweight swing of ear-catching opener "Kwaakwaa".
Wallias Band - "Muziqawi Silt" (instrumental) (3:45)
Marumo - "Khomo Tsaka Deile Kae?" (3:42)
Roger Damawuzan & Les As Du Benin - "Wait For Me" (3:14)
Shina Williams & His African Percussionists - "Agboju Logun" (Mr Bongo 7" edit) (4:02)
Girma Beyene - "Enken Yelelebesh" (3:21)
Tee Mac & Majorie Barnes - "Nam Myoho Renge Kyo" (5:40)
Yta Jourias - "Adore Nyueto" (5:27)
Peter King - "African Dialects" (4:54)
Alemayehu Eshete - "Tchero Adari Nègn" (4:26)
Tesfa-maryam Kidane - "Heywete" (5:14)
Amadou Balake - "Super Bar Konon Mouso" (5:24)
Kelekye Band - "Jungle Music" (5:40)
Orlando Julius & Ashiko - "Get The Funk" (5:28)
Review: A new week means yet another new compilation from Wagram. The French label has become expert at myriad different genres from staples like house and techno to more esoteric world genre niches. This time out they launch a new series that looks into the rich sounds of Afrobeat, first pioneered by the likes of Fela Kuti and his drummer Tony Allen. Neither of them feature here but the four sides of tunes we do get all make for a deep dive into this compelling rhythmical music.
Review: Victoria Osei and Theresa Owusuaa are Ahemaa Nwomkro, which is a phrase that translates as 'queens of Nwomkro.' Nwomkro is an Ashanti style music that influenced Highlife, a style of music closely linked to Kumasi, Ghana's cultural capital and a city in the middle of the jungle. The pair link up with young highlife talents here and the results are pure, good time sounds that trill with energy, pickle rhythms and earthy percussion as well as some subtle synth work that brings a contemporary edge.
Review: Majid Soula is someone who uses music as activism. The Algerian-born, Amazigh artist lays down prominent guitar lines with driving drums and snaking synth lines to blend together worldly sounds such as highlife, disco, Kabyle sounds and funk. The sounds become a vehicle for Soula's political message which he delivers with style and wit. The artists says he is someone whose first concern is "to present a quality artistic work in order to contribute, however modestly, to the development and enrichment of our cultural heritage." He does it and then some with this more absorbing of records. It is sure to become a collector's cult classic.
Review: "The message was clear: this was not necessarily music for dancing - even though the rhythms were compelling enough. This was music for the thinkers." When it came to the music of Celestine Ukwu, from where was this message communicated? In his case, it was the coalescing of his fashion sense and performance style, which combined unorthodox dress for highlife musicians - turtlenecks and drab coats - with a polyrhythm-focused, less intense highlife sound. With his bands, most notably The Philosophers National, Ukwu pioneered a more pensive and slow-burning version of the West African style, earning his place in musical history and this compilation of his greatest works.
Review: Dan Boadi left his native Ghana to take his highlife sound to American audiences after he had his 1967 breakout debut 'Abrabo'. That was a regional hit and soon after came this tune which was recorded at Paul Serrano's studio in Chicago. It showcased the real breadth and depth of his sound as it called upon reggae, acrobat, halide and funk to demand your ear with a chugging drum groove. Add in the colourful orchestration that makes the tune soar and a you have a record that is a true musical melting pot that stood Boadi pat in his new home of the Windy City.
Review: Ahemaa Nwomkro means queens of Nwomkro, an old Ashanti Musial style that was hugely influential in the early formation of genres like the Highlife take on Kumasi, which is the cultural capital of Ghana in the middle of the jungle. Those queens are Victoria Osei and Theresa Owusua and here they team up with young Highlife musicians generation Akule Pepe on guitar. He worked for many years with Highlife legend Alex Konadu and these songs here show just how well pure Nwomkro work with textbook Highlife.
Review: Ebo Taylor And The Pelikans were Afro-funk masters of the seventies. Their self-titled 1976 record is one of the most well-regarded and highly sought-after Ghanaian funk offerings and now it gets a high-quality reissue by Comet Records. This album contains the legendary 'Come Along' and is the first time revered artist, arranger, musician and producer Ebo sang the seminal Ghana funk tune. He is joined throughout by the 12-piece Cape Coast collective The Pelikans led by Bessa Simmona with rhythm guitarist Fifi Orleans Lindsay.
Review: The magnificent Luaka Bop label has been showcasing the work of Alhaji Waziri Oshomah - a master of Afro sounds and rhythms that cut deep - for a while now across several albums and compilations. He hails from Edo State in southern Nigeria and is known for holding sermons of the religious as well as musical sort. After various volumes of work and the superb World Spirituality Classics 3: The Muslim Highlife Of Alhaji Waziri Oshomah record comes this new series of gems that show off his unique take on international rhythms across four long, ever evolving and always engaging grooves.
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